Creep On Creepin' On

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Creep On Creepin' On album cover
Album Information

Total Tracks: 10   Total Length: 39:32

eMusic Review 0

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Joe Muggs

eMusic Contributor

03.28.11
It's hard not to be drawn into the sleazy bar-room glamour of it all
2011 | Label: Arts & Crafts / IODA

There's something refreshingly suave about Timber Timbre. Where so many retro-Americana acts play up the image of either the grizzled, road-hardened troubadours or the sinister backwoodsmen, the Quebecois trio come over — on this album at least — as the gloriously slick lounge lizards you know you should beware of but really want to hang out with. It starts with Taylor Kirk's voice: a velvety rock 'n' roll croon with the occasional authentic rockabilly hiccup, it's boyishly seductive enough to be able to sing of "peeping bone-eyed butchers," of having "done some truly awful things," of indulging in a "Bad Ritual" — and make all of them sound like fun.

The arrangements, too, hark back to the 1950s, but not just to rock and country. Throughout these sinister waltzes and edgy ballads are rippling hints of exotica, delicate flute lines and keening strings that speak of tiki bars, cigarette holders and bachelor pads — while the discordant instrumentals "Swamp Magic" and "Souvenirs" suggest the most tense moments in half-remembered black-and-white b-movies. It could all be tremendously kitsch and tacky, but there's such a commitment to it that like early Tom Waits, or like some of the recent Isobel Campbell and Mark… read more »

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Two good albums

caro1eb

I don't understand Lexpoot's comment (the previous comment). I find that their last two albums play very well together. You might enjoy the very creepy instrumentals (tracks 2, 5, 10), but I prefer to leave them off my TT playlist. I'm mesmerized by the tracks that play as though I'm overhearing Taylor Kirk's musings about his good-and-bad dreams.

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delivering

lexpoot

I discovered this band through their amazing Daytrotter session. So I immediately downloaded their debut album to be disappointed. Fortunately they made up with this album. A must buy.

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They Say All Music Guide

Of all the acts called indie-folk, Timber Timbre has some of the darkest and strangest musical roots. Creep On Creepin’ On’s title is no mistake: Taylor Kirk and company take inspiration for the follow-up to their Polaris Prize long-listed self-titled album from séances, witchcraft, murder ballads, swampy rockabilly slow dances, and horror movies. Yet within this black-on-black palette, Kirk finds fine shadings of meaning and mood that keep these songs from being too monotonous, self-serious or campy. “Bad Ritual” opens the album with Kirk remembering a departed lover, though lyrics like “there is proof in boxes” and “I felt your poltergeist present” suggest she may not have left of her own accord; “Black Water” swirls imagery of Viking funerals and polluted lakes into murk that belies ages upon ages of weirdness. What makes Creep On Creepin’ On really work, however, is Timber Timbre’s commitment to its distinctive sound. “Woman”’s blaring sax, droning organ and surf guitar undertow give a doomy shimmer to the song’s ‘50s piano ballad bones; “Too Old to Die Young” gets even more literal and theatrical with B-movie screams and sound effects entwined with sawing strings. Even more so than on Timber Timbre, Kirk knows how to turn this drama and mischief into something transcendent, especially on “Lonesome Hunter,” which captures just how scary it can be to fall in love. Creep On Creepin’ On is the sound of Timber Timbre fully coming into its own, with romance and strangeness to spare. – Heather Phares

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