Zoo Hypothesis

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Zoo Hypothesis album cover
Album Information

Total Tracks: 16   Total Length: 38:35

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Dreadneck13

Texafornia your dead on! Mr Mason attack at Mr bungle does show he is very lacking in understanding the history or influences. Mr. Bungle is one of the greats and I hear Mr Bungle in a lot of experimental music including Tub Ring (and Dog Fashion Disco). I checked out Tub Ring due to my love of Mr. bungle, Zappa, Fantomas - not in spite of.

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Texafornia

Dear Emusic, Please find a better source for your official reviews. Stewart Mason's AMG review on this album is offensive. He uses it as a soapbox to lash out at Mr. Bungle, calling then "lame Zappa fetishists",demonstrating his lack of understanding of Bungle, Zappa, or even Tub Ring. I can only surmise that Frank and the Mothers are his only point of reference for experimental composition. Tub Ring are quite clearly influenced by Mr. Bungle. Apparently what Mr. Mason is trying to say is that since the songs on this disc fall into somewhat conventional pop structures, he is actually able to make some sense of them given his his limited listening abilities, and for that I congratulate him. Maybe he will some day be able to comprehend that Mr. Bungle have very little to do with Zappa.

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They Say All Music Guide

There are few things sadder than a band that tries to be really weird and freaky but in fact isn’t. (Yes, we’re looking straight at you, Mr. Bungle, you lame Zappa fetishists.) Luckily, this is not a problem Chicago’s Tub Ring ever runs up against; it’s not that their fifth album doesn’t have passages of extreme oddity, it’s that they don’t seem to be trying too hard for them, and they’re balanced with a surprising knack for oddly poppy settings that bring out the true oddity of the breakdown sections. In other words, a song like the utterly freaky opener “Tiny, Little” works because it sounds like a collaboration between Tom Waits and They Might Be Giants on a song from the soundtrack to Willy Wonka and the Chocolate Factory, and “Wealth of Information” succeeds because of the dynamic tension between the passages of dub-influenced trippiness and the herky-jerky, almost rapped sections. The minute-long blast “The Viking Song” (parts of which bear an unfortunate resemblance to Oingo Boingo, poster children for that whole not-as-weird-as-they-think thing) is in brilliant contrast to the deceptively melodic, downright catchy “Raindrops,” a song that would fit perfectly on an Olivia Tremor Control album. There are dull and/or annoying parts to Zoo Hypothesis, but the whole thing is so hyperactively edited that it’s a thrill ride regardless. – Stewart Mason

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