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Mutabaruka

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  • Born: Jamaica
  • Years Active: 1980s, 1990s, 2000s

Albums

Biography All Music GuideWikipedia

All Music Guide:

His poems have given voice to a nation and helped forge an entirely new genre of music, dub/rhythm poetry. Revolutionary, fiery, scathing, and stinging, Mutabaruka's words are as potent on paper as on CD, and so the literary community needed to create a new term just for his works -- meta-dub. Born in Rae Town, Jamaica, on December 12, 1952, Allan Hope first realized the power of the word when he was in his teens. It was the '60s; the Black Power movement was at its height, and numerous radical leaders were putting their thoughts and histories in print. Malcolm X and Eldridge Cleaver formed the roots of Hope's own aspirations, although his initial career choice was far removed from their paths. Leaving school, the young man apprenticed as an electrician, and took a job at the Jamaican Telephone Company. Hope was already writing, however, and in 1971 he quit his job to pursue his craft full-time. He moved away from the hustle and bustle of Kingston out to the quiet of the Potosi hills, in the parish of Saint James. Not long after, one of his poems was accepted by Swing magazine and from that point on, they would regularly publish his work.

In 1973, Hope formed the band Truth, his first attempt to combine his words with music. By now, the poet had converted to Rastafarianism and taken the name Mutabaruka. Not a word, but a phrase, mutabaruka comes from the Rwandan language and translates as "one who is always victorious." Even as roots was taking hold, Truth did not find a following. However, Mutabaruka was finding fans in the literary world after the publication of his collection, Outcry, in 1973. The following year brought further recognition with the poem "Wailin',"dedicated to Bob Marley, and written around Wailers song titles. Two years later, Sun and Moon, a shared volume of poetry with Faybiene, arrived to much acclaim. In 1977, Mutabaruka once again turned to the stage, and gave several live performances. Joined by the nyabinghi-fueled group Light of Saba, the poet recorded a version of his poem "Outcry" the next year, and found himself with a Jamaican hit. Meanwhile, guitarist Earl "Chinna" Smith had launched his own High Times label as a home for deep roots music, and swiftly signed the poet. Mutabaruka's star was rising, and his appearance at the National Stadium in Kingston this same year was a smashing success. Over the next few years, he cut a clutch of singles for High Times, and received even further literary acclaim in 1981 with a new volume of poems, The Book: First Poems. That same year, Mutabaruka had a hit with the single "Everytime a Ear De Soun," while his fiery debut at Reggae Sunsplash was captured for posterity for a live album released in 1982. It was this performance that brought Mutabaruka to international attention, and guaranteed return appearance at the festival over the next two years.

His debut album, Check It, was released in 1983, a dubby classic with the poet accompanied by Smith's exquisitely rootsy guitar. The album was remastered and reissued by the RAS label in 2001. 1985 saw another successful return to Reggae Sunsplash and a project with the American Heartbeat label, overseeing the compilation of the dub poetry album Work Sound 'Ave Power: Dub Poets and Dub. A dub accompaniment followed, remixed by Scientist, along with a second dub poetry set, Woman Talk: Caribbean Dub Poetry, this time exclusively featuring women dub and rapso poets. Mutabaruka also struck a distribution deal with the American RAS label, and cemented the partnership with the ferocious The Mystery Unfolds album in 1986. Self-produced and featuring a host of guest musicians and vocalists, including Marcia Griffiths and Ini Kamoze, Mystery was totally uncompromising. Amidst a host of tough tracks was "Dis Poem," a number meant to puncture not only the listener's expectations, but the poet's pretensions as well. One of Mutabaruka's most entertaining, yet thought-provoking poems, it would later be included in the definitive The Routledge Reader in Caribbean Literature.

Although neither 1987's Outcry nor 1989's Any Which Way...Freedom was quite as radically revolutionary as Mystery, Mutabaruka was quickly establishing himself as both a literary and musical giant, both in Jamaica and abroad. His Reggae Sunsplash appearances in 1987 and 1988 were highly anticipated, and did not disappoint. And while Mutabaruka continued to produce or co-produce his albums, he also occasionally cut singles for other producers, including the hard-hitting "Great Kings of Africa" for Gussie Clarke, which paired him with Dennis Brown. The Blakk Wi Blak...K...K album appeared in 1991, overseen jointly by the poet and Earl "Chinna" Smith, and featured a follow-up to "Kings," "Great Queens of Afrika," with guest vocalists Sharon Forrester and Ini Kamoze. It was a stellar album filled with tough talk, including the scathing "Ecology Poem" and the equally biting "People's Court." That latter number was followed up on Mutabaruka's equally excellent album, Melanin Man, which also boasted the stunning "Garvey." That arrived in 1994, by which time the poet had performed at three more Reggae Sunsplash festivals in 1991, 1993, and 1994; he'd return in both 1995 and 1996. 1994 also saw the launch of Mutabaruka's own Jamaican radio show on the IRIE-FM station. It was wildly popular, but ironically enough that station banned his song "People's Court from the airwaves. Two years later, the poet scored a pair of Jamaican hits, both cut for the Exterminator label. "Wise Up" paired Mutabaruka with DJ Sugar Minott, while "Psalms 24" saw him in collaboration with the deeply religious DJ Luciano. 1996 also brought two albums in its wake, Muta in Dub and Gathering of the Spirits, the latter a spectacular recreation of the roots era, boasting a host of roots stars from the Mighty Diamonds, Sly & Robbie, Culture, and Marcia Griffiths amongst them. That same year, Mutabaruka toured Ethiopia with Tony Rebel, Yasus Afari, and Uton Green.

Wikipedia:

Mutabaruka (born Allan Hope, 26 December 1952, Rae Town, Kingston, Jamaica) is a Jamaican Rastafari dub poet. His name comes from the Rwandan language and translates as "one who is always victorious". He lives in Potosi District, St. James, with his spouse and their two children. Mutabaruka continues to perform and write poems on every issue known to man. He is known for his expression and lively performances as much as for the poems themselves. Some of his themes include sexism, politics, discrimination, poverty, race, and especially religion. Mutabaruka's stylistic form is in a way pathos related. He uses stories and experiences to get readers to think about issues in ways that they would not normally think about them.

Biography[edit]

Mutabaruka became interested in the Rastafari movement and converted from Catholicism while still a teenager. His outspoken statements on theology have generated controversy, and he has described Rasta as "part of a universal quest which may also be pursued by other routes, such as Hinduism or Buddhism or Christianity." Although he is a Rastafari, Mutabaruka doesn't smoke "ganja"- a Jamaican word for Indian hemp. He plainly stated this in one of his poetry performances.

Early life[edit]

Known as Allen Hope as a child, Mutabaruka grew up in the slums of Jamaica with his mother, father and two sisters. When Mutabaruka was only 8, his father died. He attended primary school where he received his nickname, "Mutabaruka". Later, he attended the Kingston Technical High School, where he trained in electronics for four years. Muta then began finding himself within his early to late teenage years. In the late 1960s into early '70s there was an uproaring of Black Awareness in Jamaica. Muta, who was in his late teens at the time, was drawn into that movement. In school he read many "progressive books", including Eldridge Cleaver's Soul on Ice and others that were then illegal in Jamaica, such as The Autobiography of Malcolm X. Mutabaruka envisioned himself as a young revolutionary. While employed by the Jamaican Telephone Company Ltd, Muta began examining and immersing himself in the Rasta lifestyle. He found it meaningful and worth living for. He stopped wearing shoes, stopped combing his hair, started growing locks, and altered his diet. Soon after, he converted completely to the movement.

Later life[edit]

Muta left Kingston in 1971 to find a more satisfying environment. He and his partner and two children now live in Potosi District, St. James, in a house that Muta built himself. To the present day, he performs and lectures all around the world. To Muta, Rastafari is part of a universal quest that may also be pursued by other routes, such as Hinduism or Buddhism or Christianity. He disapproves, however, of institutionalized religion. Muta was the first well-publicized voice in the new wave of poets since the early '70s. Like the poet Louise Bennett, Muta has built a living relationship and poetry with Jamaica. Early work by Muta was first presented in the magazine Swing, a monthly that gave fullest coverage to the pop music scene. Introducing "Outcry" (March, 1973), John A. L. Golding Jr. wrote: "In July 1971, Swing Magazine published for the first time a poem by Allan Mutabaruka.... Our readers were ecstatic. Since then, and almost in consecutive issues, we have derived much pleasure in further publication of this brother's works.... They tell a story common to most black people born in the ghetto.... And when Muta writes, it's loud and clear". His 1983 release "Check It" was released on Chicago blues label Alligator Records. In 2008, Mutabaruka was featured as part of the Jamaica episode of the television program Anthony Bourdain: No Reservations.

Mutabaruka gave a lecture at Stanford University on 18 May 2000, addressed to the Caribbean Students Association. Muta expressed his views on the difference between education and indoctrination.

^ Dunn, Pat & Pamela Mordecai (2004). "Matubaruka". In Encyclopedia of Latin American and Caribbean literature, 1900-2003. Daniel Balderston & Mike Gonzalez, Eds. London: Routledge. p. 374. ISBN 0-415-30687-6, ISBN 978-0-415-30687-4.^ Culture Workers Bureau, CWB. "Ideas need to be explored, not ignored". "Mutabaruka". 1990, p.4.^ Mutbaruka Lecture. mutabaruka.com. "Stanford University".
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