Fire In My Bones : Raw + Rare + Otherworldly African-American Gospel (1944-2007)

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Fire In My Bones : Raw + Rare + Otherworldly African-American Gospel (1944-2007) album cover
Album Information
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Total Tracks: 80   Total Length: 236:36

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Peter Blackstock

eMusic Contributor

05.27.11
A smorgasbord driven by the sheer joy of discovery
2011 | Label: Tompkins Square

At first glance, this three-disc, 80-track collection seems dauntingly sprawling and somewhat unfocused, covering seven decades of recordings that range from in-the-field folklore projects to radio-studio one-offs to major-label releases. Compiler and eMusic contributor Mike McGonigal admits as much up-front: In his liner notes, he explains that his initial concept of chronologically succeeding similar landmark collections curated by the likes of John Fahey and Chris Strachwitz "basically dissolved in front of me" when he found himself feeling limited by such imposed parameters. Instead, he threw the door wide open; whatever the resulting smorgasbord may lack in thematic cohesion is overridden by the sheer joy of discovery.

Part of the discovery is realizing that the passion which pervades Fire in My Bones transcends considerations of genre or peculiarity. If the territory seems esoteric, what becomes apparent when digging into this material is just how broadly appealing so much of it actually is. True enough, for example, that the chorus of harmonicas on "Better Get Ready," a 1948 recording by Elder Roma Wilson & Family, is historically significant — Mike Seeger apparently called it "the single most important selection by multi-harp players in existence" — but it's also simply an irresistible three minutes… read more »

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They Say All Music Guide

Fire in My Bones is an absolutely magnificent gospel music collection. Not because its quality is consistently high — it isn’t — but precisely because everything about it is so delightfully all-over-the-place. If your experience with African-American gospel music has been mainly limited to incidental encounters with the Golden Gate Quartet or Mahalia Jackson, then prepare to be startled: on this sprawling three-disc set, which covers more than 60 years of mostly obscure gospel recordings, you’ll hear the deeply spooky “Wasn’t That a Mystery” (performed by the Madison County Senior Center Singers), the even spookier “Get Back Satan” (by Rev. Roger L. Worthy and his sister Bonnie Woodstock), the heartrendingly beautiful “Does Jesus Care” (by Marie Knight), and the irresistibly funky “Help Me” (by Lula Collins). In a few instances the sound quality is poor enough to be a barrier to enjoyment of the music, but in most cases where the recording is particularly ragged, it only adds to the music’s often otherworldly beauty. A few tracks, such as the Rev. Utah Smith’s “God’s Mighty Hand” and the jaw-dropping “Prayer (Excerpt)/I Love the Lord,” blur the distinction between sermon and song — on the latter track, the congregation’s singing rises and falls like an enormous whale coming to the surface. A few of these tracks really are clunkers, but frankly, even those come as something of a relief, giving your ears and heart a moment of rest before being lifted inexorably up again. Fantastic. – Rick Anderson

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