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Nusrat Fateh Ali Khan

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  • Born: Lyallpur, Pakistan
  • Died: London, England
  • Years Active: 1970s, 1980s, 1990s
  • Nusrat Fateh Ali Khan

  • Nusrat Fateh Ali Khan

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Biography All Music GuideWikipedia

All Music Guide:

Without doubt the most important qawwal is Nusrat Fateh Ali Khan & Party -- "Party" is a generic term for a qawwali ensemble but is also used in Sikhism and to describe some classical music ensembles, for example, shehnai maestro Bismillah Khan & Party. Dubbed Shahen-Shah-e-Qawwali (the Brightest Star in Qawwali), he was born on October 13, 1948, in Lyallpur in the Punjab Province of Pakistan. He made his first recording in 1973 in Pakistan and a number of early EMI (Pakistan) albums jointly billed him with his uncle Mubarak Ali Khan. Since these mainly cassette albums were invariably undated and numerous, it is difficult to place them in any more accurate chronological sequence than catalog-number order. Between 1973 and 1993 his recorded output could only be described as prodigious, with more than 50 album releases to his name on numerous Pakistani, British, American, European and Japanese labels. Heavily over-recorded, blighted with a rash of poppy remix albums or albums with Westernized instrumentation or arrangements, his recorded work is a mire to suck in the uninitiated and their money. Converts, however, do not escape scot-free. Although some releases hint at their nature with coded titles such as Volume 4 Punjabi (Oriental Star CD SR013) from 1990 or Ghazals Urdu (Oriental Star CD SR055) from 1992, the chosen language and style is frequently a matter of conjecture or uncertainty. While the Western market is saturated with his work, the Indian market is supersaturated, and his recorded output is in danger of overwhelming any sense of taste.

Real World was the label largely responsible for Khan's breakthrough into a non-Indian audience. It was their marketing skills and the platform provided by the WOMAD organization which introduced him to Westerners. Mustt Mustt (Real World CD RW 15) released in 1990 was a deliberate attempt to target the white market with its non-traditional arrangements, yet it seems positively cherubic beside later abominations. "All these albums are experiments," he told me in 1993. "There are some people who do not understand at all but just like my voice. I add new lyrics and modern instruments to attract the audience. This has been very successful." Success, however, bred indifference to the virtues and values of the original music. Many find the remix albums, the Western and youth-market releases, a source of despair: buyer beware remains the watchword. When singing his traditional work he remains peerless. Many fans regret the dilution of his talent that has occurred with his "experiments." However, in 1994, reportedly tired of unauthorized releases, he took greater control of both his business affairs and his concert and recording activities. With his international renown at an all-time peak, Khan died on August 16, 1997; a seemingly endless procession of posthumous releases appeared in the years to follow.

Wikipedia:

Nusrat Fateh Ali Khan (Punjabi, Urdu: نصرت فتح علی خان‎; 13 October 1948 – 16 August 1997), a Pakistani musician, was primarily a singer of Qawwali, the devotional music of the Sufis. Considered one of the greatest voices ever recorded, he possessed an extraordinary range of vocal abilities and could perform at a high level of intensity for several hours. Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Qawwali music to international audiences. He is popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali".

Born in Faisalabad, Pakistan, Khan had his first public performance at age of 16, at his father's chelum. He became the head of the family qawwali party in 1971. He was signed by Oriental Star Agencies, Birmingham, England, in the early 1980s. Khan went on to release movie scores and albums in Europe, India, Japan, Pakistan, and the U.S.A. He engaged in collaborations and experiments with Western artists, becoming a well-known world music artist. He toured extensively, performing in over 40 countries.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Contents

Biography1.1 Early life and career1.2 Later career1.3 Death

Biography[edit]

Early life and career[edit]

Khan was born in a Punjabi family on 13 October 1948 in the city of Faisalabad, shortly after the Partition of India during which his family moved from their native city of Jalandhar, in East Punjab, India to Layallpur, West Punjab in the newly created state of Pakistan. He was the fifth child and first son of Fateh Ali Khan, a musicologist, vocalist, instrumentalist, and Qawwal. Khan's family, which included four older sisters and a younger brother, Farrukh Fateh Ali Khan, grew up in central Faisalabad. Initially, his father did not want Khan to follow the family's vocation. He had his heart set on Khan choosing a much more respectable career path and becoming a doctor, because he felt Qawwali artists had low social status. However, Khan showed such an aptitude for, and interest in, Qawwali that his father finally relented. Khan began by learning to play tabla alongside his father before progressing to learn Raag Vidya and Bol Bandish. He then went on to learn to sing within the classical framework of khayal. Khan's training with his father was cut short when his father died in 1964, leaving Khan's paternal uncles, Mubarak Ali Khan and Salamat Ali Khan, to complete his training. His first performance was at a traditional graveside ceremony for his father, known as chehlum, which took place forty days after his father's death.

In 1971, after the death of Mubarak Ali Khan, Khan became the official leader of the family Qawwali party and the party became known as Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party. Khan's first public performance as the leader of the Qawwali party was at a studio recording broadcast as part of an annual music festival organised by Radio Pakistan, known as Jashn-e-Baharan. Khan sang mainly in Urdu and Punjabi and occasionally in Persian, Braj Bhasha and Hindi. His first major hit in Pakistan was the song Haq Ali Ali, which was performed in a traditional style and with traditional instrumentation. The song featured restrained use of Khan's sargam improvisations.

In 1979, Khan married his first cousin, Naheed (the daughter of Fateh Ali Khan's brother, Salamat Ali Khan); they had one daughter, Nida.

Early in his career, Khan was signed up by Oriental Star Agencies in the U.K. to their Star Cassette Label. OSA sponsored regular concert tours by Khan to the U.K. from the early '80s onwards, and released much of this live material on cassette, CD, videotape and DVD.

Later career[edit]

In the summer of 1985, Khan performed at the World of Music, Arts and Dance (WOMAD) festival in London. He performed in Paris in 1985 and 1988. He first visited Japan in 1987, at the invitation of the Japan Foundation. He also performed at the 5th Asian Traditional Performing Art Festival in Japan. He also performed at Brooklyn Academy of Music, New York in 1989, earning him admiration from the American audience.

In the 1992–93 academic year, Khan was a Visiting Artist in the Ethnomusicology department at the University of Washington, Seattle, Washington, United States.

Khan teamed with Peter Gabriel on the soundtrack to The Last Temptation of Christ in 1985, with Canadian musician Michael Brook on the albums Mustt Mustt (1990) and Night Song (1996). The team up with Peter Gabriel gave Khan the opportunity to stylize his songs by blending his qawwalis with the Western music. Khan also grouped with Pearl Jam's lead singer Eddie Vedder in 1995 on two songs for the soundtrack to Dead Man Walking. One of these songs ("The Long Road") was re-used on the soundtrack for Eat Pray Love in 2010. Khan also contributed to the soundtrack of Natural Born Killers. He composed the music for the 1994 film Bandit Queen in collaboration with Roger White.

Peter Gabriel's Real World label later released five albums of Khan's traditional Qawwali, together with some of his experimental work which included the albums Mustt Mustt and Star Rise. Khan provided vocals for The Prayer Cycle, which was put together by Jonathan Elias, but died before the vocals could be completed. Alanis Morissette was brought in to sing with his unfinished vocals. Khan also collaborated with Michael Brook to create music for the song "Sweet Pain" used in the movie Any Given Sunday. He also performed traditional Qawwali before international audiences at several WOMAD festivals and the single "Dam Mast Qalandar" was remixed by electronic trip hop group Massive Attack in 1998.

His album Intoxicated Spirit was nominated for a Grammy award in 1997 for best traditional folk album. Same year his album Night Song was also nominated for a Grammy Award for Best World Music Album, but lost out to The Chieftains' album Santiago.

Khan contributed songs to, and performed in, several Pakistani films. Shortly before his death, he recorded a song each for two Bollywood films, Aur Pyaar Ho Gaya work with singer Udit Narayan (in which he also sang the song onscreen) and Kachche Dhaage. He sang a song for the film Dhadkan. He also sang "Saya bhi saath jab chhod jaye" for Sunny Deol's movie Dillagi. The song was released in 1999, two years after Khan's death.

Khan contributed the song "Gurus of Peace" to the album Vande Mataram, composed by A. R. Rahman, and released to celebrate the 50th anniversary of India's independence. Rahman, who was a big fan of Khan could not do further songs with him. As a tribute, Rahman later released an album titled Gurus of Peace, which featured "Allah Hoo" by Khan. Rahman's 2007 song "Tere Bina" was also done as a tribute to Khan.

After his death, the song "Solemn Prayer", on which Khan provided vocals, was used on the Peter Gabriel song "Signal to Noise" (on the album Up), and on the soundtrack to the Martin Scorsese film Gangs of New York.

According to the Guinness Book of World Records, Nusrat Fateh Ali Khan holds the world record for the largest recorded output by a Qawwali artist—a total of 125 albums as of 2001.

Death[edit]

Ustad Nustrat Fateh Ali Khan was taken ill with kidney and liver failure on 11 August 1997 in London, England, while on the way to Los Angeles USA in order to receive a kidney transplant. He died of a sudden cardiac arrest at Cromwell Hospital, London, on Saturday, 16 August 1997, aged 48. His body was repatriated to Faisalabad, Pakistan, and his funeral was a public affair. His wife, Naheed Nusrat passed away on 13 September 2013 in Credit Valley Hospital in Mississauga, Ontario in Toronto, Canada. Naheed had moved to Canada after the demise of her husband. She is survived by a daughter.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Composition of Nusrat's qawwali party[edit]

The composition of Khan's ensemble, called a "party" (or "Humnawa" in Urdu), changed over its 26 years history. Listed below is a snapshot of the party, circa 1983:

Mujahid Mubarak Ali Khan: Khan's first cousin, vocalsFarrukh Fateh Ali Khan: Khan's brother, vocals and lead harmoniumRehmat Ali: vocals and second harmoniumMaqsood Hussain: vocalsRahat Nusrat Fateh Ali Khan: Khan's nephew and pupil, vocalsDildar Hussain: percussionMajawar Abbas: mandolin and guitar/chorus, handclappingMohammed Iqbal Naqvi: secretary of the party, chorus, handclappingAsad Ali: chorus, handclapping. Khan's cousinGhulam Farid: chorus, handclappingKaukab Ali: chorus, handclapping

The one significant member of the party who does not appear on this list is Atta Fareed. For many years, he alternated with Rehmat Ali on vocals and second harmonium. He is easily identifiable in videos since he plays the harmonium left-handed.

Awards and titles[edit]

Khan is widely considered to be the most important qawwal in history. In 1987, Khan received the President of Pakistan’s Award for Pride of Performance for his contribution to Pakistani music. In 1995 he received the UNESCO Music Prize. In 1996 he was awarded Grand Prix des Amériques at Montreal World Film Festival for exceptional contribution to the art of cinema. In the same year, Khan received the Arts and Culture Prize of the Fukuoka Asian Culture Prizes. In 2005, Khan received the "Legends" award at the UK Asian Music Awards. Time magazine's issue of 6 November 2006, "60 Years of Asian Heroes", lists him as one of the top 12 artists and thinkers in the last 60 years. He also appeared on NPR's 50 Great Voices list in 2010. In August 2010 he was included in CNN's list of the twenty most iconic musicians from the past fifty years. In 2008, Khan was listed in 14th position in UGO's list of the best singers of all time.

Many honorary titles were bestowed upon Khan during his 25-year music career. He was given the title of Ustad after performing classical music at a function in Lahore on his father's death anniversary.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Tributes, legacy and influence[edit]

Khan is often credited as one of the progenitors of "world music". Widely acclaimed for his spiritual charisma and distinctive exuberance, he was one of the first and most important artists to popularize Qawwali, then considered an "arcane religious tradition", to Western audiences. His powerful vocal presentations, which could last up to 10 hours, brought forth a craze for his music all over Europe. Alexandra A. Seno of Asiaweek wrote:

Nusrat Fateh Ali Khan's voice was otherworldly. For 25 years, his mystical songs transfixed millions. It was not long enough ... He performed qawali, which means wise or philosophical utterance, as nobody else of his generation did. His vocal range, talent for improvisation and sheer intensity were unsurpassed.

Jeff Buckley cited Khan as a major influence, saying of him "He's my Elvis", and performing the first few minutes of Khan's hit "Yeh Jo Halka Halka Suroor Hai" (including vocals) at live concerts. Many other artists have also cited Khan as an influence, such as Peter Gabriel, A. R. Rahman, Sheila Chandra, and Alim Qasimov. Author and neuroscientist Sam Harris cited Khan as one of his favorite musicians of all time.

Paul Williams picked a concert performance by Khan for inclusion in his 2000 book The 20th Century's Greatest Hits: a 'top-40' list, in which he devotes a chapter each to what he considers the top 40 artistic achievements of the 20th century in any field (including art, movies, music, fiction, non-fiction, science-fiction).

In 2004, a tribute band called (Brooklyn Qawwali Party) (formerly Brook's Qawwali Party) was formed in New York City by percussionist Brook Martinez to perform the music of Khan. The 13-piece group still performs mostly instrumental jazz versions of Khan's qawwalis, using the instruments conventionally associated with jazz rather than those associated with qawwali.

In 2007, electronic music producer and performer Gaudi, after being granted access to back catalogue recordings from Rehmat Gramophone House (Khan's former label in Pakistan), released an album of entirely new songs composed around existing vocals. The album, 'Dub Qawwali', was released by Six Degrees Records. It received huge critical acclaim internationally, reaching no. 2 in the iTunes US Chart, no. 4 in the UK and was the no. 1 seller in Amazon.com’s Electronic Music section for a period. It also earned Gaudi a nomination for the BBC's World Music Awards 2008.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Films[edit]

Documentaries[edit]
Nusrat Fateh Ali Khan: le dernier prophète (1996). Directed by Jérôme de Missolz.Nusrat has Left the Building... But When? (1997). Directed by Farjad Nabi. (This 20-minute docudrama focuses on Khan's early career.)A Voice from Heaven (1999). Directed by Giuseppe Asaro. New York, NY: Winstar TV & Video. (This 75-minute documentary, available on VHS and DVD, provides an introduction to Khan's life and work.)Samandar Main Samandar (2007). A documentary aired on Geo TV detailing Khan's career.The King of Qawalli (2009). A short film aired on Dawn News about Khan's life and career.
Concert films[edit]
The JVC Video Anthology of World Music and Dance (1990). Video 14 (of 30) (South Asia IV). Produced by Ichikawa Katsumori; directed by Nakagawa Kunikiko and Ichihashi Yuji; in collaboration with the National Museum of Ethnology, Osaka. [Tokyo]: JVC, Victor Company of Japan; Cambridge, Massachusetts: distributed by Rounder Records. Features a studio performance by Khan and Party (two Urdu-language songs: a Hamd, and a Manqabat for Khwaja Mu`inuddin Chishti. Filmed in Tokyo, Japan, 20 September 1987, for Asian Traditional Performing Arts).Nusrat! Live at Meany (1998). Produced by the University of Washington. (87-minute recording of a 23 January 1993 concert at Meany Hall, University of Washington in Seattle, during Khan's residency at the ethnomusicology program there.Live in Concert in the U.K., (DVD, vols. 1–17) [OSA]; recorded between 1983 and 1993Akhiyan Udeek Diyan (DVD) [Nupur Audio]Je Tun Rab Nu Manauna (DVD) [Nupur Audio]Yaadan Vicchre Sajan Diyan Aayiyan (DVD) [Nupur Audio]Rang-e-Nusrat (DVD, vols. 1–11) [Music Today]; recorded between 1983 and 1993 (same material as the OSA DVDs)VHS videotapes, vols. 1–21 [OSA]; recorded between 1983 and 1993 (same material as the OSA DVDs) Luxor Cinema Birmingham (VHS vol. 1, 1979)Digbeth Birmingham (VHS vol. 2, 1983)St. Francis Hall Birmingham (VHS vol. 3, 1983)Royal Oak Birmingham (VHS vol. 4, 1983)Private Mehfil (Wallace Lawley Centre, Lozells Birmingham, November 1983) (VHS vol. 5)Private Mehfil (VHS vol. 6, 1983)Natraj Cinema Leicester (VHS vol. 7, 1983)Live in Southall (VHS vol. 8)Live in Bradford (VHS vol. 9, 1983)Live in Birmingham (VHS vol. 10, 1985)Allah Ditta Hall (VHS vol. 11, 1985)Harrow Leisure Centre (VHS vol. 12)University of Aston (VHS vol. 13, 1988)Aston University (VHS vol. 14, 1988)WOMAD Festival Bracknell (VHS vol. 15, 1988)Live in Paris (VHS vol. 16, 1988)Poplar Civic Centre London (VHS vol. 17)Imperial Hotel Birmingham (VHS vol. 18, 1985)Slough Gurdawara (SHABADS) (VHS vol. 19)Imran Khan Cancer Appeal (VHS vol. 20)Town Hall Birmingham (VHS vol. 21, 1993)

Additional reading[edit]

Baud, Pierre-Alain. Nusrat Fateh Ali Khan, The Messenger of Qawwali. Editions Demi-Lune, 2008. (A biography of Nusrat)
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