Los Angeles

Rate It! Avg: 4.5 (242 ratings)
Los Angeles album cover
Album Information
EDITOR'S PICK
  • Artist: X (See All Albums by X)
  • Date Released: Oct 30, 2007

  • Genre: Rock/Pop, Style: Alternative, Rock, Commercial Alternative

  • Label: Rhino/Slash

Total Tracks: 9   Total Length: 27:41

eMusic Review 0

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Alex Naidus

eMusic Contributor

01.12.10
Never Mind the Dookie — this is the quintessential West Coast punk record
2007 | Label: Rhino/Slash

The first wave of punk was game-changing for a host of reasons, but rarely is a '77-era album most notable for its vocals. Singers typically stuck to a few modes: the snarl, the bubblegum bop, the slightly off-key drone. X, though, filled Los Angeles with the mesmerizing, paradoxically monotone-sounding flat harmonies of dual lead singers John Doe and Exene Cervenka. Add to that the vaguely sinister rockabilly vibe and some guest minor-key organ vamps from Ray Manzarek and you've got a wholly unique and thrilling punk record.

The musical template of Los Angeles doesn't diverge much from other key first-wavers: take '50s blues-based rock & roll, speed it up and somehow make it all even simpler. Unlike the sweet, girl group-fetishizing of the Ramones or the exuberantly-postured nihilism of the Sex Pistols, though, X's sound is genuinely dark and brooding. The opening Chuck Berry-swiped riff on the album's second track ends up sounding gloomily sarcastic once you realize the song's not "Johnny B. Goode," but "Johnny Hit and Run Paulene." Full of these moments, Los Angeles feels distinctly threatening and tense. It's also supremely catchy and, sadly, over-before-you-know-it (nine tracks total, with most barely nosing over two minutes). For a deceptively… read more »

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Legendary

RobotWar

Anyone who doesn't rate this 5 stars is some kind of idiot that I don't trust and I don't want to know. The first 4 albums by X are all amazing, but this one really announced that a new type of music had arrived. John & Exene created country rock duets while Zoom blasted rockabilly and surf riffs all over the place and DJ kept the mix fast and furious. It helped that John & Exene were excellent wordsmiths and chronicled the sex and drugs and street life reality of Hollywood in the late 70s. X should be in everyone's top 10 or they are goddamn insufferable fools.

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One of the best by one of the best

Chomskyite

djsancocho has it right. This is real punk rock. Look, I love hardcore, but it lacked the musicality, the diversity, the heart of real punk. LA hardcore was largely a bunch of latents trying to prove how manly they were. X was and is nowhere near that. Maybe that's why they are still one of my all-time favorite bands. The song Los Angeles is still one of the all-time great songs. This album should be in everyone's collection.

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historical treasure

artAlexion

This was one of my favorite albums of the era. Listening to it again on vinyl, it doesn't hold up over time.

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Good album...

justiss4hire

but where is Under The Big Black Sun? It's one of my top ten all time records.

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A fine band from Los Angeles.

fleshhead

The first punk album I ever heard and still my favorite 20 years later.

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A Good Debut From a Great Band

dottingis

This is a good debut that is nominally punk but with Ray Manzarek doing the (good) producing and adding organ and Billy Zoom bringing considerable rockabilly chops to punk for the first time. (Note my use of "considerable.") The songwriting is above average but not indicative of the superior voice as lyricists that both Doe & Exene would find on X's classic second album "Wild Gift". This debut is really more like early VU/Lou Reed reportage lyrically and less use of the first person that they would become noted for as writers. If you only download one song, make it the deliriously joyous "The World's A Mess; It's In My Kiss", with Exene achieving her first breakthrough as a solo vocalist, Manzarek cooking away and Billy Zoom coming up with one of the great riffs of the era, bar none.

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Wholey Fargin Shite!

djsancocho

A brilliant snapshot of punk on the cusp, before L.A. hardcore sucked out the poetry and turned it into a strident, boys-only dead end. "Los Angeles" has melody, harmony and hooks to go with the rockabilly buzz saw guitar, making this album much more accessible than most 'punk' records. It's dark in a Doors kind of way (Ray Manzarek's organ shows up in the mix), but it's somehow cathartic and even fun, too, if you don't listen too closely to the lyrics. "Soul Kitchen" is a rocket of a song that bears this out. Along with the Clash's Joe Strummer/Mick Jones entwined genius, Joe Doe and Exene Cervenka were the closest thing punk ever got to the tight songcraft of Lennon and McCartney. Actually, forget punk. This is a seminal 70s rock and roll record. Don't sleep.

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No Love?

DesertED

No glowing allmusic review accompanying this album? It's a shame. This is simply one of the greatest rock recordings of all time....

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By the late ’70s, punk rock and hardcore were infiltrating the Los Angeles music scene. Such bands as Black Flag, the Germs, and, especially, X were the leaders of the pack, prompting an avalanche of copycat bands and eventually signing record contracts themselves. X’s debut, Los Angeles, is considered by many to be one of punk’s all-time finest recordings, and with good reason. Most punk bands used their musical inability to create their own style, but X actually consisted of some truly gifted musicians, including rockabilly guitarist Billy Zoom, bassist John Doe, and frontwoman Exene Cervenka, who, with Doe, penned poetic lyrics and perfected sweet yet biting vocal harmonies. Los Angeles is prime X, offering such all-time classics as the venomous “Your Phone’s Off the Hook, but You’re Not,” a tale of date rape called “Johnny Hit and Run Paulene,” and two of their best anthems (and enduring concert favorites), “Nausea” and the title track. While they were tagged as a punk rock act from the get-go (many felt that this eventually proved a hindrance), X are not easily categorized. Although they utilize elements of punk’s frenzy and electricity, they also add country, ballads, and rockabilly to the mix. [In 1988 Los Angeles and Wild Gift were combined as part of a CD reissue by Slash Records.] – Greg Prato

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