Gary Lucas

When he was nine, Gary Lucas' dad suggested he take up playing the guitar. Although he followed his dad's suggestion, Lucas focused more on the French horn that he played for his elementary school band and continued to play, until getting kicked out of his high school's band. Lucas then focused wholly on the guitar, and played in various groups throughout the '60s. As a campus station music director during his second year at Yale, Lucas saw Captain Beefheart in concert and immediately wanted to play with Beefheart's unique band more than anything. Shortly thereafter, he interviewed and got to know Beefheart.

Lucas soon performed as a soloist in the European premiere of Bernstein's Mass (From the Liturgy of the Roman Mass) (1973), and after graduating from college, moved to Taipei for two years. During that time, he led a locally popular group, the O-Bay-Gone-Band, until a chaotic 1976 show broke out into a brawl that seriously injured many people. Upset, Lucas promptly returned to the States, hooked back up with Beefheart, and was finally invited to join the band. He appears on Doc at the Radar Station, and was a full member of the group by the time of the Ice Cream for Crow album. After Beefheart retired in the early '80s to pursue painting, Lucas couldn't imagine topping his experience of playing in a group he considered the number one avant-garde rock band in the world, so he switched over to the production end of music, producing albums by Peter Gordon and Tim Berne, among others.

In 1988, Lucas returned to live performance with a highly acclaimed solo set at N.Y.C.'s Knitting Factory, and continued to play shows and tour for more than a decade to follow. Shortly after his return, he collaborated with longtime friend Walter Horn on a score for The Golem (a 1920 German Expressionist film) as a commission for the 1989 Brooklyn Academy of Music Next Wave Festival. That same year, Lucas formed his rock band Gods and Monsters. Over time, the band's lineups included Jeff Buckley and Matthew Sweet. By 1999, the Gods and Monsters' lineup was in trio form with ex-Swans drummer Jonathan Kane and former Modern Lovers bassist Ernie Brooks; the LP Improve the Shining Hour appeared in early 2000. In addition to Gods and Monsters and various solo projects, Lucas formed the Du-Tels in 1994, a psychedelic folk duo with Peter Stampfel. In 2008, he joined with jazz and blues vocalist Dean Bowman to form Chase the Devil, and the duo explored the spiritual and secular roots of the blues without sounding too revivalist, releasing the self-titled Chase the Devil on Knitting Factory in 2010. Lucas was back with Gods and Monsters for The Ordeal of Civility, produced by Jerry Harrison and released by Knitting Factory in 2011.

from Wikipedia:

Gary Lucas is an American guitarist, a Grammy-nominated songwriter, a soundtrack composer for film and television, and an international recording artist with over a dozen solo albums to date. He has been described as "one of the best and most original guitarists in America" (David Fricke, 16 Nov. 2006, Rolling Stone); a "legendary leftfield guitarist" (The Guardian, 24 Dec. 2005); "the thinking man's guitar hero" (The New Yorker, 8 Jan. 2007), "perhaps the greatest living electric guitar player" (Daniel Levitin) and one of "the most innovative and challenging guitarists playing today" (fRoots, March 2002).

Lucas tours the world solo, as well as with several different ensembles including his longtime band NYC-based group, Gods and Monsters, a psychedelic rock band based around Lucas's guitar playing and songwriting. The band completed a tour of Moscow and St. Petersburg, Russia, and the Netherlands. Other regular members of the band include Ernie Brooks, Jason Candler, and Billy Ficca. Lucas also lectures on guitar and the music business in general. As of 2007, he has performed in more than 35 countries, including India.

Biography

Gary Lucas was born in 1954 in Syracuse, New York USA. He obtained a degree in English from Yale University (1974), before establishing his career in music first as a college DJ and then as Music Director at his college radio station, WYBC FM. He presently lives in New York City.

Musical career

Early career

According to his website, Lucas was encouraged by his father to try the guitar at age 9, and briefly dabbled with other instruments at school, and played with various groups and combos in the 1960s, during his teens. During his senior year at high school he played for the documentary film unit of the Upstate Medical Center and scored on his first film assignment. In his sophomore year he travelled on what he calls a "pilgrimage" to see childhood hero Captain Beefheart, with whom he later formed a strong friendship. From being a Beefheart fan Gary eventually became his co-manager and occasionally performed on stage during the 1980–81 tours – reciting a poem (usually "One Man Sentence", sometimes "Untitled") or performing the solo guitar piece "Flavor Bud Living".

After gaining his degree, Lucas played for a few years for "O-Bay-Gone Band" before gaining a significant step in his career during 1980–82, when he was engaged to record on two Beefheart albums released by Virgin Records, on one of which he was full-time lead alongside Moris Tepper. Lucas performed over a period of five years with the last incarnation of Beefheart's Magic Band. His solo guitar pieces on Doc at the Radar Station (1980) and Ice Cream for Crow (1982) featured his solo renditions of Beefheart's instrumental compositions, "Flavor Bud Living" and "Evening Bell." Of the latter, Esquire wrote "Gary Lucas apparently grew extra fingers in order to negotiate his way through it".

After Captain Beefheart retired in the 1980s, Lucas continued to be associated with the Magic Band's former members, and the band continues to be creatively active: several of Beefheart's former band members reformed the group, touring as the Magic Band from 2003 to 2006. Their 2007 double album and DVD, 21st Century Mirror Men, followed up their debut album Back to the Front which was chosen as one of the best albums of 2004 by The Wire.

In 1988, Lucas mounted his first solo guitar show at New York's Knitting Factory. Shortly after his first gig, he was invited to appear at the 1988 JazzFest Berlin, where the Berliner Morgenpost raved in a banner headline after his performance, "It is Lucas!"

Concerts and tours

His Australian debut was made in the company of UK electronica band Future Sound of London. He has been a regular visitor to London's Royal Festival Hall (five appearances) and Amsterdam's famed Paradiso (17 appearances since 1980).

Lucas recently returned from his fourth tour of Russia, where he performed his original solo guitar adaptation of the Lucas/Horn score accompanying the silent classic German horror film The Golem (1920) in Moscow and Saint Petersburg and appeared on national TV before an estimated 50 million viewers, as well as being feted in the Russian edition of Rolling Stone. He's played with The Golem solo all over the world since the live debut of the duet score he and keyboardist Walter Horn wrote for the movie in 1989 at the BAM Next Wave Festival—including performing at the Venice Biennale, London's Royal Festival Hall, the New York Jewish Film Festival at Lincoln Center, as part of a week long artist-in-residency at the Quebec City Summer Festival, at the Alien artist H. R. Giger's Retrospective in Prague (home of the Golem) this spring, at Atlanta's Dragon Con, the largest science fiction festival in the world, and at this year's fifth annual Pop Montreal music and film festival.

Other recent concert appearances include a concert at the Czech Embassy in Washington DC by invitation of the Czech ambassador to the US spotlighting Lucas's solo guitar arrangements of Czech classical music in honor of the 14th anniversary of the Czech Velvet Revolution (Lucas is of Bohemian descent on his father's side). Lucas made an extensive solo acoustic tour of Spain in 2007.

Lucas co-leads a jazz-oriented, all-instrumental Beefheart tribute ensemble, Fast 'n' Bulbous: the Captain Beefheart Project, who have made appearances at the Frankfurt Jazz Festival and the Jazz Em Agosto Festival in Lisbon during 2006. Their debut album Pork Chop Blue Around the Rind was profiled on NPR and charted on college radio in the US. In Fall, 2006, they toured Europe extensively, selling out shows at the London Jazz Festival, in Amsterdam's BimHuis, as well as playing in Bern, Vienna, Schwaz and Ljubljana Slovenia. The group has recently released its second album, Waxed Oop, on Cuneiform Records.

In November 2006, Lucas toured Europe with Phillip Johnston and five other jazz musicians as the Gary Lucas and Phillip Johnston Septet. The group performed jazz arrangements of Captain Beefheart's work in London, Amsterdam, Bern, Vienna, Schwaz (Austria) and Ljubljana.

Projects and collaborations

Lucas has played and collaborated with Leonard Bernstein, Captain Beefheart, Jeff Buckley, Chris Cornell, Lou Reed, John Cale, Nick Cave, David Johansen. He has also worked with Mary Margaret O'Hara, Onetwo, Peter Stampfel, Sebastian Doggart, Fred Schneider (The B-52's), Bob Neuwirth, Geoff Muldaur, John Sebastian, John Zorn, Bryan Ferry, Patti Smith, Kate and Anna McGarrigle, Matthew Sweet, DJ Spooky, Damo Suzuki, Iggy Pop, Dr. John, Allen Ginsberg, Graham Parker, The Dark Poets, Future Sound of London, Melissa Mars, Van Dyke Parks, Adrian Sherwood, Richard Barone, Bob Weir, Warren Haynes (Allman Brothers, Gov't Mule), Kristin Diable and many others. Jazz collaborations include Roswell Rudd, Steve Swallow, Joe Lovano, Dave Liebman, and Billy Bang. Some of these collaborations appear on his retrospective album Improve the Shining Hour, which also features his film and TV music for ABC News, 20/20 and Turning Point. He has produced albums for composer/saxophonists Tim Berne and Peter Gordon, and for the French avant-rock band Tanger. He co-wrote Joan Osborne's Grammy-nominated song "Spider Web" from her triple platinum album Relish.

Lucas co-wrote two of the songs, "Grace" and "Mojo Pin", from Jeff Buckley's popular and critically acclaimed album Grace. Early collaborations can also be heard on the Jeff Buckley and Gary Lucas album Songs to No One, which charted internationally with worldwide sales approaching 100,000.

Dutch lutist Jozef Van Wissem has collaborated with Lucas on several albums, which include "the Universe of Absence" and "Diplopia." They have appeared and performed live on Dutch national TV together.

In 2007 Lucas collaborated on an album with underground electronic producer James R Hunter's project The Dark Poets. The album was produced by British label manager Stevo Pearce of Some Bizzare Records. The album, Gary Lucas vs the Dark Poets - Beyond the Pale, features an eclectic mixture of moody drum and bass, techno and rock tracks (most notably 'Prime Time' - featuring vocals by Sarah Hilliard and James R Hunter) as well as many early collectable Gary Lucas tracks and collaborations (including "Procuress from Karmelitska Street" featuring UK vocalist Pat Fulgoni of Kava Kava and original sketches of songs which went on to be used on Jeff Buckley's Grace album' including 'Grace' and 'Mojo Pin').

In 2009 Lucas collaborated on a new world music collaboration with an Indian vocalist from the UK, Najma Akhtar. Their album RISHTE combines rock, blues, folk, and raga, on Harmonia Mundi/World Village. It was listed #4 in the European World Music charts in 2009.

In 2010, Lucas collaborated with vocalist Dean Bowman on their "spiritual roots project" and gospel album, "CHASE THE DEVIL." The duo performed an amalgam of Hebrew and African American blues live in the U.S. and Europe.

In May 2011, Lucas released a new studio album with his band, Gods and Monsters, entitled The Ordeal of Civility. It was produced by Jerry Harrison (Talking Heads) and distributed by Sony/Red.

The Edge of Heaven

The Edge of Heaven, an album of Lucas's lush arrangements of classic Chinese pop tunes from the 1930s, has a distinctly bluesy feel. It received positive international reviews from Rolling Stone to The Wall Street Journal to the Hong Kong Music Weekly. It was #1 on the World Music Charts in Canada and garnered international attention, England's magazine awarding it 4 Stars, and Mojo writing: "It is simply gorgeous." The album was chosen as one of the Best Discs of the year in France's Libération newspaper. There was a lengthy profile for the album in The Wall Street Journal, as well as an NPR interview.

Other

Lucas is also working with the female UK-based DJ Cosmo on a new dance-oriented project called Wild Rumpus, a track from which parts have been previewed already on the BBC. Gary has been performing DJ improv sets with Cosmo in a variety of far-flung locales, including high profile gigs in Romania and India. This year he released his second album with Dutch lutist Jozef Van Wissem, The Universe of Absence, and the pair recently performed live on Dutch national TV network VPRO show, "Free Sounds."

Lucas has played at the UK's Glastonbury Festival, at London's Shepherd's Bush Empire and at the All Tomorrow's Parties festival in LA and Camber Sands in the UK.

In 1996, Gary Lucas played Fireman Sam in Fireman Sam in Action.

A number of UK DJs have featured Lucas in their radio shows, including Charlie Gillett and John Peel, as well as Verity Sharp and Fiona Talkington on their BBC experimental music program, and Rob Da Bank, also on BBC.

In Fall 2009, Gary Lucas debuted his new live program of solo guitar arrangements of famous film music at the 5th International Jecheon Film and Music Festival in South Korea. He was also invited by the Festival Internacional del Nuevo Cine Latinoamerica to preview his score for the Spanish version of Dracula (1931) at the 31st Havana Film Festival in Havana, Cuba. Lucas performs the European premiere of his Spanish "Dracula" project at the 9th Transylvania International Film Festival in Cluj-Napoca Romania on May 30, 2010 in the open-air outside the Banfi Botzida Castle.

In the summer of 2009, he collaborated with new up-and-coming Latin American artist Juan Galeano on his album El Peregrino, which debuted April 2010.

Lucas returned to Cuba December 2010 for the 32nd Havana Film Festival, and debuted a new live score accompanying a Brazilian horror classic, "Esta Noite Encarnerei no teu Cadaver" (Tonight I will Possess Your Corpse).

Style

Gary Lucas' work draws strongly from the blues tradition, but it has increasing international range (see Edge of Heaven above), and includes styles such as psychedelic rock, world music, and jazz, as well as classical works.

Lectures and master classes

Lucas has spoken widely on his life and career. He also lectures widely on the mechanics of songwriting, extensive collaborations, composing for film, and the music business at the Amsterdam Music Conservatorum, Yale University (his alma mater), the University of Hawaii, New York University, and Columbia University. He has given guitar master classes at the Amsterdam Music Conservatory and in Honolulu at the University of Hawaii. He has also lectured at Rogers State University in Oklahoma, and McGill University in Montreal, Canada.

Composing for film and television

Soundtracks and scores:

Spanish Dracula (soundtrack for the 1931 silent film)Cinefantastique (solo guitar arrangements of famous film music)Sounds of the Surreal (live solo guitar score)American Faust: From Condi to Neo-Condi an award-winning documentary on Condoleezza Rice, directed by Sebastian Doggart, additional scoringTrust Me (a Showtime documentary, original score)Bed and Breakfast 9/11 (an award-winning documentary shown on PBS)The Legacy of Jedwabne (documentary by Slawomir Grunberg)Lalee's Kin: The Legacy of Cotton (an Oscar-nominated Maysles Films documentary for HBO, screened at the Museum of Modern Art in New York as part of their Maysles Films 50 Year Retrospective; Variety wrote: "Gary Lucas' Delta blues guitar music adds vivid color to this report from America's forgotten underbelly")The Golem (soundtrack for the 1920 silent film)The Unholy Three (original solo guitar score for the 1925 Tod Browning film of the same name, commissioned by the Film Society of Lincoln Center. To premiere at Walter Reade Center, NYC, April 2009.J'Accuse (live solo guitar score for Abel Gance's anti-war film of the same name) in collaboration with Dutch-Iranian composer Reza Namavar, commissioned by the Netherlands Holland Festival. To premiere in the Amsterdam Stadtsshouwburg, June 2009.Dragon Boys (Canadian "movie of the week") 2007.For Love and Honor (Erik Greenberg Anjou's documentary about American Ivy League collegiate football).

Other recognition

In the last few years Lucas has been profiled in the International Herald Tribune, Libération, and featured on the cover of The Forward as well as the national Dutch newspaper Het Parool. According to the Beefheart website:

"Since the end of the Magic Band, he has been very prolific in his own right, solo and within a band, releasing almost an album a year since 1991. His virtuoso solo live shows are awesome in the sounds he extracts from his guitar."

In the early 2000s, he performed a guitar rendition of the theme music to BBC1 soap opera EastEnders.