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Group Members: Roger Miret And The Disasters
At the dawn of the '80s, New York City was mired in debt and crime, grappling with one of the most trying periods in its history, yet ironically (or perhaps fittingly), its underground music scene was seething with activity like never before. Still reeling from the violent inception and subsequent implosion of punk rock, hundreds of underprivileged kids living in Manhattan and its outlying boroughs began forming rock groups to rail against the everyday trials, dangers, and prejudices of urban existence. As had been happening in other urban centers (most notably L.A. and Washington, D.C.) equally affected by the lean, recession-laced early years of Reaganomics, New York became a melting pot/hub for a flourishing hardcore scene -- a cultural phenomenon that used punk rock as a platform for politically charged, inherently regional musical catharsis.
And though it would eventually splinter into countless subgenres, at least initially NYHC (New York Hard Core) far superseded the original punk movement's ragged collective (known as much for art rockers like Talking Heads and Television as it was for "true" punks like the Ramones and Dictators) in terms of a cohesive creative vision. Among the bands at the forefront of this united, seemingly unstoppable army were Agnostic Front, whose frantic, minimalist assault and sociopolitical rants came to epitomize the essence of hardcore, New York f*ckin' City style.
Guitarist Vinnie Stigma was a first-generation punk rocker and an early-'80s skinhead who finally got around to forming his own band, Zoo Crew, in mid-1982, with vocalist John Watson. But Watson only lasted a few months before being replaced by Cuban-born Union City, NJ, native Roger Miret, a product of refugee parents with firsthand experience in social injustice and opinionated views about politics coursing through his veins. When combined with Stigma's primal rhythm guitar ferocity, Miret's charisma as a decadent urban messiah would come to personify AF's sound. Bassist Adam Moochie and drummer Ray Beez joined soon after and, after adopting the new name Agnostic Front (at Stigma's insistence because he thought it sounded like a movement), they recorded their first independent release, the United Blood EP, the following year. This was followed by 1984's career-defining Victim in Pain album, which contained a 15-minute blast of pure New York hardcore and saw the arrival of new members Rob Kabula (bass) and Jimmy Colletti (drums). It also confirmed Agnostic Front's brief status as leaders (along with precursors the Cro-Mags and Murphy's Law) of the already cresting movement, which found its weekly showcase via the now legendary Sunday matinees at favorite Lower East side haunts A7 and CBGB's.
But Agnostic Front were always on the verge of collapse due to Miret and Stigma's mercurial relationship and, like most of their hardcore brethren, were already tampering with their sound. Inevitably, as their musicianship continued to improve, the bandmembers (now including drummer Louie Beatto and additional guitarist Alex Kinon) began losing some of their raw hardcore spontaneity, and with heavy metal growing in popularity day by day, it was no surprise when they started experimenting with the tightly controlled velocity of thrash metal (i.e., buzzsaw riffing and double kick drums). Coincidentally picked up by the speed metal-friendly Combat Records, they struggled through the sessions for what would become 1986's Cause for Alarm album, today acknowledged as a crossover landmark alongside efforts by D.R.I. and Corrosion of Conformity. It was also considered a betrayal and a travesty by many of the band's early supporters, who couldn't have cared less that Cause for Alarm was teaching thousands of metal heads to appreciate hardcore.
Some saw 1987's subsequent Liberty & Justice For..., which featured an entirely revised cast of backup musicians in guitarist Steve Martin (no relation), bassist Alan Peters, and drummer Will Shepler and did away with the metal-style drumming to pursue a looser, less disciplined direction, as an act of compromise. Not that it mattered: the original hardcore scene had pretty much disintegrated by this time anyway, with growing dissension among the movement's many factions (straight-edge, skinheads, etc.) transforming most concerts into armed combat, and leading to many clubs being shut down. Released in 1989, Live at CBGB's (with new bassist Craig Setari) collected Agnostic Front's best-loved material as heard in the band's natural element and, in a way, symbolized the NYHC's official wake. As if to punctuate that fact, Roger Miret was arrested soon thereafter on serious drug charges and sentenced to nearly two years in prison.
In the interim, Vinnie Stigma and Agnostic Front carried on as best they could, undertaking their first European tour with new guitarist Matt Henderson and substitute singer Alan Peters, while Miret found solace writing lyrics about his predicament. These would comprise the bulk of 1992's comeback album, the overtly metallic One Voice, which was pretty much dead on arrival, since much of Agnostic Front's following had moved on to other things during the band's extended absence. A greatest-hits set entitled To Be Continued was also issued at this time, prompting Agnostic Front to call it a day following a farewell concert at (where else?) CBGB's. The final show was recorded for 1993's Last Warning, after which Stigma and Henderson formed Madball with Miret's younger brother Freddy Cricien.
Come 1997, however, Stigma and Miret began discussing a possible comeback for Agnostic Front. And when top punk label Epitaph Records showed interest, the band's long-rumored resurrection became fact, with former members Rob Kabula and Jimmy Colletti completing the lineup that recorded both 1998's Something's Gotta Give and 1999's Riot, Riot, Upstart in quick succession. The latter boasted an especially strong set of retro-hardcore, and featured guest appearances from M.O.D.'s Billy Milano and Rancid's Lars Frederiksen, among others. With the hardcore scene that they'd helped build effectively dead in the dirt, few listeners outside the band's New York stomping grounds seemed to care about their return, but Agnostic Front continue to perform and record occasional albums like 2001's Dead Yuppies (with new bassist Mike Gallo), 2003's Working Class Heroes, 2005's Another Voice, 2006's CD/DVD Live at CBGB's, and 2011's My Life My Way.
from Wikipedia:
Agnostic Front is an American hardcore band. The band began playing hardcore similar to their contemporaries, and were thrust to the forefront of the burgeoning New York hardcore scene in the mid-1980s with their widely regarded 1984 classic Victim in Pain before evolving to incorporate thrash metal elements into their music.
History
Early
Formed by guitarist Vinnie Stigma (formerly of the Eliminators) in November/December 1980, with Diego on bass and Rob Krekus on drums. Agnostic Front went through a few singers, two of them being John Watson and Jimmy "The Mad Russian", before settling with Roger Miret (former bass player of The Psychos). They soon added Ray Barbieri, aka Raybeez (Warzone), on drums and Adam Moochie on bass. Their debut EP United Blood, released in 1983 on an indie label, has since become a collector's item. At this time, the band consisted entirely of skinheads. Although this would change over time, Agnostic Front would continue to feature skinheads as part of their line-up.
The follow-up, Victim in Pain (1984), is regarded as a seminal New York hardcore release. Dave Jones replaced Raybeez on drums and Rob Kabula on bass. In 1984, Jimmy "The Kid" Colletti from Justified Violence joined on drums as the band went to tour with The Exploited later that year. The album pushed the band to the forefront of New York's fledgling hardcore scene, which was centered around CBGB, where they played with bands like The Cro-Mags and Murphy's Law. Roger Miret asserts that all the songs on the album "are totally inspired by the streets of New York and my life and what was going on with my friends. It was dangerous. We did what we had to do to survive by any means necessary. It was like a war or a battlefield, and we stood our ground".
1986's Cause for Alarm was a difficult album to record, due to constant line-up changes and personnel problems. Released on Combat Records, it added thrash metal influences. With other bands such as Suicidal Tendencies and Stormtroopers of Death, this album would mark AF's foray into the world of crossover thrash. It also featured some lyrics written by Peter Steele and drumming by Louie Beateaux (also of Carnivore)
With yet another new line-up, the band soon released Liberty and Justice for... in 1987. The album featured stripped down punk with a lack of thrash influences, yet it contained many metal-style guitar solos. It did not sell nearly as well as previous releases. Sometime later, Miret was arrested on drug charges after releasing a live album, and spent his time in prison writing new songs while Stigma and the band toured Europe for the first time. The lyrics written by Miret while incarcerated formed most of 1992's One Voice, which featured members of Madball and Sick of It All. Not long after its release, the band decided to call it quits. Their last show was at CBGB on December 20, 1992; Last Warning, which was also released with United Blood EP on the end of the release. Vinnie Stigma apparently remarked that he hated Last Warning.
Later
Stigma and Miret reformed Agnostic Front in May 1996 and did a few reunion shows in December 1996, signing to Epitaph Records and recruiting Jimmy Colletti on drums and Rob Kabula, who was playing with Against The Grain at the time, on bass. Their latest venture was titled Something's Gotta Give, although Miret announced in the U.K. the original title would be Today, Tomorrow, Forever. In 1999, they followed up with Riot, Riot, Upstart. They also won an MTV award for the title track music video. Their comeback albums have sold well and been mostly acclaimed by music critics for their pure hardcore punk/oi! sound.
In 2001, they released the album Dead Yuppies. Songs from this album were rarely played live, as the band considered it more a product of Loved and Hated, Jimmy Colletti's side-project band.
In 2002, Miret worked on a side-project band, Roger Miret and the Disasters, looking for a sound akin to old school punk rock and oi!. Also that year, the band appeared in Matthew Barney's film, Cremaster 3 along with Murphy's Law.
Agnostic Front came out in 2004 with Another Voice. The album was regarded mainly as a follow-up to One Voice. The album, however, did receive some criticism from fans and the press for apparently changing their music to fit the current wave of 'tough guy' bands. Musically, the album bears resemblance to bands that were heavily influenced by Agnostic Front, such as Hatebreed. Miret's vocals on the album particularly seemed to turn off many less hardcore punk-oriented fans. Later, the track "Peace" was contributed to the mash-up album Threat: Music That Inspired The Movie, where it was remixed by Schizoid and renamed "World At War."
On March 7, 2006, Agnostic Front released their long-awaited DVD "Live at CBGB". This follows the efforts of many bands that tried to save CBGB from shutting down. Even though Miret claims that "We played more shows at CBGB than any band ever, and we played more benefit shows for CBGB than any band ever" when the club did close most nostalgia focused on 1970's punk bands.
On November 6, 2007, Agnostic Front released the album Warriors with the hit "For My Family" which was largely a continuation of the band's crossover thrash sound.
For the 25th anniversary of their debut LP Victim in Pain, Bridge Nine Records released remastered versions of said album along with their first EP, United Blood, on November 17, 2009.
The band performed on the Persistence Tour in Europe in the winter of 2009 and have also been confirmed for Rebellion Festival 2010 in Blackpool, U.K.
