Mummer

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Mummer album cover
Album Information

Total Tracks: 16   Total Length: 66:42

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Barry Walters

eMusic Contributor

03.28.11
Their least physical album
2003 | Label: CAROLINE ASTRALWERKS - CAT

Disheartened and economically diminished by leader Andy Partridge’s decision to quit touring and discouraged by a de-emphasis on rhythm, longtime XTC drummer Terry Chambers left early in the making of this pastoral and strikingly low-key 1983 disc: He appears only on the first two tracks and on the bonus cut “Toys,” and it’s obvious that this home-run-hitter was forced to punt.

Chambers’s exit isn’t the only reason Mummer is XTC’s least physical album. Recovering from a nervous breakdown and the sudden realization that the band had been robbed of a great deal of money made during the constant touring he hated, Partridge dials down most of the band’s most compelling elements — its unrelenting hooks, nearly telepathic instrumental interaction, and limitless enthusiasm that together made XTC’s art-pop exceptionally playful. Without Chambers, Colin Moulding seems lost; the bassist’s three contributions (“Wonderland,” “Deliver Us from the Elements,” “In Loving Memory of a Name”) lack his usual snappiness. Mummer is much more enjoyable if you accept it as a collection of bucolic B-sides from a band that had crafted album after album full of quirky but pleasure-packed A’s.

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Icon: XTC

By Barry Walters, eMusic Contributor

Classified as post-punk, power pop, New Wave, art-rock, neo-psychedelia, alternative rock, chamber pop and various combinations thereof, XTC forged a path that inspired many, yet remains utterly unique. In its 22 years of making albums, this ever-changing band from Swindon, England, achieved something musically akin to the Beatles — substantial tunes, kinetic musicianship, social commentary and evolving studio craft — with a fraction of their popularity. Like the Fab Four, this quartet transitioned from being… more »

They Say All Music Guide

Mummer, the first album to follow Andy Partridge’s mental breakdown, which led to XTC’s retirement from touring, is very much the work of an eccentric in isolation. The album is a collection that builds on the groundwork of English Settlement with gentle, acoustic songs that evoke pastoral images and peaceful times. There are moments of real inspiration, resulting in some of the band’s finest songs to date — “Love on a Farmboy’s Wages,” “Great Fire,” and “Lady Bird” — and the sound sets a pleasingly consistent mood, although the sameness tends to work against the lesser material. Only the out-of-place afterthought of “Funk Pop a Roll,” a tirade against the music industry, breaks things up, recapturing the abrasive Partridge of past. [When Mummer was reissued on CD, six tracks were added to the middle of the album. While "Jump," "Toys," "Gold," and "Desert Island" are welcome additions of pop confection, the atmospheric instrumentals "Frost Circus" and "Procession Towards Learning Land," from the simply bizarre Homo Safari Series, serve to disrupt the album's flow.] – Chris Woodstra

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  • 05.25.12 Wait,did I mention HAVE YOU SEEN YOUR MOTHER BABY,STANDING IN THE SHOWERS? .....sorry.....sorry