No Depression

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No Depression album cover
Album Information
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Total Tracks: 19   Total Length: 62:47

eMusic Review 0

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Peter Blackstock

eMusic Contributor

09.23.11
An unassuming start to a long musical story
2003 | Label: Columbia/Legacy

In retrospect, it seems unlikely that so many musical stories would be launched by this unassuming if impressive 1990 debut by a Midwestern trio of friends in their early 20s. Uncle Tupelo was, at its heart, an underground rock band, born of the same MTV-averse community that gave rise to such 1980s club-circuit champions as Dinosaur Jr. and Soul Asylum. The hard-hitting tracks “Graveyard Shift,” “Before I Break” and “Factory Belt” settled comfortably into the post-punk-dominated playlists of that era’s college radio landscape; still, there was something else going on here. The title track was a cover of a song popularized by country music forebears the Carter Family in the 1930s, and the album’s most dramatic moments came from songs with acoustic backbones: “Whiskey Bottle,” a pedal-steel-driven dive into the bottom of the glass, and “Life Worth Livin’,” a soul-searching declaration for the down and out. Uncle Tupelo at this stage seemed primarily to be guitarist Jay Farrar’s band; the handful of contributions from bassist Jeff Tweedy (“That Year,” “Train,” “Flatness,” “Screen Door”) carried their weight but didn’t necessarily suggest a future star in the making. One might have guessed, in 1990, that these guys would fade away as innocently… read more »

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My Fav Tupelo

CosmicBob

I agree with the reviewers who consider this their apex. Anodyne is more accessible, but this one rocks harder.

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There's a reason it started a genre

arkadyan

A classic - always enjoyable.

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Great!

EMUSIC-0063BC0B

I enjoy all the Uncle Tupelo albums, but this one is the best.

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Awesome

misterrosewater

I cut my alt-country teeth on "Whiskey Bottle", and promptly fell in love with Tupe. Nothing that either Farrar or Tweedy have done since will ever measure up.

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A classic

scrapps

an amazing album that sounds fresh today.

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They Say All Music Guide

Within what would come to be known as the “alt-country” scene, Uncle Tupelo’s first album, 1990′s No Depression, was the shot heard around the world; they most certainly weren’t the first band to fuse the heartache of country with the brains and brawn of punk rock, but they managed to bring the two styles together without camp or gimmicks, in a manner that truly honored both genres and allowed their shared celebration of passion and belief above all else to shine through, and its example would be followed by literally thousands of musicians across the country. Over a dozen years after it first hit the racks, No Depression still sounds like a truly inspired bit of record-making; Jay Farrar’s songs carry the bulk of the album, and great songs they are, especially the charging “Graveyard Shift” and “Factory Belt” and the mournful “Whiskey Bottle” and”Life Worth Living.” It would take a bit longer for Jeff Tweedy to start playing on an equal level, but the realistic yet impressionistic snapshots of “Train” and “Screen Door” made it clear the man had the goods, and as a team Tweedy, Farrar, and Michael Heidorn sound all but unstoppable here, tight as a drum and investing each song with a life-or-death level of emotional force. Columbia/Legacy’s 2003 reissue actually manages to improve one of the most impressive debut albums of the 1990s; the remastering is sharp and well-detailed, and this version tacks on six bonus tracks (seven if you count “John Hardy,” which Rockville Records tagged onto the original CD release of the album, but left off the LP), including the previously unreleased “Blues Die Hard” (from a four-track home recording), the hard-to-find “Won’t Forget,” terrific covers of “Left in the Dark” and “Sin City,” and stripped-down demos of “Whiskey Bottle” and “No Depression.” If you’re a longtime fan, upgrading to this edition of No Depression is well-worth your time and money, and if you’re not all that familiar with the group, this album will show you why Uncle Tupelo was a band who mattered so much to so many. – Mark Deming

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