Let Freedom Swing

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Total Tracks: 13   Total Length: 104:31

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Britt Robson

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Britt Robson has written about jazz for Jazz Times, downbeat, the Washington Post and many other publications over the past 30 years. He currently writes regula...more »

08.14.08
Toshiko Akiyoshi, Let Freedom Swing
2008 | Label: haenssler CLASSIC

Stirring live set from a Japanese jazz heavyweight

Although Toshiko Akiyoshi has lived in the US for more than half a century, there is a paucity of her big band compositions and arrangements available to stateside listeners relative to her output in Japan. Let Freedom Swing rights the scales just a bit on this gross injustice. Recorded in Stuttgart with the SWR (SudWest Rundfunk) Big Band in May 2007, it finds the then-78-year old guest artist in vibrant form, commanding 14 horns and a four-piece rhythm section through a dozen of her compositions, including a pair of tunes never previously recorded by her large ensembles.

The first, “Drum Conference (3rd movement),” showcases Akiyoshi's Ellingtonian penchant for spotlighting a musician (in this case conga player Farouk Gomati) without losing either the tight-knit interplay or the propulsive power of the rest of the group. That's followed by the languorous croon of the horns on “Repose,” and the coiled dynamism of an Akiyoshi favorite, “Harlequin's Tear,” also included in a scintillating live version as a bonus track. There are features for bass (the boppish “I Know Who Loves You”) and the baritone sax (“Song for the Harvest”). There are Akiyoshi signatures, such as the Japanese-oriented… read more »

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Very good Akiyoshi, but....

Beaufort

The band just isn't quite as tight as her own band with her husband Lew Tabackin. Still, this is a recording worth having. I've listened to and played some of her charts since I was in college in the early 80's. And have always been a great admirer of her composing abilities. As a trombone player, I love love the bass bone parts she writes.

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Let Freedom Swing - Toshiko Akiyoshi

InnerCircle

Toshiko Akiyoshi is one of the great under-rated arranger-composers in all of jazz. Her musical prowess is immense and as one of a handful of women who has excelled in this role, she deserves greater honour. Her bands and big band projects have consistently been among the very best on the scene, delivering music never short on artistic integrity, brilliant execution, entertainment and fun. This project has all those qualities.

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They Say All Music Guide

A number of artists have guested with the SWR Big Band in Europe for record dates, but the appearance of pianist/composer Toshiko Akiyoshi is definitely a special meeting. Having broken up her own big band a few years prior to these 2007 sessions after finding it difficult to get sufficient opportunities to record and perform, her demanding bop charts inspire this all-star European orchestra. On this occasion, the band devotes two CDs to recording their guest’s charts. Starting with her “Drum Conference (3rd Movement),” a lively bop reworking of the standard “After You’ve Gone,” it is clear that the band is on fire. The influence of Bud Powell on Akiyoshi is apparent in her driving “Harlequin’s Tear” (which is also heard in a separate live rendition at the end of disc two), while her Japanese heritage is a key ingredient in the mournful “Kogun,” which features flautist Jörg Kaugmann and the composer. “Let Freedom Swing” is an unusual affair, a dramatic number with spoken text read by Dagmar Claus, but also a swinging uptempo big-band instrumental. The second disc begins with the furious bop vehicle “Lady Liberty” suggesting the hustle and bustle of New York City. “Pollination” is another haunting Japanese theme, featuring Kaufman again on flute and alto saxophonist Klaus Graf. She revisits her lively bossa nova “Warning! Success May Be Hazardous to Your Health” in a sterling performance by the SWR Big Band. Even though Toshiko Akiyoshi is no longer working regularly with her big band, these 2007 sessions with the talented European all-stars are a reminder how talented a composer, arranger, and bandleader the pianist is. – Ken Dryden

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