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If You Can't Please Yourself, You Can't Please Your Soul

Rate It! Avg: 4.5 (25 ratings)

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If You Can't Please Yourself, You Can't Please Your Soul album cover
01
The Only Good Christian Is A Dead Christian
Artist: Foetus
3:26
02
Product Patrol - Cabaret Voltaire
Artist: Cabaret Voltaire
4:19
03
Total Nervous Phenomonom
Artist: Test Dept
3:40
04
Love Amongst The Ruined
Artist: Marc Almond
6:36
05
Twisted
Artist: Psychic TV
2:57
06
Flesh And Bones - The The
Artist: The The
4:00
07
The Wheel - Coil
Artist: Coil
2:41
08
The Roxy Cut - Yello
Artist: Yello
4:30
09
Waiting To Fall - Virginia Astley
Artist: Virginia Astley
3:27
10
Wardrobe
Artist: Einsturzende Neubauten
2:39
Album Information

Total Tracks: 10   Total Length: 38:15

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Luv it

flipdraw

Started out loving "Flesh and Bones," then "The Wheel" and "Love Amongst the Ruined." Graduated to "The Only Good Christian…" and finishing with "Twisted" and "Waiting to Fall." The weakest track is Yello's. Wore this cassette out.

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so readily available?

runningtown

This used to be tough to track down. One of the compilation's highlights is a rare track by the (unfortunately) obscure, unnoticed, and unrecognized Virginia Astley.

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Droooool.......

D. Boris

A juicy slab from the ruined underbelly of the 80's.

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They Say All Music Guide

This early-’80s sampler is an excellent introduction to the early pioneers of what is now called industrial music; tracks from Scraping Foetus Off the Wheel, Einsturzende Neubauten, Cabaret Voltaire, and others reveal the highly individualistic and innovative nature of the artists who ultimately gave birth to a genre of music that would become homogenized, stylized, and marketed to the masses. The brash, noisy recordings of these industrial forefathers remain more abrasive, unique, and uncompromisingly noncommercial than most of what has followed in their wake. The collection also includes worthwhile and interesting entries from Marc Almond and The The, who, while not generally known as noise artists, also exhibited a fearless individuality in their early work. – Andy Hinds

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