Blush Music

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Blush Music album cover
Album Information

Total Tracks: 10   Total Length: 67:05

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What's better than DEE covering Ain't no Sunshine?

heathergalaxy

14 minutes of it!!! I love the original cover on the first Woven Hand album and I love this reimagining of it.

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Great Mood Album

saradevil

While it could use a little bit of editing ("Ain't no sunshine" is barely listen-able sometimes, and "Another white bird" is an unnecessary instrumental mock up) the album taken as a hole is brilliantly constructed. Cripple and White Bird have that honest rocker meet world music sound that makes me just swoon. I've been listening to this non-stop for about two days, and when I'm not listening I'm thinking about it. Always a good sign in an album.

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eMusic Features

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Talking In Tongues: Woven Hand

By Lenny Kaye, eMusic Contributor

To twine the spiritual and the earthly — that is the mission of the preacher, as it is the musician. David Eugene Edwards is both. Washed in the blood of celebrated "pulpit orators," with DNA spiraling back to ecclesiastical refugees that populated the rocky shores of New England; himself a product of the western frontier (the cliffs surrounding Denver, Colorado), he does not so much sing as chant, declaim, foresee, in language rich in parable… more »

They Say All Music Guide

Largely made up of de-/re-constructed songs from the self-titled Woven Hand album, David Eugene Edwards creates a whole new (though similarly sinister) experience with Blush Music. Commissioned by the Belgian avant dance company Ultima Vez, Blush Music stretches out the previously released songs, adding interludes of incidental music and found-sound collages. The result is something similar to a film score that is best listened to all the way through in a single sitting. Edwards’ cover of Bill Withers’ “Ain’t No Sunshine” gets a reprise. This time menacing bird caws, distant voices, what sounds like a crackling fire, and a raga-like banjo make for a deeply affecting 14-minute mini-epic of psychedelic gospel-folk. The ultimate track, “Story and Pictures” (which also appeared on the first Woven Hand disc in different form), is maybe the best piece of music Edwards has ever recorded. Heartbreaking yet strangely uplifting, the song uses a simple piano figure, an acoustic guitar strum, and Edwards’ haunted (or haunting) vocals to communicate a dark, almost mystical beauty. – Jason Nickey

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