Tricky

Originally, Tricky was a member of the Wild Bunch, a Bristol-based rap troupe that eventually metamorphosed into Massive Attack during the early '90s. Tricky provided pivotal raps on Massive Attack's groundbreaking 1992 album, Blue Lines. The following year, he released his debut single, "Aftermath." Before he recorded "Aftermath," he met a teenage vocalist named Martina, who would become his full-time musical collaborator; all albums released under Tricky's name feature her contributions.

Tricky signed a contract with 4th & Broadway in 1994. The contract contained a clause which allowed him to release side projects under different names, in addition to regular Tricky releases. "Ponderosa" and "Overcome" were released over the course of 1994; that same year, he made a cameo on Massive Attack's second album, Protection. Tricky's debut album, Maxinquaye, appeared in the spring of 1995. Not only did the album receive overwhelmingly positive reviews when it was released, but it entered the U.K. charts at number two, despite the total lack of daytime radio airplay. Throughout 1995, Tricky was omnipresent in the U.K., collaborating with and remixing for a wide variety of artists, including Björk, Luscious Jackson, and Whale. In the fall of 1995, he released Tricky vs. the Gravediggaz, a collaboration with the American hardcore rap group, as well as a single called "I Be the Prophet," which was released under the name Starving Souls. At the end of the year, Maxinquaye topped many year-end polls in Britain, including Melody Maker and NME.

In February of 1996, Nearly God -- an album featuring Tricky's collaborations with artists as diverse as Terry Hall, Björk, Alison Moyet, and Neneh Cherry -- was released, again to strong reviews; the album was released in the U.S. six months later. After completing the second full-fledged Tricky album, he relocated to New York City early in 1996 where he began working with underground rappers. An EP called Grassroots was released in the U.S. in September. Two months later, Tricky's official second album, Pre-Millennium Tension, was released. Again, Tricky received positive reviews, though there were a few dissenting opinions.

In addition to his three releases of 1996, he remixed artists as diverse as Elvis Costello, Garbage, Yoko Ono, and Bush. Tricky's next full-length solo effort, Angels with Dirty Faces, appeared in 1998, followed a year later by Juxtapose, a collaboration with Cypress Hill's DJ Muggs and DMX's Grease. In 2001, Tricky returned with the Mission Accomplished EP, which was released by the Epitaph subsidiary label Anti. Blowback, his first for Hollywood Records, appeared later that June and included various collaborations with Hawkman, Live's Ed Kowalczyk, and Red Hot Chili Peppers' Anthony Kiedis and John Frusciante. Increasingly aware of his brooding persona in the media and annoyed that popular music magazines had started labeling him "the Dark Prince," in 2003, he made Vulnerable as an attempt to expose himself as a more accessible artist. The same year, the Back to Mine label released an album of remixes that he compiled, before he took a five-year hiatus from recording new material. Knowle West Boy marked a strong return by the trip-hop pioneer in 2008. Tricky toured for a solid year behind Knowle West Boy, his most critically acclaimed recording since Pre-Millennium Tension. In August of 2010, he emerged with the single "Murder Weapon" a reworking of Echo Minott's '90s-era dancehall hit that obsessed him. Following in the tradition of his infamous read of Public Enemy's "Black Steel" with backing vocalist Martina Topley-Bird, "Murder Weapon," like its precursor, also featured a female voice, in this case, Irish-italian singer Franky Riley, one of his backing vocalists on the road. Tricky followed the single with the album Mixed Race later that fall.

from Wikipedia:

Tricky (born Adrian Nicholas Matthews Thaws, 27 January 1968) is an English musician and actor. As a producer and a musician, he is noted for a dark, rich and layered sound and a whispering sprechgesang lyrical style. Culturally, Tricky encourages an intertwining of societies, particularly in his musical fusion of rock and hip hop, high art and pop culture. His debut album Maxinquaye was nominated for the Mercury Prize and voted Album of the Year by NME Magazine.

Early life

Tricky was born in Knowle West, Bristol, England to a Jamaican father and a mixed-race Ghanaian-English mother. His father left the family before he was born and his mother, Maxine Quaye, committed suicide when he was only four. He named his solo album after her - Maxinquaye - and once said that though he hardly knew her, he feels like she's speaking through him with his words.

He spent his youth in the care of his grandmother, who often let him watch old horror movies instead of going to school. At 15 he began to write lyrics ("I like to rock, I like to dance, I like pretty girls taking down their pants" MixMag 1996). At 17, he spent some time in prison because he bought forged £50 notes from a friend, who later informed the police. In an interview, Tricky said: "Prison was really good. I'm never going back".

Early career

Eventually he met DJ Milo and hung out with a sound system called The Wild Bunch, which by 1987 evolved into Massive Attack. He received the nickname 'Tricky Kid' and at 18 he became a member of the Fresh 4, a rap group built from The Wild Bunch. He also rapped on Massive Attack's acclaimed debut album Blue Lines (1991).

In 1991, before the release of Massive Attack's album Blue Lines, he met Martina Topley-Bird. Some time later she came to his house, and mentioned to Tricky and Mark Stewart that she could sing. Martina was only fifteen years old, but her 'honey-coated vox' impressed them and they recorded a song called "Aftermath" (though The Face '95 mentions that the first song they recorded together was called "Shoebox"). Tricky showed "Aftermath" to Massive Attack, but they were not interested. So in 1993 he decided to press a few hundred vinyl copies of the song. He cut it directly off of the tape, so that the song is basically "just bassline and hiss". (NME 1994). Finally, a white label got him a contract with Island Records and he started to record his first solo album.

Breakthrough

Tricky left Massive Attack to release his debut album, Maxinquaye. The album was a massive success and Tricky was catapulted to international fame, something he was notably uncomfortable with. This was because the impact of his album truly set the stage for trip-hop within the United Kingdom. Tricky was able to do so much with his music by incorporating different musical genres in his sound, but ultimately making sure he made the overall product his own. In fact, the Maxinquaye album review by the Rolling Stone magazine read, "Tricky devoured everything from American hip-hop and soul to reggae and the more melancholic strains of 80s British rock." It is important to note that Tricky paid tribute to early hip-hop artists whose music was, and still is, influential in the hip-hop scene. He also incorporated commercial pop music into his music, and by combining early hip-hop and pop samples in his music, he found a way to appeal to both audiences, which rarely happens. As Hesmondhalgh and Melville wrote, "Tricky showed his debt to hip-hop aesthetics by reconstructualizing samples and slices of both the most respected black music (Public Enemy) and the tackiest pop (quoting David Cassidy’s “How Can I Be Sure?”)." Mixing all of these elements, Tricky created "a mercurial style of dance music that immediately finds it own fast feet."

Tricky failed to complete a number of lyrics for the Massive Attack album Protection and gave the band some of the lyrics he had written for Maxinquaye instead. Different versions of the same songs appear on both albums - called "Overcome" and "Hell is 'Round the Corner" on Maxinquaye and "Karmacoma" and "Eurochild" on Protection. When Massive Attack were asked, in a radio interview on CFNY (Toronto), about why the lyrics were the same, they jokingly said that it was because he was lazy.

Tricky found it difficult to cope with the huge success of Maxinquaye and he subsequently eschewed the laidback soul sound of the first album to create an increasingly edgy and aggressive punk tinged music that echoed his personality as he became more erratic and unreliable.

In 1996, Neneh Cherry and Björk appeared as guests on his second album Nearly God. The opening number was a cover of the Siouxsie and the Banshees pre-trip-hop song "Tattoo" that had previously inspired Tricky when he forged his style.

In 2001 Tricky appeared on the Thirteen Ghosts soundtrack with the song "Excess" which (briefly) features Alanis Morissette during two of the choruses. In 2002 that song also appeared on the Queen of the Damned soundtrack.

Idiosyncrasies and media controversies

By the time Pre-Millennium Tension was released, Tricky was increasingly irritated with the press, particularly articles written in The Face magazine. The Face had been an early champion of Maxinquaye, but saw Tricky as more a duo than a solo project. The Face published an article claiming that vocalist Martina Topley-Bird had to single-handedly bring up the child that Tricky had fathered.

He has also been concerned with racial stereotyping of the media. In the documentary Naked & Famous he explained how photographers want him to frown angrily in photos, because that is how black artists are marketed. He points to a recent cover of The Big Issue, where he has a more ambiguous, confused look on his face, as being more how he feels. In the song "Tricky Kid" from Pre-Millennium Tension, he wrote "As long as you're humble/Let you be the king of jungle." (This lyric is a reference to Goldie and their spat over Björk.)

Throughout his work, Tricky blurs the normally clear sexual definitions found within hip hop. Despite the heavy influence he drew from American hip hop in his debut album, Maxinquaye, he fights against typical sexual representations by, for example, dressing as a woman on the side sleeve of his album cover. As many of his tracks blend elements of varying types of music creating a difficult to define sound, so his lyrics create a more ambiguous and blurry take on sexuality.

Side projects and film career

Tricky has guest starred on a number of albums, including a notable appearance on Live's fifth studio album, . This appearance came as Tricky and Live's lead singer Ed Kowalczyk had developed a close friendship, with Kowalczyk contributing vocals to 'Evolution Revolution Love', a track on Tricky's album Blowback.

Tricky has also acted in various films. He appeared in a significant supporting role in the 1997 Luc Besson film The Fifth Element, playing the right-hand man "Right Arm" to evil businessman Mr. Zorg. He reportedly put off actor Gary Oldman (who played Zorg) because, while he had his back to the camera, he was eating a Twix bar, to Oldman's anger ("He's facking eatin' a Twix!"). "But Gary Oldman took me in, used to make me cups of tea and shit like that. He's got a real deep soul. Y'know, he permitted me to hang out with him and he's up there." He also appears briefly in both the 1997 John Woo directed Face/Off (his single "Christiansands" is also played during his brief cameo) as well as the 2004 Olivier Assayas film Clean, playing himself, and had a large role in the music video for "Parabol/Parabola" by Tool.

In 2001 Tricky appeared in online advertising for the web series We Deliver, about a marijuana delivery service in New York. Though he did not actually appear in any episodes, in the advertising it appears as if he is a customer of the service.

Recent work

Tricky's website last reports him busy at work with the musical acts signed to his Brown Punk record label. Several new solo works have been featured in television programs such as CSI: Crime Scene Investigation, The L Word and Girlfriends, and he contributed "Au Revoir Emmanuelle" to a compilation entitled Monsieur Gainsbourg Revisited.

Tricky's 2008 studio album, Knowle West Boy, was released in the UK and Ireland in July 2008 and September 2008 in the U.S. The first single was "Council Estate". In an interview with The Skinny in July 2008, Tricky mentioned that it was the first time that he had decided to let someone co-produce an album with him, the person in question being Bernard Butler, ex-Suede guitarist. Less than enamoured with Butler's technical prowess, Tricky finished by totally re-recording all of the material.

On 8 December 2009, Tricky's 1995 debut album Maxinquaye was reissued with a bonus 13-track CD featuring B-sides, out-takes and 7 previously unreleased mixes including three new mixes of "Overcome", "Hell is Round the Corner", and "Black Steel".

On 10 December 2009, Daddy G. revealed that he met Tricky in Paris and asked him to work on a future project. Tricky agreed.

During an interview on 1 July 2010, Tricky stated that his new album, titled Mixed Race, was scheduled for release on 27 September 2010. The first single from the album became available on 23 August. The album included contributions from Franky Riley, Terry Lynn, Bobby Gillespie, Hamadouche, Blackman, and Tricky's youngest brother Marlon Thaws.

On December 13, 2010 Tricky's tour bus was caught in a blizzard near Sarnia, Ontario, Canada (near the U.S./Canadian border). The band was scheduled to play Tuesday night in Minneapolis, but had to cancel because they didn't make it out on time. A local farmer, John Prins, came to their rescue. The farmer reported that "they were sitting in their tour bus for 30, 35 hours, without any food", and said, "They said they were surviving on Jack Daniels."

In early 2011, Tricky was booked to headline Blissfields Festival.

The new single from the "Mixed Race" album "Time To Dance" being released featuring remixes by Maya Jane Coles, Doorly and Fifi Rong internationally on 18 July 2011.

On 26 June 2011 Tricky appeared on stage during Beyoncé's headline slot on the pyramid stage at Glastonbury for the track "Baby Boy".

Collaborating artists