Bernard Purdie

An all-time great soul, R&B, funk, and pop drummer, Bernard Purdie's impeccable time and mastery of backbeats and grooves are celebrated. He moved to New York from Maryland in 1960, and recorded with James Brown, King Curtis, and many others. He was CTI's house drummer in the late '60s and early '70s, and worked with Grover Washington, Jr. and George Benson among several others. Purdie toured with Curtis and Aretha Franklin in 1970, and was Franklin's music director until 1975. During his studio days in the early '70s, Purdie recorded with Louis Armstrong and Gato Barbieri along with numerous rock, pop, and soul sessions. He recorded with Dizzy Gillespie in 1980 at the Montreux Jazz Festival and toured with him in 1983. Purdie recorded with Hank Crawford during the early '80s, and has continued working steadily into the '90s. He generated a firestorm of reaction in 1993 when he charged it was his uncredited drumming rather than Ringo Starr's on some Beatles tracks. Purdie claimed proof was forthcoming, but none was presented. He made a rare date as a leader for Flying Dutchman in 1972, Pretty Purdie, that has long since disappeared. But Purdie can be heard on countless discs by Brown, Franklin, Curtis, Gillespie, and Crawford among many others.

from Wikipedia:

Bernard Lee "Pretty" Purdie (born June 11, 1939) is an American session drummer, and is considered an influential and innovative exponent of funk. He is known for his strict musical time keeping and "The Purdie Shuffle".

Purdie recorded Soul Drums (1968) as a band leader and although he went on to record Alexander's Ragtime Band, the album remained unreleased until Soul Drums was reissued on CD in 2009 with the Alexander's Ragtime Band sessions. Other solo albums include Purdie Good (1971),Soul Is...Pretty Purdie (1972) and the soundtrack for the Blaxploitation film Lialeh (1973).

Purdie was credited on the sound track album for Sgt. Pepper's Lonely Hearts Club Band (1978) and more recently he was the drummer for the 2009 Broadway revival of Hair and appeared on the associated Broadway cast recording. In 2010, he had his portrait painted by Jane Moorhouse, an artist based in London.

Biography

At an early age Purdie began hitting cans with sticks and learned the elements of drumming techniques from overhearing lessons being given by Leonard Heywood. He later took lessons from Heywood and played in Heywood's big band. Purdie's other influences at that time were Papa Jo Jones, Buddy Rich, Gene Krupa, Joe Marshall and Art Blakey.

In 1961 he moved from his home town of Elkton, Maryland, to New York. There he played sessions with Mickey and Sylvia and regularly visited the Turf Club on 50th and Broadway, where musicians, agents, and promoters met and touted for business. It was during this period that he played for the saxophonist Buddy Lucas, who nicknamed him 'Mississippi Bigfoot'. Eventually Barney Richmond contracted him to play session work. In the same year original Beatles drummer Pete Best and guitarist Tony Sheridan recorded tracks in Hamburg with the Beatles. Later Bernard Purdie added drum overdubs to tracks from these sessions, including "Ain't She Sweet", "Take Out Some Insurance on Me Baby" and "Sweet Georgia Brown". The main reason for this was to give them a punchier sound for the US market. These tracks were eventually released on January 31, 1964 by Polydor. Ringo Starr's physical approach to drumming was probably influenced by Purdie's Motown style.

Purdie was contracted by arranger Sammy Lowe to play a session with James Brown in 1965 and recording session records also show that Purdie played on "Ain't That A Groove" at the same session. This was one of several sessions he played with Brown and the track "Kansas City" from Brown's album Cold Sweat (1967), displays one of the most sophisticated and driving shuffles recorded for Brown's catalogue. Purdie is also credited on the albums Say It Loud-I'm Black and I'm Proud (1969) and Get on the Good Foot (1972) on which "Ain't That A Groove" appeared.

Purdie started working with Aretha Franklin as musical director in 1970 and held that position for five years, as well as drumming for Franklin's opening act, King Curtis and The King Pins. In 1970 he performed with both bands at the Fillmore West; the resulting live recordings were released as Aretha Live at the Fillmore West (1971) and King Curtis's Live at Fillmore West (1971). His best known track with Franklin was "Rock Steady", on which he played what he described as "a funky and low down beat". Of his time with Franklin he once commented that "backing her was like floating in seventh heaven".

Encounter Records

In 1973 Purdie founded Encounter Records and released five albums

EN 3000: Seldon Powell - Messin' WithEN 3001: Sands of Time - Profile (with Jimmy Owens, Garnett Brown)EN 3002: East Coast - East Coast (with Larry Blackmon, Gwen Guthrie)EN 3003: Frank Owens - Brown N Serve (with Hugh McCracken) EN 3004: Harold Vick as "Sir Edward" - The Power of Feeling

Drumming style

Purdie is known as a groove drummer with immaculate timing and makes use of precision half note, backbeats, and grooves. Purdie's signature sixteenth note hi-hat lick pish-ship, pish-ship, pish-ship is distinct and hard to copy and he is known for his versatility. He often employs a straight eight groove sometimes fusing several influences such as swing, blues and funk. He created now well-known drum pattern such as the Purdie shuffle, Half-Time Purdie Shuffle, also the Bernard Purdie half-time feel shuffle that is a blues shuffle variation with the addition of syncopated ghost notes on the snare drum. Variations on this shuffle can be heard on songs such as Led Zeppelin's "Fool in the Rain", Death Cab For Cutie's "Grapevine Fires", and Toto's "Rosanna" (Rosanna shuffle). Purdie's shuffle can be heard on Steely Dan's "Babylon Sisters" and "Home At Last".