Buddy DeFranco

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  • Born: Camden, NJ
  • Years Active: 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s

Biography All Media Guide Wikipedia

Buddy DeFranco is one of the great clarinetists of all time and, until the rise of Eddie Daniels, he was indisputably the top clarinetist to emerge since 1940. It was DeFranco's misfortune to be the best on an instrument that after the swing era dropped drastically in popularity and, unlike Benny Goodman and Artie Shaw, he has never been a household name for the general public.

When he was 14, DeFranco won an amateur swing contest sponsored by Tommy Dorsey. After working with the big bands of Gene Krupa (1941-1942) and Charlie Barnet (1943-1944), he was with TD on and off during 1944-1948. DeFranco, other than spending part of 1950 with Count Basie's septet, was mostly a bandleader from then on. Among the few clarinetists to transfer the language of Charlie Parker onto his instrument, DeFranco has won a countless number of polls and appeared with the Metronome All-Stars in the late '40s. He recorded frequently in the '50s (among his sidemen were Art Blakey, Kenny Drew, and Sonny Clark) and participated in some of Norman Granz's Verve jam session. During 1960-1963 DeFranco led a quartet that also featured the accordion of Tommy Gumina and he recorded an album with Art Blakey's Jazz Messengers on which he played bass clarinet. Work, however, was difficult to find in the '60s, leading DeFranco to accept the assignment of leading the Glenn Miller ghost band (1966-1974). He has found more artistic success co-leading a quintet with Terry Gibbs off and on since the early '80s and has recorded throughout the decades for many labels.

from Wikipedia:

Boniface Ferdinand Leonard "Buddy" DeFranco (born February 17, 1923) is an American jazz clarinet player.

Biography

DeFranco began his professional career just as swing music and big bands — many of which were led by clarinetists like Artie Shaw, Benny Goodman and Woody Herman — were fading in popularity. While most jazz clarinet players did not adapt to this change, DeFranco successfully continued to play clarinet exclusively, and was one of the few bebop clarinetists.

In 1950, DeFranco spent a year with the famous Count Basie Septet. His small combo in the early 1950s included jazz modernist Sonny Clark on the piano and guitarist Tal Farlow. He was bandleader of the Glenn Miller Orchestra from 1966 to 1974. He has also performed with Gene Krupa, Charlie Barnet, Art Tatum, Oscar Peterson and many others, and has released dozens of albums as a leader.

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