Mit Gas

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Mit Gas album cover
Album Information

Total Tracks: 11   Total Length: 40:43

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The Ultimate Supergroup right here!

attentiondeficitdisaster

This album is even better than the first one and the first one was great!

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My favorite Tomahawk album(?)

spicktastic

From "Birdsong" to "Capt Midnight," the first half of Mit Gas is unbelievably strong, is everthing that is great about Mike Patton and his diamond-edged musical genius. The formidable chops of the sort-of supergroup that is the rest of the band is a huge part of it too, of course. While the back end of the album sputters a little in comparison to its brutally good first half, everything on this sucker can still stomp to bits just about every other "hard rock" contender out there with its idiosyncratic rawkingness.

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Just listen..

dododaaf

The song "capt.midnight" is a MUST-HAVE people ;) (also featured in the xbox 360 game, the darkness).

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YES!!!!

badpanda

I can't believe this record came to eMusic. Download it all immediately. Patton is a god.

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They Say All Music Guide

Tomahawk combines the rockist tendencies of Faith No More with the weirdo prog freakout of Mr. Bungle, two of Tomahawk vocalist Mike Patton’s more popularly received projects. The band is actually the project of former Jesus Lizard guitarist Duane Denison, and on Mit Gas, the band’s second album, he drops his prior fight for melodic lead, letting Patton growl, sustain, babble, stutter, croon, and yowl through each precision-stopped, layered track. Maybe all those nights of getting booed off the stage while touring with Tool (after the 2001 self-titled release) taught them a thing or two about indulging star power. With John Stanier (formerly of Helmet) and Kevin Rutmanis (the Cows, the Melvins) also on board, though, it’s hard to decide who isn’t a star. “You Can’t Win,” a track akin to Mr. Bungle in its circus/lounge mood and cracked chanting, is an outstanding example of Tomahawk’s metal kid to avantist maturity — everything from strings to wood blocks informs a centrally pop song with indiscernibly sinister lyrics reminiscent of Brainiac. The track ends with a hazy ambient moan. It floats into “Mayday,” a pretty straightforward metal song. Then there’s a dreamy ballad in Spanish, a surf-rock one called “Harelip,” and the excellent, slightly Foo Fighters-sounding “Rape This Day.” You probably won’t find this album at Wal-Mart. It’s worth searching out, though, as Patton et al. expand the borders of guitar rock with intelligence and humor more absurd and egalitarian than the band’s obvious predecessor — Frank Zappa. – Daphne Carr

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