eMusic Review 0
The first wave of punk was game-changing for a host of reasons, but rarely is a '77-era album most notable for its vocals. Singers typically stuck to a few modes: the snarl, the bubblegum bop, the slightly off-key drone. X, though, filled Los Angeles with the mesmerizing, paradoxically monotone-sounding flat harmonies of dual lead singers John Doe and Exene Cervenka. Add to that the vaguely sinister rockabilly vibe and some guest minor-key organ vamps from Ray Manzarek and you've got a wholly unique and thrilling punk record.
The musical template of Los Angeles doesn't diverge much from other key first-wavers: take '50s blues-based rock & roll, speed it up and somehow make it all even simpler. Unlike the sweet, girl group-fetishizing of the Ramones or the exuberantly-postured nihilism of the Sex Pistols, though, X's sound is genuinely dark and brooding. The opening Chuck Berry-swiped riff on the album's second track ends up sounding gloomily sarcastic once you realize the song's not "Johnny B. Goode," but "Johnny Hit and Run Paulene." Full of these moments, Los Angeles feels distinctly threatening and tense. It's also supremely catchy and, sadly, over-before-you-know-it (nine tracks total, with most barely nosing over two minutes). For a deceptively… read more »