Weather Report

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Total Tracks: 8   Total Length: 39:49

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Peter Margasak

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Peter Margasak has been a staff music writer at the Chicago Reader, where he covers everything from jazz to world music to country, since 1995. He's also a regu...more »

06.30.09
The game-changing debut from a leader in jazz-rock fusion
1992 | Label: Legacy/Columbia

Recorded in 1971, the eponymous debut album from Weather Report advanced and quietly refined the emerging sound of the jazz-rock fusion elucidated on the Miles Davis classic In a Silent Way. Keyboardist Joe Zawinul, saxophonist Wayne Shorter, and percussionist Airto Moreira were all veterans of Davis's band, both live and in the studio. Rounded out by drummer Alphonse Mouzon and bassist Miroslav Vitous, they forged a less-aggressive but equally searching sound fueled largely by group improvisation, with haunting, spaced-out results, particularly on tracks like the aptly named "Milky Way," a drifting, gently churning exploration of shifting textures and concise gestures that manipulated natural overtones using only acoustic piano and sax, while Zawinul's beautifully moody "Orange Lady" distends the post-Miles melody — which sounds like something off of Nefertiti — with all kinds of shifting colors and rhythmic accents.

While the quintet's finely tuned lines and chords was ultimately responsible for such airiness, Zawinul had already found innovative ways to turn is electric piano into a mood machine, devising ingenious ways to suggest sonic clouds and viscous sensations, a trait he continually developed through the band's fifteen-year history, especially when synthesizers entered the fold.

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This first album was their best

hwread

This music still sounds fresh, and tilts more to the jazz side of "fusion". Their later records tended to be flashier and funkier but there is a quiet integrity to this record which I think has helped it stand the test of time.

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This album is one of the first Fusion experiments!

ketlers

This is where Miles Davis' Silent Way/Bitches Brew band split and some of the guys went their own way (Joe Zawinul and Wayne Shorter) These guys were very ingenious throughout the Weather Report days (and beyond). For instance, this stuff happened before the days of synthesizers (even the clunky analog ones!) Apparently the weird spacey sounds at the very start of this album came from Wayne Shorter blowing soprano sax into a grand piano while Joe Zawinul had the appropriate chords pressed. The sax 'honks' were edited out, so all we get is... ooooaaahhhhh... The rest of this album is loaded with excellent early funking groove ;-) Check this out and you're likely to end up buying all of their stuff as time passes. Cheers!

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Here we have the free-floating, abstract beginnings of Weather Report, which would define the state of the electronic jazz/rock art from its first note almost to its last. Their first album is a direct extension of the Miles Davis In a Silent Way/Bitches Brew period, more fluid in sound and more volatile in interplay. Joe Zawinul ruminates in a delicate, liquid manner on Rhodes electric piano; at this early stage, he used a ring modulator to create weird synthesizer-like effects. Wayne Shorter’s soprano sax shines like a beacon amidst the swirling ensemble work of co-founding bassist Miroslav Vitous, percussionist Airto Moreira, and drummer Alphonse Mouzon. Zawinul’s most memorable theme is “Orange Lady” (previously recorded, though uncredited, by Davis on Big Fun), while Shorter scores on “Tears” and “Eurydice.” One of the most impressive debuts of all time by a jazz group. – Richard S. Ginell

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