Tirtha

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Tirtha album cover
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Total Tracks: 9   Total Length: 60:31

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Seth Colter Walls

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Seth Colter Walls has worked as a political correspondent in cities such as Beirut and Washington, though now he writes about books, movies and music -- often w...more »

12.21.11
Vijay Iyer with Prasanna & Nitin Mitta, Tirtha
2011 | Label: ACT Music

Pianist Vijay Iyer had a breakout year in 2009, with his trio album Historicity. That was due in part to its refreshingly eclectic selection — the album included Iyer’s takes on works by M.I.A. and Julius Hemphill — as well as because he and his band can just flat-out play. To his credit, Iyer has since been cautious not to merely repeat that winning formula. After releasing a solo album in 2010, Iyer treated us to this eponymous effort from an altogether different trio, Tirtha, which draws as much inspiration from Indian classical music as anything else. On tablas, Nittin Mitta shows off an impressive range, from subtle accompaniments to get-out-my-way solo passages (as on the close of the longest cut, “Tribal Wisdom”). Guitarist (and sometime vocalist) Prasanna has the single-note sitar-like vibe down, though also provides a bit of ethereal chordal work during the opening of the title track. And then there’s Iyer’s own playing, which pushes the whole enterprise beyond genre exercise or simple fusion, and on toward something beyond category. When was the last time a pianist had two different trios this different — and this good?

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Tirtha (Vijay Iyer)

TeteAlier

Vijay Iyer and his group has made an incredible misture and creative fusion jazz. Thanks to the people like music goes on in a high level

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the mahavishnus but on a bad karmic cycle

realgingerfeather

Who are these boys trying to kid that this dissonant collection of notes is cool , they should chill the whole project out , let the textures in the music unfold and as for the bits when some very excited dude recites the menu as if he is talking to his granny , drop that crap.

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Brilliant

stfnc

This one is amazing!

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They Say All Music Guide

Pianist and composer Vijay Iyer cut five albums in 2010 in various ensemble and solo settings. He was also was nominated for a Grammy for 2009′s stellar Historicity. To kick off 2011, Iyer releases the much-anticipated Tirtha project; the debut recording of a new band that came together for the first time in 2007. Tirtha features Iyer on piano, virtuoso Nitin Mitta on tablas, and guitarist-composer Prasanna. Together they engage in a triangular dialogue between modern creative jazz, Hindustani (north-Indian classical) and Carnatic (south-Indian classical) music. What Tirtha’s music is not, is mere jazz exotica or “fusion.” What takes place along composed and improvised lines is a deep communication from the various places where these musics meet and diverge. The players engage one another through familiar and new harmonic ideas in spirited counterpoint, seamless dissonance, and complex lyric invention, all incorporated in a polyrhythmic language. Iyer and Mitta introduce “Duality” with a mysterious melodic statement before the pianist delves into a dense exploration of chordal harmonics that Prasanna answers minimally at first, then in an ever more detailed, complex fashion. Mitta’s tablas are the constant: he bridges the dialogue on the changes in various tones and tempi, turning the entire work into an exercise in modal telepathy. “Tribal Wisdom,” the album’s longest piece, opens with a voice, tabla, and handclaps introducing what will most certainly become one of the most exciting explorations in polyrhythm, counterpoint, and elegance on the disc. “Abundance” is a more languid affair, with gorgeous changes and Iyer’s piano holding court in a complex, midtempo ballad enhanced by Prasanna’s silky comping. “Polytheism” employs rhythm as an anchor in a contrapuntal apreggiatic study that never loses its groove; the dialogue between piano and guitar is fluid and expansive. The set closes with the hauntingly beautiful “Entropy and Time,” a gorgeous, quietly moving piece that displays Mitta’s amazing gift of enhancing an already luxuriant lyricism with his complete mastery of the tonal possibilities of his instrument. Prasanna uses his guitar more like a sitar in creating an assertive melodic statement as Iyer responds to him ethereally in the middle register. Tirtha is a triumph; it is a high-water mark in hearing the constantly evolving discussion between jazz and Indian music. – Thom Jurek

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