Pinetop Perkins

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He admittedly wasn't the originator of the seminal piano piece "Pinetop's Boogie Woogie," but it's a safe bet that more people associate it nowadays with Pinetop Perkins than with the man who devised it in the first place, Clarence "Pinetop" Smith. Although it seems as though he was around Chicago forever, the Mississippi native actually got a relatively late start on his path to Windy City immortality. It was only when Muddy Waters took him on to replace Otis Spann in 1969 that Perkins' rolling mastery of the ivories began to assume outsized proportions.

Perkins began his blues existence primarily as a guitarist, but a mid-'40s encounter with an outraged chorus girl toting a knife at a Helena, Arkansas nightspot left him with severed tendons in his left arm. That dashed his guitar aspirations, but Joe Willie Perkins came back strong from the injury, concentrating solely on piano from that point on. Perkins had traveled to Helena with Robert Nighthawk in 1943, playing with the elegant slide guitarist on Nighthawk's KFFA radio program. Perkins soon switched over to rival Sonny Boy Williamson's beloved King Biscuit Time radio show in Helena, where he remained for an extended period. Perkins accompanied Nighthawk on a 1950 session for the Chess brothers that produced "Jackson Town Gal," but Chicago couldn't hold him at the time.

Nighthawk disciple Earl Hooker recruited Perkins during the early '50s. They hit the road, pausing at Sam Phillips' studios in Memphis long enough for Perkins to wax his first version of "Pinetop's Boogie Woogie" in 1953. He settled in downstate Illinois for a spell, then relocated to Chicago. Music gradually was relegated to the back burner until Hooker coaxed him into working on an LP for Arhoolie in 1968. When Spann split from Muddy Waters, the stage was set for Pinetop Perkins' re-emergence.

After more than a decade with the Man, Perkins and his bandmates left en masse to form the Legendary Blues Band. Their early Rounder albums (Life of Ease, Red Hot 'n' Blue) prominently spotlighted Perkins' rippling 88s and rich vocals. He had previously waxed an album for the French Black & Blue logo in 1976 and four fine cuts for Alligator's Living Chicago Blues anthologies in 1978. Finally, in 1988, he cut his first domestic album for Blind Pig, After Hours. After that, Pinetop Perkins made up for precious lost time in the studio. Discs for Antone's, Omega (Portrait of a Delta Bluesman, a solo outing that includes fascinating interview segments), Deluge, Earwig, and several other firms ensured that his boogie legacy wouldn't be forgotten in the decades to come. In 2010 he collaborated with harmonica whiz Willie "Big Eyes" Smith for the album Joined at the Hip, which won a Grammy for Best Traditional Blues Album, giving Perkins the status of oldest Grammy winner ever. On March 21, 2011, just over a month after the award ceremony, the legendary bluesman died from a heart attack at his home in Austin, Texas. Pinetop Perkins was 97 years old.

from Wikipedia:

Joseph William Perkins (July 7, 1913 – March 21, 2011), known by the stage name Pinetop Perkins, was an American blues musician, specializing in piano music. He played with some of the most influential blues and rock and roll performers in American history, and received numerous honors during his lifetime including the Grammy Lifetime Achievement Award, and induction into the Blues Hall of Fame.

Life and career

Perkins was born in Belzoni, Mississippi, United States. He began his career as a guitarist, but then injured the tendons in his left arm in a fight with a choirgirl in Helena, Arkansas. Unable to play guitar, Perkins switched to the piano, and also switched from Robert Nighthawk's KFFA radio program to Sonny Boy Williamson's King Biscuit Time. He continued working with Nighthawk, however, accompanying him on 1950's "Jackson Town Gal".

In the 1950s, Perkins joined Earl Hooker and began touring, stopping to record "Pinetop's Boogie Woogie" (written by Pinetop Smith) at Sam Phillips' studio in Memphis, Tennessee. ("They used to call me Pinetop," he recalled, "because I played that song.") However, Perkins was only 15 years old in 1928, when Smith originally recorded "Pinetop's Boogie Woogie".

Perkins then relocated to Illinois and left the music business until Hooker convinced him to record again in 1968. When Otis Spann left the Muddy Waters band in 1969, Perkins was chosen to replace him. He stayed for more than a decade, then left with several other musicians to form The Legendary Blues Band with Willie "Big Eyes" Smith, recording through the late 1970s, 1980s and early 1990s.

Perkins played a brief musical cameo on the street outside Aretha's Soul Food Cafe in the 1980 movie The Blues Brothers, having an argument with John Lee Hooker over who wrote "Boom Boom." He also appeared in the 1987 movie Angel Heart as a member of guitarist Toots Sweet's band.

Although he appeared as a sideman on countless recordings, Perkins never had an album devoted solely to his artistry, until the release of After Hours on Blind Pig Records in 1988. The tour in support of the album also featured Jimmy Rogers and Hubert Sumlin.

His robust piano is fairly presented in On Top (1992), an easy-going recital of blues standards with his old Waters' associate, Jerry Portnoy on harmonica. In 1998 Perkins released the album Legends featuring guitarist Hubert Sumlin.

Perkins was driving his automobile in 2004 in La Porte, Indiana, when he was hit by a train. The car was wrecked, but the 91-year-old driver was not seriously hurt. Until his death, Perkins lived in Austin, Texas. He usually performed a couple of nights a week at Nuno's on Sixth Street. In 2005, Perkins received the Grammy Lifetime Achievement Award.

In 2008, Perkins received a Grammy Award for Best Traditional Blues Album for Last of the Great Mississippi Delta Bluesmen: Live In Dallas together with Henry James Townsend, Robert Lockwood, Jr. and David Honeyboy Edwards. He was also nominated in the same category for his solo album, Pinetop Perkins on the 88's: Live in Chicago.

The song "Hey Mr. Pinetop Perkins", performed by Perkins and Angela Strehli, played on the common misconception that Perkins wrote "Pinetop's Boogie Woogie":

Hey Mr. Pinetop PerkinsI got a question for youHow'd you write that first boogie woogieThe one they named after you

At the age of 97, he won a Grammy Award for Best Traditional Blues Album for Joined at the Hip, an album he recorded with Willie "Big Eyes" Smith. Perkins thus became the oldest-ever Grammy winner, edging out comedian George Burns who had won in the spoken word category 21 years earlier (he had tied with Burns, at the age of 95, in 2004). A little more than a month later, Perkins died on 21 March 2011 at his home in Austin, Texas. At the time of his death, the musician had more than 20 performances booked for 2011. Shortly before that, while discussing his late career resurgence with an interviewer, he conceded, "I can't play piano like I used to either. I used to have bass rolling like thunder. I can't do that no more. But I ask the Lord, please forgive me for the stuff I done trying to make a nickel." Along with David "Honeyboy" Edwards, he was one of the last two original Mississippi Delta blues musicians, and also to have a personal knowledge of, and friendship with, Robert Johnson.

Selected discography

1976: Boogie Woogie King (recorded 1976, released 1992)1977: Hard Again (Muddy Waters)1988: After Hours1992: Pinetop Perkins with the Blue Ice Band1992: On Top1993: Portrait of a Delta Bluesman1995: Live Top (with the Blue Flames)1996: Eye to Eye (with Ronnie Earl, Willie "Big Eyes" Smith and Calvin “Fuzz” Jones)1997: Born in the Delta1998: Sweet Black Angel1998: Legends (with Hubert Sumlin)1998: Down In Mississippi1999: Live at 85! (with George Kilby Jr)2000: Back On Top2003: Heritage of the Blues: The Complete Hightone Sessions2003: All Star Blues Jam (with Bob Margolin et al.)2004: Ladies Man2007: 10 Days Out: Blues From The Backroads (with Kenny Wayne Shepherd and the Muddy Waters Band—Live) 2008: Pinetop Perkins and Friends2010: Joined At the Hip (with Willie "Big Eyes" Smith)