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New Impossibilities album cover
01
Arabian Waltz
Artist: Yo-Yo Ma
7:36
$0.99
02
Night of the Flying Horses
Artist: Yo-Yo Ma
6:50
$0.99
03
Galloping Horses
Artist: Yang Wei;DaXun Zhang
1:57
$0.99
04
Song of Eight Unruly Tipsy Poets, from Poems from Tang
Artist: Yo-Yo Ma
7:23
$0.99
05
Shristi
Artist: Sandeep Das
7:42
$0.99
06
The Silent City
Artist: Yo-Yo Ma
22:16
07
Ambush from Ten Sides for Pipa, Sheng, Guitar, Cello and Orchestra
Artist: Yo-Yo Ma
12:09
08
Vocussion
Artist: Dong-Won Kim;Sandeep Das;Mark Suter;Joseph Gramley;Shane Shanahan
8:16
$0.99
Album Information
EDITOR'S PICK

Total Tracks: 8   Total Length: 74:09

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John Schaefer

eMusic Contributor

John Schaefer is the host of WNYC’s innovative music/talk show Soundcheck, which features live performances and interviews with a variety of guests. Schaefer ha...more »

04.02.13
Continuing along the Silk Road with perhaps his biggest project yet
2007 | Label: Sony Classical

Cellist Yo Yo Ma’s musical adventures along the Silk Road continue with perhaps his biggest project yet: an album with his Silk Road Ensemble, made huge by the addition of a little band called The Chicago Symphony Orchestra. Since beginning this extraordinarily productive series of concerts, recordings and educational programs in 2000, Yo Yo Ma and the Silk Road Project have traced the lineage of the Western classical tradition back through the trade routes that brought people, instruments, and techniques from Central Asia into Europe, usually through Venice, during the so-called Age of Exploration in the 16th and 17th centuries. This has meant putting the violin, cello, flute, and other orchestral instruments in close contact with their musical cousins — fiddles from Iran, lutes from Uzbekistan, zithers from China. The addition of a full-on Western orchestra, especially one with the powerful collective voice of the Chicago Symphony, could easily have overwhelmed the chemistry that has developed within the Silk Road Ensemble. Happily, that has not been the case. The orchestrations here are usually restrained but telling, rising to a grand climax only on the rare occasions where the music specifically calls for it. And Osvaldo Golijov definitely calls for it… read more »

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