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Takin' It 2 the Next Level

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Takin' It 2 the Next Level album cover
01
Wiring
6:31 $0.99
02
Soft Landing
1:12 $0.99
03
Rio
7:32 $0.99
04
The Peace Before
1:24 $0.99
05
Blues for a Warrior Spirit
13:09
06
The Desegregation of our Children
12:38
07
When the Monarchs come to town
2:51 $0.99
08
Endless Flight
7:39 $0.99
09
Ballad after us
4:38 $0.99
10
Australopithecus
9:29 $0.99
Album Information

Total Tracks: 10   Total Length: 67:03

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eMusic Features

0

Julius Hemphill: Economical Orchestration and the Hard Blues

By Kevin Whitehead, eMusic Contributor

In a more perfect world, Julius Hemphill (1938-95) would be better remembered as one of the key jazz composers of the last 40 years. Not least for his role as principal writer for the World Saxophone Quartet, starting in the mid '70s - thereby influencing a raft of reed choirs that took it as inspiration. WSQ made the standalone saxophone section into a standard ensemble: jazz's string quartet. California's Rova was founded around the same… more »

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Chris McGregor: Cape Town to Free Town

By Kevin Whitehead, eMusic Contributor

It wasn't easy, being the interracial Blue Notes in 1963 apartheid South Africa: a black horns-and-rhythm combo with a white pianist/music director, Chris McGregor. They skipped out of Cape Town the following year: went to a French festival and didn't return. In London by '65, the quintet's members were welcomed by forward-looking jazz musicians: Steve Lacy drafted bassist Johnny Dyani and drummer Louis Moholo for the album The Forest and the Zoo, and an ill-fated… more »

They Say All Music Guide

It is obvious from the first notes that this is a very different outing by the World Saxophone Quartet — the band is backed by a rhythm section. The playing of keyboardist Donald Blackman, bassist Calvin Jones and drummer Ronnie Burrage actually adds to the music rather than taking away from the core band, for their funky rhythms are fairly unpredictable and adventurous in their own way. The WSQ (which at the time consisted of David Murray on tenor and bass clarinet, baritonist Hamiet Bluiett, altoist Oliver Lake and John Purcell on saxello and tenor) sounds inspired by the “new” setting, and their playing is as adventurous as ever. Mostly sticking to group originals, the expanded band explores many moods on such numbers as “Wiring,” “Rio,” “The Desegregation of Our Children” and “When Thee Monarchs Come to Town.” – Scott Yanow

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