An Introduction To Wilbert Harrison

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Total Tracks: 16   Total Length: 43:57

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John Morthland

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John Morthland has been writing about music since the days of electronically rechanneled stereo and duophonic sound. His name has darkened the mastheads of Roll...more »

04.22.11
One of Lieber and Stoller's first and biggest hits — and a grab-bag of shuffling and irresistible r&b.
2006 | Label: Fuel 2000 / The Orchard

An Introduction to Wilbert Harrison features his 1959 smash “Kansas City” and a grab-bag of failed '60s singles including “Let's Stick Together,” the prototype for his 1969 hit “Let's Work Together.” His loose, laconic approach to shuffling R&B is warm and largely irresistible, despite lapses like “It Will Have to Do (Until the Real Thing Comes Along).”

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They Say All Music Guide

Known chiefly for his classic version of Jerry Leiber and Mike Stoller’s “Kansas City,” released in 1959 by Bobby Robinson’s Fury Records, and to a lesser extent for his “comeback” hit “Let’s Work Together” for Juggy Murray’s Sue Records a decade later in 1969, Wilbert Harrison has a lot more to offer than most people realize. This varied set assembles a mixed bag of single releases, including “Kansas City” and Harrison’s delightfully ragged and shambling “Let’s Stick Together,” which turned out to be his final release for Fury. Also included here are three sides from Marshall E. Sehorn’s Sea-Horn Records from 1963; Harrison’s lone 1965 single from Port Records, “You’re Still My Baby” b/w “Baby Move On”; a 1966 track from Allen Toussaint’s Deesu Records, “Clementine”; and a nuanced cover of the Mel London-penned “Poison Ivy” from Vest Records. Also of note here is 1971′s “Pretty Little Woman,” which was actually Harrison singing a totally new song over a backing track recorded by Elmore James a decade earlier. The amazing thing about this rather haphazard assortment of singles is that it has an incredible internal coherence, and it makes a fine introduction to Harrison even though it lacks “Let’s Work Together” and several other key tracks from his recording career. Harrison’s measured vocals, which mixed R&B and early soul with just a tangible hint of country, are so easygoing and accessible that everything here feels like it belongs together, even though these tracks were recorded for half a dozen different labels. – Steve Leggett

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