Tonic

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Tonic album cover
Album Information

Total Tracks: 12   Total Length: 41:48

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A New fan of Tonic

stox2

Frankly, I downloaded this album because I was bored.This self-titled CD is the first I have ever owned by Tonic.The first song to get stuck in my head was "Daffodil." Lilting guitars, uplifting melody, thundering bass-line, and catchy, if pop-y, lyrics. Reminded me of Pat McGee Band or Jackson Browne. Next,I got "Release Me" stuck in my head.I wasn't surprised to hear it on the radio as their single.Other songs that deserve mention are: Precious Little Bird, Bigger Than Both, Send a Message, Torn to Pieces and She Goes Down. And two ballads, beautiful, are Nothing is Everything and Resolve. Hart's songwriting is exquisite.Rich tapestries of feelings expressed through his guitars.Finger pickin', rhythem guitar romps, rockin' riffs, or thundering whirlwind. Each song stands alone, but together, they've made my favorite CD of 2010. So much so, that I've picked up Sugar and Lemon Parade, two older CD's. Then I saw a live concert. Catch them Live if you can-great show.

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They Say All Music Guide

Eight years after Tonic faded into the sunset as lead singer Emerson Hart took a flier on a solo career, the band has reunited and belatedly released their fourth album, and the set, simply titled Tonic, sounds like the work of a band picking up right where they left off in 2002. Tonic’s hard rock influences seem to have been dialed back a notch or two, but Jeff Russo’s lead guitar still brings forth an arena-ready crunch on “Bigger Than Both,” “I Want It to Be,” and “Torn to Pieces,” and the melodies still reach for a Grand Emotional Gesture as they lock in on a radio-ready hook (or at least what was a radio-ready hook in the late ’90s). Even though they’re recording for an indie label these days and original drummer Kevin Shepard has been replaced by Pete Maloney, Tonic seem to have been changed remarkably little by the passage of time, which given the circumstances, is a braver move than it might seem — radio is far less likely to embrace this sort of archetypically post-grunge music than they were in 1996 when “If You Could Only See” topped the charts, and while loyal fans will doubtless be pleased with this album, it’s anyone’s guess how many are still out there given Tonic’s eight-year intermission. Thankfully, Tonic doesn’t sound like the work of a band struggling to re-create their past success, and instead finds them confidently embracing their signature sound and doing what they do with a sure hand and genuine inspiration. Emerson’s vocals are as effective as ever, the songs (written by Hart, Russo, and bassist Dan Lavery) capably play to the group’s strengths, and Nathaniel Kunkel’s production gracefully fuses the melodic and electric sides of their music. Tonic is less a comeback than an enthusiastic return to form, and anyone who enjoyed their first three albums will feel comfortably at home with this music. – Mark Deming

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