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After a lengthy period of struggle, Kris Kristofferson achieved remarkable success as a country songwriter at the start of the 1970s. His songs "Me and Bobby McGee," "Help Me Make It Through the Night," "Sunday Mornin' Comin' Down," and "For the Good Times," all chart-topping hits, helped redefine country songwriting, making it more personal and serious, much in the way that Bob Dylan's songs had transformed pop music songwriting in the mid-'60s. By 1987, it was estimated that Kristofferson's compositions had been recorded by more than 450 artists. His renown as a songwriter enabled him to launch a moderately successful career as a musical performer and that, in turn, brought him to the attention of Hollywood, leading to a lengthy career as a film actor.
The eldest of three children of an Air Force major general who retired from the military to head up air operations for the Saudi Arabian company Aramco, Kristofferson spent most of his childhood in Brownsville, TX, though his family moved around, finally settling in San Mateo, CA, by his junior high-school years. He graduated from San Mateo High School in 1954 and entered Pomona College in Claremont, CA. There he studied creative writing and he won first prize and three other placements in a collegiate short-story contest sponsored by Atlantic Monthly magazine. He graduated Phi Beta Kappa in 1958, having secured a prestigious Rhodes scholarship to continue his studies at Oxford University in England. While at Oxford, he wrote and performed his own songs, which brought him to the attention of manager Larry Parnes (who handled Tommy Steele and other British pop stars). Signing with Parnes, he made recordings for Top Rank Records produced by Tony Hatch (apparently never released) and performed under the name Kris Carson, but he was not successful.
After earning a master's degree in English literature from Oxford in 1960, Kristofferson intended to continue his studies there. But during a Christmas break back home in California, he resumed his relationship with an old girlfriend, Fran Beir, and they married. Instead of returning to Oxford, he joined the Army. Like his father, he became a pilot, learning to fly helicopters. He was assigned to West Germany and went there with his wife and their daughter. During the early '60s, while rising to the rank of captain, he eventually returned to writing and performing, organizing a soldiers' band to play at service clubs. Hearing his songs, a friend suggested sending them to a relative of his, the Nashville songwriter Marijohn Wilkin. Kristofferson did so and he received encouragement from Wilkin, who had become a music publisher by founding Bighorn Music. In 1965, Kristofferson was reassigned to the West Point military academy, where he was to become an English instructor. He spent a two-week leave in June 1965 in Nashville, where he looked up Wilkin and decided to try to become a country songwriter instead. He resigned his commission and moved his family to Nashville, signing to Bighorn, which gave him a small weekly stipend that he augmented with a variety of jobs, including janitorial work, bartending, and flying helicopters to and from offshore oil rigs in the Gulf of Mexico. He and his wife had a son who was born with a defective esophagus, resulting in thousands of dollars in medical bills. Eventually, the couple divorced.
Kristofferson scored his first success as a songwriter with "Viet Nam Blues," which was recorded by Dave Dudley and peaked in the country Top 20 in April 1966. As a recording artist, Kristofferson was signed to Epic Records and released a lone single, "Golden Idol"/"Killing Time," in 1967, but it missed the charts. (He later re-recorded both songs for his Surreal Thing album.) Roy Drusky recorded Kristofferson's "Jody and the Kid" and took it into the country Top 40 in the summer of 1968 and Billy Walker and the Tennessee Walkers' version of his "From the Bottle to the Bottom" peaked in the Top 20 of the country charts in April 1969. But by that spring, those three chart placings and his failed single were all Kristofferson had to show for almost four years of effort in Nashville. He had moved to Fred Foster's Columbine Music and begun to collaborate occasionally with Foster, and he got a break when Roger Miller decided to record one of their songs, "Me and Bobby McGee," a ballad about hoboing that recalled earlier Miller hits like "King of the Road," but with more of a hippie slant. Miller ended up recording not only "Me and Bobby McGee," but also two other Kristofferson compositions, "Best of All Possible Worlds" and "Darby's Castle," for his August 1969 album, Roger Miller. "Me and Bobby McGee" was released as a single in advance of the album and it peaked in the country Top 20. Meanwhile, Kristofferson had begun to gain recognition as a performer, thanks to Johnny Cash, who introduced him at the Newport Folk Festival that summer and featured him on his network television show.
In September 1969, Kristofferson earned another important cover when Ray Stevens released a version of his reflection on a hangover, "Sunday Mornin' Comin' Down," as a single. It entered both the pop and country charts. The following month, Faron Young released "Your Time's Comin'," co-written by Kristofferson and Shel Silverstein. It gave the songwriter his biggest hit so far when it peaked in the country Top Five in December 1969. Jerry Lee Lewis' recording of Kristofferson and Silverstein's "Once More with Feeling" did even better, just missing the top of the country charts in March 1970.
In addition to Columbine Music, Fred Foster also ran Monument Records, an independent label, and he signed Kristofferson to it as a recording artist. Kristofferson went into the studio and cut his own versions of some of the songs others had already done -- "Me and Bobby McGee," "Best of All Possible Worlds," "Darby's Castle," "Sunday Mornin' Comin' Down" -- as well as some new songs, notably "Help Me Make It Through the Night" and "For the Good Times," both romantic ballads with a decidedly erotic tone. His debut album, titled Kristofferson, was released in April 1970 and he promoted it with his first major concert tour, debuting at the Troubadour in Los Angeles on June 23, appearing at the giant Isle of Wight Festival on July 26, and playing the Bitter End in New York in August. But even at a time when standards for singers had fallen noticeably, the album was criticized for Kristofferson's rough vocals; it sold poorly and quickly went out of print.
The demand for his songs, however, only increased. The same month that Kristofferson was released, Ray Price reached the country charts with "For the Good Times," though it had been intended as the B-side of the single. It hit number one in September and crossed over to the pop charts, where it reached the Top 20; as a result, "For the Good Times" was named Song of the Year for 1970 by the Academy of Country Music. In August, Waylon Jennings reached the country charts with Kristofferson and Silverstein's "The Taker," which peaked in the Top Five in October and crossed over to the pop charts. By then, Johnny Cash had entered the country charts with his version of "Sunday Morning Coming Down" (as he called it, restoring the dropped "g"s). It hit number one in October and crossed over to the pop charts, and that same month it won the Country Music Association's Song of the Year Award for 1970, putting Kristofferson in the unusual position of winning the same award from country's two rival organizations for the same year with different songs.
But the string of hits was far from over. In December, Sammi Smith entered the country charts with "Help Me Make It Through the Night," giving the song a surprising twist by having the woman ask the man to sleep with her instead of the other way around. The single crossed over to the pop charts, eventually reaching the Top Ten and going gold, and it gave Kristofferson his third country chart-topper in February 1971. Meanwhile, Bobby Bare's recording of Kristofferson's "Come Sundown" also had reached the country charts in December and it peaked in the Top Ten in February 1971. Up to this point, Kristofferson had been getting most of his recognition in country music, but that changed in January 1971 when Janis Joplin's posthumous album Pearl was released. Joplin had covered "Me and Bobby McGee" and it was released as a single, shooting up the pop charts to number one in March. That same month, Ray Price followed "For the Good Times" with another Kristofferson song, "I Won't Mention It Again," which crossed over to the pop charts and in May gave the songwriter his fourth country number one hit within eight months. Meanwhile, Joe Simon got into the pop charts with his version of "Help Me Make It Through the Night" in April, Bobby Bare charted country in May with Kristofferson's "Please Don't Tell Me How the Story Ends," which peaked in the Top Ten in July, and Peggy Little reached the country charts with his "I've Got to Have You."
Despite all this sudden success as a songwriter, Kristofferson had not yet achieved any great notice as a performer. Monument had been purchased by CBS Records and turned into a subsidiary of the Columbia label, giving its artists the benefit of major-label distribution and promotion. Kristofferson released his second album, The Silver Tongued Devil and I, in July 1971. Again, it combined the songwriter's own versions of songs that had scored for others -- "Jody and the Kid," "The Taker" -- with important new work, notably the ballad "Loving Her Was Easier (Than Anything I'll Ever Do Again)," which Roger Miller quickly covered for a Top 40 country hit. The album finally broke Kristofferson as a recording artist, rising into the Top Five of the country charts and the Top 20 of the pop charts and going gold, with the songwriter's own version of "Loving Her Was Easier (Than Anything I'll Ever Do Again)" becoming a Top 40 pop and Top Five easy listening hit. In August, Monument re-released Kristofferson's first album, renaming it Me and Bobby McGee. This time, the LP reached the country Top Ten and the pop Top 100 and went gold. Meanwhile, Ray Price released his third consecutive single of a Kristofferson song, "I'd Rather Be Sorry," and it just missed topping the country charts in October while crossing over to the pop charts. Patti Page also made the country charts with her version of the song. Jerry Lee Lewis put "Me and Bobby McGee" into the charts for a third time in November; it was given some country airplay as the B-side of his number one country single "Would You Take Another Chance on Me," while pop radio flipped the disc over and made it a Top 40 pop hit. The same month, O.C. Smith got into the pop charts with his version of "Help Me Make It Through the Night."
Kristofferson himself, meanwhile, had traveled to Peru at the behest of director Dennis Hopper, and he made his film debut in a bit part in The Last Movie, released in September, to which he also contributed songs. The same month, part of his performance from the Isle of Wight Festival was in the charts on the triple-record set First Great Rock Festivals of the Seventies: Isle of Wight/Atlanta Pop Festival. (In 1997, the film and CD Message to Love: The Isle of Wight also featured his appearance.) He had a more substantial film role in Cisco Pike, released early in 1972, also getting to sing several more of his songs. In February, he released his third album, Border Lord. It was his first collection to consist of all-new material and proved to be a slight commercial disappointment, reaching only the Top 100 of the pop charts and the Top Ten of the country charts, its single "Josie" becoming a pop and country chart entry but not a big hit. In March, however, three of his songs, "For the Good Times," "Help Me Make It Through the Night," and "Me and Bobby McGee," were among the five nominees for the 1971 Grammy Award for Best Country Song, while "Help Me Make It Through the Night" and "Me and Bobby McGee" were also up for the Song of the Year Grammy. Competing against himself, he managed to win his first Grammy for Best Country Song for "Help Me Make It Through the Night." The same month, Gladys Knight & the Pips brought the song back into the pop Top 40 and also made the R&B Top 20 with their rendition. In April, Kristofferson was in the charts with another live recording, appearing on the various-artists collection Big Sur Festival/One Hand Clapping. In June, Sammi Smith made the country charts with her version of "I've Got to Have You," which peaked in the Top 20 in September and also crossed over to the pop charts.
Having taken only seven months between his second and third albums, Kristofferson waited only nine more months before delivering his fourth album, Jesus Was a Capricorn, in November 1972. Initially, the LP did not do as well as Border Lord, itself a step down from The Silver Tongued Devil and I, as the title song barely made the pop singles charts and a second single, "Jesse Younger," missed the charts entirely. But in March 1973, Monument released a third single, the slow, pious "Why Me," which topped the country charts in July and went gold, also crossing over to the pop Top 20. With that, sales of Jesus Was a Capricorn rebounded and the album hit number one in the country charts a year after it was released. (Meanwhile, Brenda Lee had covered "Nobody Wins" from the album for a Top Five country hit and a pop chart entry.)
Kristofferson, meanwhile, had returned to acting, getting more substantial film roles and working with important directors. In 1973, he appeared in Paul Mazursky's Blume in Love, also contributing a couple of songs, and in Sam Peckinpah's Pat Garrett and Billy the Kid, co-starring as Billy the Kid in the latter. His notices tended to be better than those for the films themselves and indicated that he had a future in films.
On August 19, 1973, Kristofferson married singer Rita Coolidge (who soon bore him a second daughter) and the following month the couple released a duo album, Full Moon. It was a big hit, topping the country charts, reaching the Top 40 of the pop charts, and going gold. Its first single, Kristofferson's composition "A Song I'd Like to Sing," was a Top 20 easy listening hit, a Top 40 pop hit, and a country chart entry. "Loving Arms," a second single, made the easy listening Top 40 and also reached the pop and country charts. The couple's version of "From the Bottle to the Bottom" won the 1973 Grammy Award for Best Country Vocal Performance by a Duo or Group. (Due to the peculiarities of the Grammy eligibility rules, "Loving Arms" was nominated in the same category the following year.) Kristofferson also earned 1973 Grammy nominations for Best Country Song and Best Country Vocal Performance, Male, for "Why Me."
In April 1974, "One Day at a Time," written by Kristofferson and Marijohn Wilkin, reached the country charts in a recording by Marilyn Sellars that went on to peak in the Top 20. Later in the year, it reached the pop Top 40. Kristofferson's fifth album, Spooky Lady's Sideshow, was released in May. Compared to earlier releases, it was a commercial disappointment, reaching the Top Ten of the country charts but only the Top 100 of the pop charts, with no charting single. From this point on, Kristofferson's albums would be only modest sellers at best. But he remained a potent country songwriter. In July, Ronnie Milsap entered the country charts with a revival of "Please Don't Tell Me How the Story Ends"; by September it had topped the country charts and crossed over to the pop charts. Kristofferson continued to pursue his film career, taking a small part in Sam Peckinpah's Bring Me the Head of Alfredo Garcia, released in the summer and a co-starring role in Martin Scorsese's Alice Doesn't Live Here Anymore, which appeared in December. Also that month, Kristofferson and Coolidge released their second duo album, Breakaway. Though less successful than their first one, it reached the Top 100 of the pop charts and the Top Five of the country charts. The single "Rain" made the country and easy listening charts. "Lover Please" also got into the easy listening charts and it went on to win the duo a second Grammy for Best Country Vocal Performance by a Duo or Group.
Kristofferson took a break from moviemaking to concentrate on his musical career and his sixth album, Who's to Bless and Who's to Blame, released in November 1975. But the extra effort did not translate into increased sales. The LP reached the country Top 40, but it missed the Top 100 of the pop charts. Johnny Duncan's recording of the Kristofferson song "Stranger" from the album became a country hit, however, reaching the Top Five. Kristofferson returned to the movies and in the spring of 1976 was seen in Vigilante Force and The Sailor Who Fell From Grace With the Sea, also contributing a song to the latter. His seventh album, Surreal Thing, followed his sixth by only eight months. It was another commercial disappointment, reaching the country Top Ten while barely registering in the pop charts. But in December 1976, he enjoyed both a hit movie and a hit record with the release of A Star Is Born, in which he co-starred with Barbra Streisand. Critics howled, but the film was a box office smash, second only to Rocky among motion pictures released in 1976 as the top-grossing hit, while the soundtrack album, which featured several contributions from Kristofferson (among them the pop chart entry "Watch Closely Now"), topped the pop charts and sold several million copies. Of course, Streisand had more to do with all that than Kristofferson did, but he was awarded a Golden Globe for Best Actor.
Monument Records seized upon the occasion of his increased profile to release a compilation, Songs of Kristofferson, in April 1977. It did considerably better than his recent releases of new material, making the country Top Ten and the pop Top 100 and earning a gold record. Making only one film in 1977, Semi-Tough, released in the fall, he worked on his eighth album for more than a year and a half, not releasing Easter Island until March 1978. It marked a slight commercial uptick, charting higher in the pop and country charts than his previous effort, but did not restore his commercial fortunes as a recording artist. Returning to the movies, Kristofferson starred in Convoy, a film extrapolation of the 1976 song hit by C.W. McCall, which opened in the summer. In January 1979, he and Rita Coolidge released their third duo album, Natural Act, which was another modest seller.
Kristofferson's personal life and professional career were both at low points in the late '70s and early '80s. His ninth album, Shake Hands With the Devil, was released in September 1979 and did not sell well enough to reach the charts, though the single "Prove It to You One More Time Again" was a country singles chart entry. His next film, Freedom Road, was not given a theatrical release in the U.S., instead being broadcast on television in October. And on December 2, he and Rita Coolidge divorced. At the same time, however, his song catalog continued to prosper. Lena Martell's cover of "One Day at a Time" hit number one in the U.K. in October, then in the U.S. Cristy Lane revived the song, taking it to number one in the country charts in June 1980. Willie Nelson Sings Kris Kristofferson was released in October 1979 and made the country Top Five, as did Nelson's single release of "Help Me Make It Through the Night." Kristofferson toured with Nelson during the winter of 1979-1980. During this period, he also was working on what should have been his greatest cinematic triumph yet, though it turned into a debacle. This was Heaven's Gate, director Michael Cimino's follow-up to his Academy Award-winning film The Deer Hunter. The lengthy, expensive film debuted to negative reviews in November 1980 and was such a financial catastrophe that it bankrupted the movie studio that made it. Kristofferson had already been contracted to make another film, Rollover, released in 1981, but his association with Heaven's Gate may have scared off casting directors, since he didn't appear in another film until 1984. Meanwhile, he released his tenth album, To the Bone, in January 1981, and it became his second straight LP to miss the pop charts, though it made the country charts briefly, as did the single "Nobody Loves Anybody Anymore." But the old songs continued to sell; in July, Tompall and the Glaser Brothers just missed topping the country charts with their revival of "Lovin' Her Was Easier (Than Anything I'll Ever Do Again)."
Except for a non-charting single, "Here Comes That Rainbow Again"/"The Bandits of Beverly Hills," Kristofferson was not heard from for the rest of 1981 or most of 1982, resurfacing in November 1982 with the release of the double-album The Winning Hand, a group effort credited to "Kris [Kristofferson], Willie [Nelson], Dolly [Parton] & Brenda [Lee]." The album reached the country Top Five, though it failed to cross the 100 mark on the pop charts. On February 19, 1983, Kristofferson married for the third time, wedding attorney Lisa Meyers, with whom he eventually had five more children, for a total of eight. He returned to filmmaking in January 1984 with the television broadcast of The Lost Honor of Kathryn Beck, and made it back into movie theaters later that year with Flashpoint, a mystery, and Songwriter. In the latter, he co-starred with Willie Nelson in a story about the Nashville music industry. He wrote a number of songs for the film, resulting in his first Academy Award nomination for original song score. Columbia Records released Music From Songwriter, a duo album by Nelson and Kristofferson on which the two sang separately and shared a couple of duets. The album reached the pop charts and the Top 20 of the country charts, and one of the duets, Kristofferson's "How Do You Feel About Foolin' Around," made the country singles charts.
Kristofferson and Nelson expanded their partnership into a supergroup quartet with the addition of Johnny Cash and Waylon Jennings to create the album Highwayman, released in April 1985. The title track, a song about reincarnation written by Jimmy Webb, with each group member taking a verse, topped the country charts in August and the LP was also a number one country hit, going gold. A second single, Guy Clark's "Desperados Waiting for a Train," made the country Top 20. The recordings were billed to the four participants by name, but the group came to be known informally as "the Highwaymen," though a settlement had to be made with the 1960s folk group of the same name for the name to be used legally.
In December 1985, Kristofferson starred in Alan Rudolph's film Trouble in Mind, also contributing the theme song, "El Gavilan" ("The Hawk," after the name of his character), sung by Marianne Faithfull. He put the song on Repossessed, his first solo album in six years, which was released on Mercury Records in February 1987. Reflecting his left-wing views particularly on American military involvement in Central America, Repossessed spent six months in the country charts, and "They Killed Him," a tribute to Christ, Gandhi, and Martin Luther King, Jr., placed in the country singles charts. Simultaneous with the release of the LP, Kristofferson appeared in Amerika, a controversial weeklong television mini-series that fantasized a U.S. under Communist domination. It was one of many TV movie projects the actor had done in the mid-'80s, a time when his feature film work remained sparse.
Highwayman 2 appeared in February 1990, preceded by a single, "Silver Stallion," that made the country Top 40. The album reached the country Top Five and it earned a Grammy nomination for Best Country Vocal Collaboration. Kristofferson followed Repossessed with a second Mercury album, Third World Warrior, in March 1990. Another work of agitprop, it failed to reach the charts. In 1991, Columbia/Legacy released the compilation Singer/Songwriter, a double-CD set containing both Kristofferson's versions of his best-known songs and the best-known covers of them by people like Janis Joplin and Ray Price. The archival label followed in 1992 with the previously unreleased concert set Live at the Philharmonic, recorded in 1972. Kristofferson worked steadily in TV movies and independent features during the late '80s and early '90s; he wrote the score for the 1993 film Cheatin' Hearts, in which he also appeared. The Highwaymen's third album, The Road Goes on Forever, appeared in April 1995 and made the country charts. As a solo artist, Kristofferson had teamed with producer Don Was to record a new album, A Moment of Forever, for Was' Karambolage imprint in 1993, but an initial distribution deal fell through and the album was not released until August 1995, when it appeared on the Texan independent label Justice Records. Four years later, Kristofferson released The Austin Sessions, an album of remakes of his most popular songs. (In the mid-'90s, One Way Records reissued many of Kristofferson's Monument albums on CD.)
Kristofferson's appearance in director John Sayles' film Lone Star (1996) marked a turning point in his film career. Taking a supporting role as a corrupt sheriff, the 60-year-old actor displayed a flair for character parts and villains that vastly increased his offers from Hollywood in the late '90s and led to his appearances in such major-studio action features as Fire Down Below, Blade, and Payback. He also earned admiring critical notices as a James Jones-like novelist in A Soldier's Daughter Never Cries and in another Sayles film, Limbo. By the turn of the century, complaining that he hadn't had time to tour as a singer in years, Kristofferson was looking forward to additional film work.
Although his early work was frequently repackaged and released in new compilation packages, Kristofferson released very little new work as the 21st century dawned. A live set, Broken Freedom Song, appeared in 2003 on John Prine's Oh Boy Records, and another Don Was-produced album, This Old Road, saw the light of day in 2006 on New West Records.
from Wikipedia:
Kristoffer "Kris" Kristofferson (born June 22, 1936) is an American musician, actor, and writer. He is known for hits such as "Me and Bobby McGee", "For the Good Times", "Sunday Mornin' Comin' Down", and "Help Me Make It Through the Night". Kristofferson is the sole writer of most of his songs, but he has collaborated with various other figures of the Nashville scene such as Shel Silverstein.
Early life
Kristoffer Kristofferson was born in Brownsville, Texas, to Mary Ann (née Ashbrook) and Lars Henry Kristofferson, a U.S. Army Air Corps (later U.S. Air Force) Major General. His paternal grandparents immigrated from Sweden, and Kristofferson's paternal grandfather was an officer in the Swedish Army. When Kristofferson was a child, his father pushed him toward a military career. Like most "military brats", Kristofferson moved around frequently as a youth, finally settling down in San Mateo, California, where he graduated from San Mateo High School. An aspiring writer, Kristofferson enrolled in Pomona College in 1954. He experienced his first dose of fame when he appeared in Sports Illustrated's "Faces in the Crowd" for his achievements in collegiate rugby union, football, and track and field. He and fellow classmates revived the Claremont Colleges Rugby Club in 1958, which has remained a Southern California rugby dynasty. Kristofferson became a member of Kappa Delta at Pomona College, graduating in 1958 with a BA, summa cum laude in Literature. In a 2004 interview with Pomona College Magazine Kristofferson mentioned philosophy professor Frederick Sontag as an important influence in his life.
Kristofferson earned a Rhodes Scholarship to the University of Oxford, where his college was Merton. While at Oxford he was awarded his blue for boxing and began writing songs. With the help of his manager, Larry Parnes, he recorded for Top Rank Records under the name Kris Carson. Parnes was working to sell Kris as "a Yank at Oxford" to the British public; Kristofferson was willing to accept that promotional approach if it helped his singing career, which he hoped would enable him to progress towards his goal of becoming a novelist. This early phase of his music career was unsuccessful.
In 1960, Kristofferson graduated with a BPhil in English literature and married an old girlfriend, Fran Beer. Kristofferson, under pressure from his family, ultimately joined the U.S. Army and achieved the rank of Captain. He became a helicopter pilot after receiving flight training at Fort Rucker, Alabama. He also completed Ranger School. During the early 1960s, he was stationed in West Germany as a member of the 8th Infantry Division. It was during this time that he resumed his music career and formed a band. In 1965, when his tour of duty ended, Kristofferson was offered a position as a professor of English Literature at West Point. Instead, he decided to leave the Army and pursue songwriting. His family disowned him because of this decision and they never reconciled with him. They saw it as a rejection of everything they stood for while Kristofferson has stated that he was greatly influenced by the poet William Blake while at Oxford, who had proclaimed that if one has a God-given creative talent then one should use it, or else reap sorrow and despair. Kristofferson sent some of his compositions to a friend's relative, Marijohn Wilkin, a successful Nashville, Tennessee, songwriter but when he arrived in the town to see Sam Phillips of Sun Records his shoes were, according to Philips 'falling off his feet.'
Career
Music
After being honorably discharged from the Army in 1965, Kristofferson moved to Nashville. He worked at a variety of odd jobs while struggling for success in music, burdened with medical expenses resulting from his son's defective esophagus. He and his wife soon divorced.
He got a job sweeping floors at Columbia Studios in Nashville. There he met Johnny Cash, who initially accepted some of Kristofferson's songs but chose not to use them. During Kristofferson's janitorial stint for Columbia, Bob Dylan recorded his landmark 1966 album Blonde on Blonde at the studio. Though he had the opportunity to watch some of Dylan's recording sessions, Kristofferson never met Dylan out of fear that he would be fired for approaching him.
He also worked as a commercial helicopter pilot at that time for a south Louisiana firm called Petroleum Helicopters International (PHI), based in Lafayette, Louisiana. Kristofferson recalled of his days as a pilot, "That was about the last three years before I started performing, before people started cutting my songs ... I would work a week down here [in south Louisiana] for PHI, sitting on an oil platform and flying helicopters. Then I'd go back to Nashville at the end of the week and spend a week up there trying to pitch the songs, then come back down and write songs for another week ... I can remember 'Help Me Make It Through The Night' I wrote sitting on top of an oil platform. I wrote 'Bobby McGee' down here, and a lot of them [in south Louisiana]."
In 1966, Dave Dudley released a successful Kristofferson single, "Viet Nam Blues". In 1967, Kristofferson signed to Epic Records and released a single, "Golden Idol"/"Killing Time", but the song was not successful. Within the next few years, more Kristofferson originals hit the charts, performed by Roy Drusky ("Jody and the Kid"), Billy Walker & the Tennessee Walkers ("From the Bottle to the Bottom"), Ray Stevens ("Sunday Mornin' Comin' Down"), Jerry Lee Lewis ("Once More with Feeling") Faron Young ("Your Time's Comin'") and Roger Miller ("Me and Bobby McGee", "Best of all Possible Worlds", "Darby's Castle"). He achieved some success as a performer himself, following Johnny Cash's introduction of Kristofferson at the Newport Folk Festival. Kristofferson had previously grabbed Cash's attention when he landed his helicopter in Cash's yard without prior arrangement and gave him some tapes.
Kristofferson signed to Monument Records as a recording artist. In addition to running that label, Fred Foster also served as manager of Combine Music, Kristofferson's songwriting label. His debut album for Monument in 1970 was Kristofferson, which included a few new songs as well as many of his previous hits. Sales were poor, although this debut album would become a success the following year when it was re-released under the title Me & Bobby McGee. Kristofferson's compositions were still in high demand. Ray Price ("For the Good Times"), Waylon Jennings ("The Taker"), Bobby Bare ("Come Sundown"), Johnny Cash ("Sunday Morning Coming Down") and Sammi Smith ("Help Me Make It Through the Night") all recorded successful versions of his songs in the early 1970s. "For the Good Times" (Ray Price) won "Song of the Year" in 1970 from the Academy of Country Music, while "Sunday Morning Coming Down" (Johnny Cash) won the same award from the Academy's rival, the Country Music Association in the same year. This is the only time an individual received the same award from these two organizations in the same year for different songs.
In 1971, Janis Joplin, who dated Kristofferson for some time until her death, had a number 1 hit with "Me and Bobby McGee" from her posthumous Pearl. When released, it stayed on the number one spot on the charts for weeks. More hits followed from others: Ray Price ("I'd Rather Be Sorry"), Joe Simon ("Help Me Make It Through the Night"), Bobby Bare ("Please Don't Tell Me How the Story Ends"), O. C. Smith ("Help Me Make It Through the Night") Jerry Lee Lewis ("Me and Bobby McGee"), Patti Page ("I'd Rather Be Sorry") and Peggy Little ("I've Got to Have You"). Kristofferson released his second album, The Silver Tongued Devil and I in 1971; the album was a success and established Kristofferson's career as a recording artist in his own right. Soon after, Kristofferson made his acting debut in The Last Movie (directed by Dennis Hopper) and appeared at the Isle of Wight Festival. In 1971, he acted in Cisco Pike and released his third album, Border Lord; the album was all-new material and sales were sluggish. He also swept the Grammy Awards that year with numerous songs nominated, winning country song of the year for "Help Me Make It Through the Night". Kristofferson's 1972 fourth album, Jesus Was a Capricorn initially had slow sales, but the third single, "Why Me", was a success and significantly increased album sales.
Film
For the next few years, Kristofferson focused on acting. He appeared in Blume in Love (directed by Paul Mazursky) and Pat Garrett and Billy the Kid (directed by Sam Peckinpah). He continued acting, in Sam Peckinpah's Bring Me the Head of Alfredo Garcia, Convoy, (another Sam Peckinpah film which was released in 1978), Alice Doesn't Live Here Anymore, Vigilante Force, a film based on the Yukio Mishima novel The Sailor Who Fell from Grace with the Sea, and A Star Is Born (with Barbra Streisand), for which he received a Golden Globe Award for Best Actor (and which he noted had been an experience "worse than boot camp") and Flashpoint in 1984 (directed by William Tannen). At the peak of his box-office power, Kristofferson turned down both William Friedkin's Sorcerer (1977), the romantic war film Hanover Street and the first Rambo-installment, First Blood. In spite of his success with Streisand, Kristofferson's solo musical career headed downward with his non-charting ninth album, Shake Hands with the Devil. His next film Freedom Road did not earn a theatrical release in the U.S. Kristofferson's next film was Heaven's Gate, a phenomenal industry-changing failure. In 1986, he starred in The Last Days of Frank and Jesse James with Johnny Cash. In 1989, he was the male lead in the film Millennium with Cheryl Ladd. He earned a supporting role in John Sayles' Lone Star, a film nominated for an Oscar for Best Screenplay. In 1998, he took a role in the film Blade, playing alongside Wesley Snipes as Blade's mentor Abraham Whistler. He returned to the character in Blade II in 2002 and again in Blade: Trinity in 2004. In 1999, he co-starred with Mel Gibson in Payback. He has also played the title character "Yohan" as an old man in the Norwegian film Yohan-the Children Wanderer. In 2011, he co-starred with Harry Connick, Jr., Ashley Judd, Nathan Gamble in Dolphin Tale.
Mid-career
Also during this time, Kristofferson met singer Rita Coolidge. They married in 1973 and released an album titled Full Moon, another success buoyed by numerous hit singles and Grammy nominations. However, his fifth album, Spooky Lady's Sideshow, released in 1974, was a commercial failure, setting the trend for most of the rest of his career. Artists such as Ronnie Milsap and Johnny Duncan continued to record Kristofferson's material with much success, but his distinctively rough voice and anti-pop sound kept his own audience to a minimum. Meanwhile, more artists took his songs to the top of the charts, including Willie Nelson, whose 1979 LP release of Willie Nelson Sings Kris Kristofferson proved to be a smash success.
In 1979, Kris Kristofferson travelled to Havana, Cuba, to participate in the historic Havana Jam festival that took place between March 2–4, alongside Rita Coolidge, Stephen Stills, the CBS Jazz All-Stars, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnegan, Weather Report, and Billy Joel, plus an array of Cuban artists such as Irakere, Pacho Alonso, Tata Güines and Orquesta Aragón. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79.
Kristofferson and Coolidge divorced in 1980.
Later work
In 1982, Kristofferson participated (with Willie Nelson, Dolly Parton, and Brenda Lee) on The Winning Hand, a country success that failed to break into mainstream audiences. He married again, to Lisa Meyers, and concentrated on films for a time, appearing in The Lost Honor of Kathryn Beck, Flashpoint, and Songwriter. The latter also starred Willie Nelson. Kristofferson was nominated for an Academy Award for Best Original Song Score. Music from Songwriter (an album of duets between Nelson and Kristofferson) was a massive country success.
Nelson and Kristofferson continued their partnership, and added Waylon Jennings and Johnny Cash to form the supergroup The Highwaymen. Their first album, Highwayman was a huge success, and the supergroup continued working together for a time. The single from the Album Highwayman also titled Highwayman was awarded the ACM's single of the year in 1985. In 1985, Kristofferson starred in Trouble in Mind and released Repossessed, a politically aware album that was a country success, particularly "They Killed Him" (also performed by Bob Dylan), a tribute to his heroes, including Martin Luther King, Jr., Jesus, and Mahatma Gandhi. Kristofferson also appeared in Amerika at about the same time; the miniseries was controversial, hypothesizing life under Communist domination.
In spite of the success of Highwayman 2 in 1990, Kristofferson's solo recording career slipped significantly in the early 1990s, though he continued to record successfully with the Highwaymen. Lone Star (1996 film by John Sayles) reinvigorated Kristofferson's acting career, and he soon appeared in Blade, Blade II, Blade: Trinity, A Soldier's Daughter Never Cries, Fire Down Below, Tim Burton's remake of Planet of the Apes, Chelsea Walls, Payback, The Jacket and Fast Food Nation.
The Songwriters Hall of Fame inducted Kristofferson in 1985, as had the Nashville Songwriters Hall of Fame in 1977. 1999 saw the release of The Austin Sessions, an album on which Kristofferson reworked some of his favorite songs with the help of befriended artists such as Mark Knopfler, Steve Earle and Jackson Browne. In 2003, Broken Freedom Song was released, a live album recorded in San Francisco].
In 2004, he was inducted into the Country Music Hall of Fame. In 2006, he received the Johnny Mercer Award from the Songwriters Hall of Fame and released his first album full of new material in 11 years; This Old Road. On April 21, 2007, Kristofferson won CMT's Johnny Cash Visionary Award. Rosanne Cash, Cash's daughter, presented the honor during the April 16 awards show in Nashville. Previous recipients include Cash, Hank Williams, Jr., Loretta Lynn, Reba McEntire and the Dixie Chicks. "John was my hero before he was my friend, and anything with his name on it is really an honor in my eyes," Kristofferson said during a phone interview. "I was thinking back to when I first met him, and if I ever thought that I'd be getting an award with his name on it, it would have carried me through a lot of hard times."
In July 2007, Kristofferson was featured on CMT's "Studio 330 Sessions" where he played many of his hits.
On June 13, 2008, Kristofferson performed an acoustic in the round set with Patty Griffin and Randy Owen (Alabama) for a special taping of a PBS songwriters series to be aired in December. Each performer played 5 songs. Kristofferson's included "The Best of All Possible World's," "Darby's Castle," "Casey's Last Ride," "Me and Bobby McGee," and "Here Comes that Rainbow Again." Taping was done in Nashville.
Kristofferson released a new album of original songs entitled Closer to the Bone on September 29, 2009. It is produced by Don Was on the New West label. Previous to the release, Kristofferson remarked: "I like the intimacy of the new album. It has a general mood of reflecting on where we all are at this time of life."
On November 10, 2009, Kristofferson was honored as a BMI Icon at the 57th annual BMI Country Awards. Throughout his career, Kristofferson's songwriting has garnered 48 BMI Country and Pop Awards. He later remarked that "The great thing about being a songwriter is you can hear your baby interpreted by so many people that have creative talents vocally that I don't have."
In December 2009, it was announced that Kristofferson would be portraying Joe in the upcoming album Ghost Brothers of Darkland County, a collaboration between rock singer John Mellencamp and novelist Stephen King.
On May 11, 2010, Light in the Attic Records is releasing demos that were recorded during Kristofferson's janitorial stint at Columbia. "Please Don't Tell Me How the Story Ends: The Publishing Demos" is the first time these recordings have been released and includes material that would later be featured on other Kristofferson recordings and on the recordings of other prominent artists, such as the original recording of "Me and Bobby McGee".
Personal life
Kristofferson has been married three times and has eight children. In 1960, Kristofferson married his high-school sweetheart Frances (Fran) Beer. They had two children, a daughter, Tracy, and a son, Kris, before divorcing in 1969. Afterwards, Kristofferson dated Janis Joplin, not long before her death, before dating Barbra Streisand. Joan Baez admitted in a 1983 Rolling Stone interview that she and Kristofferson had had a brief fling somewhere around 1970–71. In 1973, he married singer Rita Coolidge and together they had one child, Casey Kristofferson. They divorced in 1980. In 1983, he married Lisa Meyers and together they have five children—son Jesse Turner, son Jody Ray, son Johnny Robert, daughter Kelly Marie and son Blake Cameron. Jody is a professional wrestler, who made an appearance on the August 13, 2010 edition of WWE SmackDown, losing to The Big Show in a 3 on 1 handicap match. WWE commentator Matt Striker made reference to him after a move by saying "There goes the Highway man." Jody also wrestled Brodus Clay on August 9, 2011 in a tryout match. In January 2012, Jody signed a developmental contract with WWE.
He has said that he would like the first three lines of Leonard Cohen's "Bird on the Wire" on his tombstone:
Like a bird on a wireLike a drunk in a midnight choirI have tried in my way to be free.
