Early Man

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Early Man album cover
Album Information
EDITOR'S PICK

Total Tracks: 8   Total Length: 47:01

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Almost Awesome

fuzzy_edges

Really dig the music, but the singer's gotta go! I mean, the riffs and everything else on this album rocks, but the singer, OH MAN, the singer has just gotta stop!

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Great Stoner Rock Gone Astray

tolerant-by-necessity

Sad but true, this album has the potential to be one of the best of the 2000's stoner rock genre, but Brad Buldak's vocals are a downfall worthy of note in and of itself. Exceptionally crisp and groovy fuzz rock, Early Man features riffs guaranteed to melt your face! Bring plenty of drugs, because this one doesn't let up from start to finish!

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Stoner Rock

By George Smith, eMusic Contributor

Cochlea-shattering dB levels, s-l-o-w guitar riffs, bandmembers who look like they walked off the set of Billy Jack (even the girls), speaker cabinets stacked until the stage groans under the weight and an aesthetic that prizes atmosphere over catchy tunes: That's stoner rock — a genre that peaked around 2000 and collapsed soon after — and its close, crazy relative, doom metal. Stoner rockers overwhelmingly pointed to the mighty Black Sabbath as inspiration. One can easily… more »

They Say All Music Guide

Just why Champaign, IL-based Tummler even bothers with vocals is a confounding mystery — these guys were clearly born to be an instrumental group. Frontman Brad Buldak’s indistinct, throaty grunts generally waver between distraction and detraction, and are buried so far down in the mix of thundering guitars and drums exploding out of their otherwise top-notch second album, Early Man, that really, what’s the point? This particular gripe aside, there really is much to love in Tummler’s colossal space rock/doom metal hybrid, which proves itself equally adept at pounding out concentrated nuggets of sludge, as heard on the enigmatically named “Arlo” and the lone instrumental, “Here’s to Your Destruction,” as it is at unleashing monolithic epics like the 11-minute “Planet Moai.” Fans of heavy bong-hitters such as Kyuss and Nebula will both recognize and delight in the sheer detuned heavy-osity contained in opener “Shooting Blanks,” which is also cleverly sprinkled with minor-key guitar nuances for added dynamic effect. The same can be said for the driving, rumbling highlight that is “Freightliner,” the closest Tummler comes to creating a stripped-down, conventional rock & roll song. [Note to collectors: Initial pressings of Early Man contain two uncredited bonus tracks cut by Tummler's earlier lineup, including a cover of Saint Vitus' "War Is Our Destiny."] – Eduardo Rivadavia

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