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Thelonious Himself

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Thelonious Himself album cover
01
April In Paris
3:54  
02
(I Don't Stand) A Ghost Of A Chance With You
4:24  
03
Functional
9:21  
04
I'm Getting Sentimental Over You
4:06  
05
I Should Care
3:15  
06
'round Midnight
21:58  
07
'round Midnight
6:43  
08
All Alone
4:53  
09
Monk's Mood
7:49  
Album Information

Total Tracks: 9   Total Length: 66:23

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eMusic Features

0

Six Degrees of Thelonious Monk’s Genius of Modern Music, Vol. 2

By Kevin Whitehead, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

Six Degrees of Thelonious Monk’s Genius of Modern Music, Vol. 2

By Kevin Whitehead, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

1

House Party Starting: Playing Herbie Nichols

By Kevin Whitehead, Contributor

Ask a jazz fan about Herbie Nichols, and the reaction is likely to be either, "He's a genius," or "Who?" The pianist and composer is the paradigm of a genius neglected in his own time. Nichols's classic mid-'50s sides for Blue Note were all but forgotten when he passed at 44 in 1963. A.B. Spellman memorialized him with a chapter in 1966's Four Lives in the Be-Bop Business, but he didn't get much respect till… more »

2

The Rise and Fall of Lucky Thompson

By Kevin Whitehead, Contributor

A few years ago, Italian saxophonist Daniele D'Agaro was visiting Chicago, and a critic friend put on a fairly obscure record to stump him. D'Agaro listened for about three seconds, said: "Lucky." Good ears. He knows the distinctive sound of Lucky Thompson after he started hanging out in Paris and playing sumptuous tenor saxophone ballads recalling old idol Don Byas's Parisian sides. On "Solitude" and "We'll Be Together Again," from Lucky in Paris 1959, his tenor's… more »

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The Not Necessarily Happy Horns of Clark Terry

By Kevin Whitehead, Contributor

Can a musician's reputation be harmed by the persistent paying of a compliment? Clark Terry has a warm, plump, utterly distinctive sound on trumpet and its chubby pal the flugelhorn. He's rhythmically assured at any tempo, and has a deep feeling for the blues. But some writers fixate on how he has "the happiest sound in jazz," as if one trait defines his art. To be fair, it's not a rep he's run away from, having… more »

They Say All Music Guide

Thelonious Himself is a mostly solo set by pianist Thelonious Monk. Monk’s hesitant stride and thoughtful yet very unpredictable flights are always a joy to hear. He performs a variety of swing standards (including “April in Paris” and “I’m Getting Sentimental over You”), his blues “Functional,” and as a bonus track, there is an alternate take of “‘Round Midnight” from the earlier date. The one non-solo track is “Monk’s Mood,” a ballad that finds Monk joined by tenor saxophonist John Coltrane and bassist Wilbur Ware. The overall results are not quite essential but they should greatly interest Thelonious Monk fans who do not have his huge Riverside box set. [Originally released in 1957, Thelonious Himself was reissued on CD in 1988 and again in 2006.] – Scott Yanow

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