As I wrote elsewhere, this is a very still, slow album, with repeated phrases over subtle and pulsing work on the drums. It is reminiscent of Morton Feldman (whose work is well represented here on eMusic), and this is a surprising influence on avant-garde jazz. Check out That/Not, Sorey's earlier album which has a very long piano piece full of silences and suspended chords. Sorey is exploring interesting areas. Well worth a listen. On repeated hearings I think this is one of the loveliest things I've heard in the last couple of years.