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First World Fever

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First World Fever album cover
01
The Hidden Hand
1:50
02
Monday
2:30
03
Vehicular Baptism
3:19
04
Lord Of The Rings
2:13
05
Black Sun
6:28
06
Rather Be Cowboy
3:01
07
Mostly Plastic
3:41
08
Chained At The Ankles
5:37
09
Nature Unveiled
4:15
10
I'm With Stupid
3:55
11
Born Into A Bruise
4:12
Album Information

Total Tracks: 11   Total Length: 41:01

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More credit due than Stewart Mason gives

ergol

The emusic reviewer is too dismissive of this album when he says its comfort food for screamo kids. The things that he likes on I'm with Stupid and Black Sun are trademark for this band - they are there in every song. These are the - to put it roughly - goth influences (Bauhaus, The Birthday Party sort of stuff) that really make Year Future stick out. True, predominantly they are post-hardcore, but they're not as typical as the reviewer makes out. If you don't like post-hardcore then you won't like this album, but if you like hearing bands playing around the borders of their sub-genre then Year Future are a band to hear.

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They Say All Music Guide

The first full-length by Year Future, led by Gold Standard Labs head honcho Sonny Kay, primarily consists of standard-issue GSL post-hardcore in the vein of Kay’s previous bands Angel Hair and the VSS. The guitars are loud, the drums are furious, the vocals are incomprehensibly shouty, and the song structures are fragmented in the now-familiar post-hardcore fashion, such as the stop-on-a-dime breaks in the opening “The Hidden Hand.” As a result, First World Fever will be comfort food for the screamo kids, but occasionally Kay diverts the band into totally unexpected directions, and those songs are the most rewarding on the album. The tightly wound “I’m with Stupid” features an atypically prominent bassline that serves the same function that Jah Wobble’s parts did on the early Public Image Ltd. records, as a fluid, dance-oriented bridge between the nearly atonal harshness of Kay’s vocals and the full-on metal attack of the guitars; it’s by some distance the most compelling song on First World Fever, one that suggests a possible new direction for the band. Equally astonishing in an even more unexpected way is the album’s sole cover, a version of “Black Sun” by the ambient goth duo Dead Can Dance that, aside from Kay’s typical shredded-larynx vocals, is shockingly faithful to the mood and feel of the original. – Stewart Mason

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