Blazing Horns/Tenor in Roots

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Blazing Horns/Tenor in Roots album cover
Album Information
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Total Tracks: 20   Total Length: 74:51

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Lamb's Bread & Tubby's Control

Queef

..are 2 standout tracks on this masterful reggae collection.

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wow

abosloveland

I though I had heard everything blood and fire had to offer, then I stumbled upon this.. an absolute masterpiece!

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Psychedelic!

meldada

This is by far one of the best reggae album I have ever heard!The horns add a great touch to the songs.It is just perfect.This is #1 on my list! (review by the 9 yr old son of meldada)

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Reggae’s Ba-Ba Boom Time

By Lenny Kaye, eMusic Contributor

Despite the fire and brimstone that characterized reggae's revolutionary emergence in the 1970s, I have always had an abiding affection for the evolutionary period that immediately preceded that breakthrough, when the music seemed caught between two worlds. The style is usually referred to as rocksteady - post-Ska, but still experimenting with and expanding the possibilities of that one-drop, loping afterbeat; and though Rastafarian ideology was already beginning to swiftly gospelize the music (anthemed most notably… more »

They Say All Music Guide

Saxophonist Tommy McCook is primarily remembered for his role as a founding member of the seminal ska band the Skatalites, who played such an important part in the development and maturation of ska before it morphed into the slower rocksteady genre, and later into reggae. But McCook was no slouch in those later categories of music, either, as this wonderful two-for-one reissue makes plain. The Blazing Horns segment of this disc was originally issued on LP in 1979 on the Grove Music label and consists of nine tracks originally produced by Vivian “Yabby U” Jackson. As one might expect given the producer, the sound is dark and dread, and the album’s title track is presented here in an extended “showcase” version with a dub mix appended at the end of the conventional instrumental track. The program then adds a B-side track cut for Yabby U at around the same time and another one-off track that McCook made for Bunny Lee. All the mixes are courtesy of King Tubby and Prince Jammy, which tells you all you need to know about the sound quality and general ambience. As good as those selections are, though, the remainder of the album is the real treasure trove: it consists of 12 tracks McCook recorded over well-loved rhythms provided by producer Glen Browne and which were released only informally on a white-label album that never received commercial distribution. Those who own the Shanachie label’s brilliant (and now sadly out of print) reissue collections Check the Winner, Boat to Progress, and Double Attack will immediately recognize the backing tracks. McCook makes most of them his own, although on a couple of tracks his playing is almost absent. The Browne material alone would be worth the purchase price, but the first part of the collection is every bit as worthwhile. Very highly recommended. – Rick Anderson

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