Midnight At The Barrelhouse: Rockin' California Rhythm & Blues

Rate It! Avg: 4.5 (3 ratings)
Midnight At The Barrelhouse: Rockin' California Rhythm & Blues album cover
Album Information
EDITOR'S PICK

Total Tracks: 125   Total Length: 357:21

eMusic Review 0

Avatar Image
Michelangelo Matos

eMusic Contributor

04.22.11
The biggest hits from the Greek-American pianist vibraphonist, bandleader, record exec, talent scout — and R&B legend
2004 | Label: JSP Records / The Orchard

If any single figure of LA R&B has a story worthy of a legend, it's Johnny Otis, the Greek-American pianist-vibraphonist, bandleader, record executive and talent scout who scored a pair of No. 1 R&B hits. "Double Crossing Blues" is blues with a noir-like playlet lyric whose atmospheric slow-drag arrangement both roots it to its time and transcends it. "Mistrustin 'Blues," the follow-up, picked right up from where its predecessor left off. Those songs are showcased here amidst a five-CD panorama of post-war LA R&B by Otis, his vocalists Little Esther, Mel Walker and the Robins (later the Coasters), as well as numerous tracks by pioneers like Bill Doggett and Jimmy Rushing.

Write a Review 1 Member Review

Please register before you review a release. Register

user avatar

Solid Set

Music Lover

An excellent boxed set. I purchased the actual CD box set as opposed to downloading since it was almost as cost effective to do so. A lot of jump blues, mostly of very high caliber, and some ballads and other non-blues numbers. Liner notes for the boxed set are mostly short paragraphs for the major artists and listing of personnel, so if you just want to grab a few tracks and not the entire set, then downloading from eMusic may be the ideal approach. Sound quality is rather amazing given both the date and the original recording techniques used. This is a fun set! Rating: 9/8/7 (performance/quality of music/sound quality [mono])

Recommended Albums

eMusic Features

0

Post War R&B #1s

By Michelangelo Matos, eMusic Contributor

The term "rhythm and blues" was coined by Jerry Wexler in 1947, while the future Atlantic Records producer was working for Billboard magazine. Prior to Wexler's definitive phrase, which the weekly trade publication adopted for its ranking of the most popular African-American records in the nation in its June 17, 1949 issue, the black charts had been known as Race Records (February 1945 to June 1949) and before that, the Harlem Hit Parade (October 1942… more »