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All Music Guide:
Born on November 6, 1941, in San Antonio, TX, Doug Sahm was a highly knowledgeable and superbly competent performer of Texan musical styles, whether they be blues, country, rock & roll, Western swing, Cajun, or polkas. A child prodigy, he appeared on radio at the age of five and became a featured player (steel guitar, fiddle, and mandolin) on the the Louisiana Hayride radio program, appearing with stars such as Webb Pierce, Hank Thompson, and Hank Williams. He made his recording debut on the Sarg imprint in 1955 with A Real American Joe under the name of Little Doug Sahm, and within three years was fronting the Pharaohs, the first of several rough-hewn backing groups including the Dell-Kings and the Mar-Kays. Sahm recorded a succession of singles for local labels, including his Little Richard pastiche "Crazy Daisy" (1959), "Just a Moment" b/w "Sapphire" (1961), and "Lucky Me" (1963). For several years, Sahm had been pestering producer Huey P. Meaux to record him. Meaux, having success with Barbara Lynn and Dale & Grace, was not interested.
However, the producer found himself without a market when Beatlemania hit America, and shut himself away in a hotel with the Beatles records, determined to discover what made them sell. He then called Sahm, told him to grow his hair, form a band, and write a tune with a Cajun two-step beat. Accordingly, Sahm assembled his friends Augie Meyers (keyboards), Frank Morin (saxophone), Harvey Kagen (bass), and Johnny Perez (drums). Meaux gave them an English-sounding name, the Sir Douglas Quintet, and subsequently scored an international hit in 1965 with the catchy "Shes About a Mover." The band also had success in the U.S. charts with "The Rains Came," but after being arrested for possession of drugs, they disbanded and Sahm moved to San Francisco, CA, to avoid a heavy fine. He formed the Honkey Blues Band, but had difficulty in getting them on the road. He then gathered the rest of the Sir Douglas Quintet in California for another classic single, "Mendocino," its spoken introduction being characteristic of the hippie era. The album, also called Mendocino, was a forerunner of country-rock. The Sir Douglas Quintet toured Europe and made the successful Together After Five, while Sahm made an excellent country single under the name of Wayne Douglas, "Be Real." He moved to Prunedale in Northern California and befriended a Chicano band, Louie & the Lovers, producing their Rise.
Sahm, having resolved his problems with the authorities, went back to Texas and released the Sir Douglas Quintet album The Return of Doug Saldaña, the name reflecting his affection for Chicanos. The album, co-produced with Meaux, included an affectionate tribute to Freddy Fender, "Wasted Days and Wasted Nights," which prompted Meaux to resurrect Fenders career and turn him into a country superstar. Sahm appeared with Kris Kristofferson in the movie Cisco Pike, and told his record company that a song he performed, "Michoacan," was about a state in Mexico. Disc jockeys, however, realized that he was actually praising marijuana, and airplay was restricted. Atlantic Records key producer, Jerry Wexler, decided that progressive country was becoming fashionable and signed both Willie Nelson and Doug Sahm. His high-spirited 1973 album, Doug Sahm and Band, was made in New York with Bob Dylan, Dr. John, and accordionist Flaco Jiménez, and the singer achieved minor success with "(Is Anybody Going To) San Antone?" The Sir Douglas Quintet were resurrected intermittently, which resulted in two fine live albums, Wanted Very Much Alive and Back to the Dillo. Although it might seem strange that the band should tour with new wave outfit the Pretenders, Sahms voice and style were possibly an influence on Elvis Costello. Sahm himself stated, "Im a part of Willie Nelsons world and at the same time Im a part of the Grateful Deads. I dont ever stay in one bag."
One of his finest albums was Hell of a Spell, a blues collection dedicated to Guitar Slim. During the mid-'80s Sahm and Meyers worked for the Swedish roots label Sonet Records, releasing several singles and an album that proved highly popular in Scandinavia. Sahm then relocated to Canada, recording the Return of the Formerly Brothers album with guitarist Amos Garrett and pianist Gene Taylor. He returned to Texas in 1988, basing himself at the Antones blues club in Austin and toured with Jiménez and Angela Strehli as the Texas R&B Revue. In 1990, Sahm formed the Texas Tornados with Meyers, Jiménez, and Fender. Their debut album, which included Sahms witty "Who Were You Thinkin Of?" and Butch Hancocks "She Never Spoke Spanish to Me," showed that he had lost none of his powers, and subsequent Tornados releases were equally popular. Sahm also inaugurated the Last Real Texas Blues Band, an informal revue that played Tex-Mex and the blues.
Sahms lifestyle caught up with him in November 1999, when he was found dead from a heart attack in a New Mexico motel room. He left behind a rich musical legacy, however. Some might regard the Sir Douglas Quintet as one-hit wonders, but in reality Sahm recorded a remarkable catalog of Texas music. Day Dreaming at Midnight was a prime example. This 1994 Sir Douglas Quintet album, featuring his sons Shawn and Shandon and produced by ex-Creedence Clearwater Revival drummer Doug Clifford, was a rousing collection, notable for "Too Little Too Late" and the blistering Bob Dylan pastiche "Dylan Come Lately." His death in 1999 was a blow. Many longstanding fans had witnessed a steady artistic growth over the decade, with a notable improvement in his voice., Rovi
Wikipedia:
Douglas Wayne Sahm (November 6, 1941 – November 18, 1999), was an American musician from Texas. Born in San Antonio, Texas, he was a child prodigy in country music, but became a significant figure in blues rock and other genres. Today Sahm is considered one of the most important figures in what is identified as Tejano music. He was the founder and leader of the 1960s rock and roll band the Sir Douglas Quintet, and later with Augie Meyers, Freddy Fender and Flaco Jimenez in The Texas Tornados, and also in Los Super Seven supergroup.
Sahm was proficient on dozens of musical instruments and was a lifelong baseball fan.
Country prodigy: 1940s and 1950s
Sahm began his musical career singing and playing steel guitar, mandolin and violin as "Little" Doug Sahm. He made his radio debut at the age five and released his first record "A Real American Joe" at age eleven. On December 19, 1952, he played on stage with Hank Williams Sr. at the Skyline Club in Austin, Texas. It was Hank Williams's very last performance. Williams died 13 days later (New Year's Day 1953) on the road to his next show in Canton, Ohio.
He is said to have been offered a permanent spot on the Grand Ole Opry, but his mother wanted him to finish junior high.
One of Sahm's earliest recordings was rejected by Mercury Records in 1953. Also in the mid-1950s, he started sneaking into San Antonio R&B clubs such as the Tiffany Lounge and the Ebony Lounge, and he was soon performing at the same venues.
Sahm formed his first band, the Knights, in 1957. Later in the decade, Sahm joined up with Spot Barnett's band playing mostly black San Antonio blues clubs. In 1960, Sahm travelled across the country promoting a record.
He met Freddy Fender around 1958 and Roy Head of Roy Head and The Traits from San Marcos, TX in 1959 when they shared the stage at a sock hop in San Antonio's Municipal Auditorium.
Sir Douglas Quintet: 1960s
In 1965, prompted by record producer Huey Meaux, Sahm formed the Sir Douglas Quintet with childhood friend Augie Meyers. They chose the group's name in an effort to make the band seem British to benefit from the British invasion. This image had its problems, particularly Sahm's Texas accent and that two fifths of the band were Hispanic. Some early publicity photos were shot in silhouette to hide this fact.
The band had a top 20 US hit with the 12-bar blues "She's About a Mover" and a lesser hit with "The Rains Came," the former also reaching the Top Twenty in the UK Singles Chart.
The band broke up after a bust for marijuana possession in Corpus Christi, Texas. Sahm moved to San Francisco and formed the Honkey Blues Band, then later re-formed the Sir Douglas Quintet with a new lineup. Eventually Augie Meyers rejoined the quintet and they released the successful single and album "Mendocino". The record contained the song "At the Crossroads" with the Sahm line "You just can't live in Texas if you don't have a lot of soul".
Bob Dylan stated, "Look, for me right now there are three groups: Butterfield, The Byrds and the Sir Douglas Quintet."
Atlantic years: 1970s
In 1973, Jerry Wexler of Atlantic Records bought Sahm's contract and produced his solo debut Doug Sahm and Band, an album featuring Bob Dylan, Dr. John, David Bromberg and Flaco Jiménez.
"Then in October 1972, Dylan was in the studio with Doug Sahm... Dylan having been friendly with Sahm since the mid-sixties and having expressed enthusiasm for the Sir Douglas Quintet on more than one occasion"
Sahm continued recording both as a solo artist and with the Sir Douglas Quintet. During this period, Sahm also had a couple of minor motion picture roles. In 1972, he and the Quintet appeared with Kris Kristofferson in Cisco Pike and in 1979 he was featured in More American Graffiti.
Sahm was also a sought-after session musician, appearing on releases of other artists, including The Grateful Dead. He sang backing vocals on Willie Nelson's 1977 gospel album, The Troublemaker.
About a Mover: 1980s
In 1983, Sahm and Meyers signed with the Swedish Sonet label, and made several extensive European tours that revitalized their careers. The single "Meet Me In Stockholm" from their Midnight Sun LP went platinum and was one of the biggest selling records ever in Scandinavia. After an accident in 1985, Doug moved to Canada and then returned to Texas in 1988.
A Texas Tornado: 1990s
In 1990 Sahm formed Tex-Mex supergroup the Texas Tornados with Freddy Fender, Augie Meyers and Flaco Jimenez. The group recorded four albums and won a Grammy.
Sahm also appears on the 1993 Uncle Tupelo album Anodyne on the song "Give Back the Key to my Heart". Sahm recorded a Grammy-winning solo album, The Last Real Texas Blues Band and recorded with yet another new formation of the Sir Douglas Quintet for SDQ '98.
Sahm died of a heart attack in his sleep in a motel room in Taos, New Mexico on November 18, 1999.
A posthumous album, The Return of Wayne Douglas, was released in 2000. Sahm's son, Shawn Sahm, continues in his father's footsteps as the leader of his band, Shawn Sahm & The Tex Mex Experience. Father and son appeared together on the cover of Rolling Stone in 1968. The surviving members of the Texas Tornados (Augie Meyers and Flaco Jimenez) reunited with Shawn Sahm on the 2010 release, Esta Bueno. Doug Sahm's other son, Shandon, played drums for The Meat Puppets from 1999 to 2002, and is their current drummer as of 2010.
