UNTYING THE NOT

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UNTYING THE NOT album cover
Album Information

Total Tracks: 13   Total Length: 54:22

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Good, but not typical

ToasKokopelli

I get the fact people feel let down because this really is the sound of String Cheese, but it's a good CD never the less.

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A great CD in a band's evolution

Tucsondeadhead

I don't get the preceding reviewer's comments. Part of SCI's shows consist of some long, jams similar to what the Grateful Dead called Drums>Space. This CD moved away from traditional songwriting and explored so sonic experimentation by the band. To me, it's the perfect "put it on when I go to bed" CD, as the musical interplay is relaxing and enjoyable. If I were a blunthead, I'd love the CD in the way I used to love Pink Floyd's "Dark Side of the Moon" because every time you listen to it you hear something new, and, well, it's a great "under the influence" CD. SCI is still playing bluegrass-themed music in their live shows, but, c'mon, can't a band be allowed to mature? Bluegrass fans have the Del McCoury Band, Railroad Earth and numerous other bands to enjoy. Put it this way, the Grateful Dead in 1967 bore little resemblance to the Grateful Dead of 1990. Yeah, they played some of the same songs, but there was a maturity to their music. So, too, with String Cheese Incident.

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What happened

SirBinskyIII

Boy, when I first heard these guys around the time the Live at Fox Theatre disc came out, I couldn't stop listening to them. Almost to the point of losing friends and getting beat up I was so annoying about it. I feel nothing anymore. Granted I am a catchy tune jam fan, so the bluegrass and 100 year flood stuff was my thing. I wish they would go back to that stuff.

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They Say All Music Guide

After releasing a mammoth 40 live recordings from their 2002 tour, String Cheese Incident is back in the studio with easily the finest moment they have ever committed to tape in this environment. On Untying the Not, SCI erases the perception that the only thing they are capable of as a band is playing long, wonderfully intricate, transcendent jams rooted in songs in a live setting. SCI are also fine songwriters, and virtually everything here attests to the fact that they have attained not only new inner wisdom as a band when it comes to writing tunes, but in recording them as well. The gorgeous, warm, gooey, organic, and spacious sound producer Youth (yes, formerly of Killing Joke and formerly known as Martin Glover) weaves around the band’s compositions updates its sounds without artifice or gimmick. Contrast two of the five instrumentals (all sequenced in a row, bridging the album’s two themes from search to acceptance), the futuristic, deep-space, jazzy funk of “Mountain Girl,” with the Appalachian balladry of “Elijah,” where Michael Kang’s strings and Kyle Hollingsworth intertwine intimately, becoming a kind of modern day Stephen Foster melody rooted in the grain of the land itself. On the vocal cuts, Billy Nershi’s “Wake Up” is one of the more poetic and sophisticated lyrics out there, as he offers a practical view of everyday awareness of not only oneself but one’s surroundings. It’s a Zen track for an un-Zen time. The crunchy guitars and Rhodes piano as they contrast with the Wurlitzer and funky backbeat underscored by Keith Moseley’s bass are positively infectious. Elsewhere, such as on the two collaborations with futuristic visionary John Perry Barlow, though, syncopated rock bends into droning sonics in overdrive as the lyric offers yet another view of awakening. “Just Passin’ Through” uses Indian percussion and ambient guitarscapes to coax an acoustic into the fore where words about the transitory nature of life and how it exists in the body like a bubble in water are both tender and poetic. Ultimately, Untying the Not, is a deeply spiritual record. From its opening tracks to the tough, visionary, instrumentals to the economically rendered lyrics that stand on their own as poetry to the stunning inner poster by artist Alex Gray, it points to a moving and reflective stance on everyday life. It’s interesting that this entire disc feels like it was influenced by Richard Linklater’s film Waking Life. Untying the Not is a stream of white light making its way into the darkened corner that has become our culture. Full of possibility, fascination, delight, and stunningly beautiful music, this is arguably the defining moment — thus far — in SCI’s catalog, live or studio. – Thom Jurek

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