Plays Duke Ellington

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Total Tracks: 8   Total Length: 39:33

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Julius Hemphill: Economical Orchestration and the Hard Blues

By Kevin Whitehead, eMusic Contributor

In a more perfect world, Julius Hemphill (1938-95) would be better remembered as one of the key jazz composers of the last 40 years. Not least for his role as principal writer for the World Saxophone Quartet, starting in the mid '70s - thereby influencing a raft of reed choirs that took it as inspiration. WSQ made the standalone saxophone section into a standard ensemble: jazz's string quartet. California's Rova was founded around the same… more »

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Chris McGregor: Cape Town to Free Town

By Kevin Whitehead, eMusic Contributor

It wasn't easy, being the interracial Blue Notes in 1963 apartheid South Africa: a black horns-and-rhythm combo with a white pianist/music director, Chris McGregor. They skipped out of Cape Town the following year: went to a French festival and didn't return. In London by '65, the quintet's members were welcomed by forward-looking jazz musicians: Steve Lacy drafted bassist Johnny Dyani and drummer Louis Moholo for the album The Forest and the Zoo, and an ill-fated… more »

They Say All Music Guide

On their first six recordings, the World Saxophone Quartet (comprised of altoists Oliver Lake and Julius Hemphill, tenor saxophonist David Murray, and baritonist Hamiet Bluiett) stuck exclusively to group originals. This 1986 release was a major departure, for the innovative group performed fresh and generally unpredictable versions of five songs by Duke Ellington and two (including two renditions of “Take the ‘A’ Train”) by Billy Strayhorn. Although the tunes (which include “Lush Life,” “Sophisticated Lady,” and “In a Sentimental Mood”) are familiar, the interpretations are certainly unusual, showing respect for the original melodies and then coming up with new directions. This is thought-provoking music that serves as the perfect introduction to the unique World Saxophone Quartet. – Scott Yanow

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