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Best Of The Wipers And Greg Sage

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Best Of The Wipers And Greg Sage album cover
01
Nothing Left To Lose
4:50 $0.99
02
Way Of Love
2:10 $0.99
03
Some Place Else
2:51 $0.99
04
The Chill Remains
3:30 $0.99
05
Soul's Tongue
2:46 $0.99
06
Blue Cowboy
3:09 $0.99
07
Taking Too Long
3:06 $0.99
08
The Circle
4:32 $0.99
09
Romeo
4:01 $0.99
10
Messenger
1:55 $0.99
11
Better Off Dead
2:12 $0.99
12
No Solution
2:30 $0.99
13
My Vengeance
2:40 $0.99
14
Just A Dream Away
3:14 $0.99
15
Different Ways
4:30 $0.99
16
Losers Town
2:58 $0.99
Album Information

Total Tracks: 16   Total Length: 50:54

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eMusic Features

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eMusic Selects: Hands on Heads

By Frances May Morgan, eMusic Contributor

"Hands on heads!" That's what the teacher at my primary school would yell when our class got out of hand. The rallying cry was supposed to make us focus in on a single activity, to stop us from fooling around and hitting each other and, hopefully, shut us up for a second. It worked. Kind of. Thirty pairs of small hands would clasp to 30 overexcited heads and we'd hold in our giggles until it… more »

They Say All Music Guide

The Wipers have a long-standing reputation as sounding like “Jimi Hendrix fronting a garage band,” and while Greg Sage’s nimble fretwork might draw comparisons to Hendrix, the Wipers prove on this disc that they’re far more proficient than any garage band. The pulsating rhythm section manages to sound vibrant but subdued, allowing Sage’s squelching guitar noise to dominate the palette. Unlike other guitar luminaries whose popularity is restrained to a specific audience (e.g., gearheads for Joe Satriani, stoners for Kyuss), Sage’s fretboard ramblings made him the favorite guitar hero of the late-’80s underground rock scene. From the deadly riff of “Taking Too Long” to the textured frustration of “Way of Love” to the ringing desire of “Just a Dream Away,” Sage proves he is both a versatile and unique talent. Not just among the best of the U.S. post-punk wave, but an enormously influential act that made an indelible mark on styles as disparate as the noise rock of Sonic Youth and Pavement’s slacker indie pop. – Ari Wiznitzer

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