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All Music Guide:
A blazing, technically flawless trumpeter from Cuba, Arturo Sandoval has been dazzling audiences all over the world with his supercharged tone and bop-flavored flurries way up in the trumpet's highest register. In slower numbers, he sports a golden, mellow tone on the flügelhorn, marked with a sure, subtle sense of swing. Apparently he is capable of playing anything, proving it more than once by tackling classical repertoire as well as jazz in the same concert, and he has enough curiosity to search far beyond his Cubop base for repertory. Yet he often lets his desire to please the crowd with high-note displays get in the way of musical values, and he has yet to make a great record that can stand with those trumpet giants that have preceded him.
The son of an auto mechanic, Sandoval took up the classical trumpet at 12 and was enrolled in the Cuban National School of the Arts at 15, studying with a Russian classical trumpeter. Early in the 1970s, he became one of the founding members of the Orquesta Cubana de Musica Moderna, which by 1973 had evolved into the Afro-Cuban, rock-influenced band Irakere. Sandoval met his idol Dizzy Gillespie in 1977, who promptly became a mentor and colleague, playing with Sandoval in concerts in Europe and Cuba and later featuring him in the United Nation Orchestra. After recording an album with David Amram, Havana/New York, and a couple of high-profile Irakere albums on Columbia, Sandoval left the group in 1981 to tour with his own band and record in Cuba. Occasionally, the Castro government would allow Sandoval to appear in various international jazz festivals and with orchestras like the BBC Symphony and Leningrad Philharmonic. Though he chafed under a regime that restricted his touring, Sandoval bided his time until he could get his wife and son out of Cuba, and only then, in July 1990 during a long European tour, did he defect at the American Embassy in Rome, settling in Florida.
Signing with GRP, Sandoval's first American album, appropriately titled Flight to Freedom, demonstrated his versatility in several idioms, and he toured with his own high-energy Afro-Cuban group in the 1990s. Hot House followed in 1998, and a year later he returned with Americana. L.A. Meetings appeared in spring 2001. For 2003's Trumpet Evolution, Sandoval selected material from his favorite horn players. Since that time, he has released a handful of recordings including Live at the Blue Note in 2005 and Arturo Sandoval & the Latin Jazz Orchestra and Rumba Palace, both in 2007. In 2010, Sandoval released his first album for the Concord Jazz imprint, a collection of ballads entitled Time for Love.
Wikipedia:
Arturo Sandoval (born November 6, 1949) is a jazz trumpeter, pianist and composer. He was born in Artemisa, in the newest renamed Artemisa Province, Cuba.
Sandoval, while still in Cuba, was influenced by jazz legends Charlie Parker, Clifford Brown, and Dizzy Gillespie, finally meeting Dizzy later in 1977. Gillespie promptly became a mentor and colleague, playing with Arturo in concerts in Europe and Cuba and later featuring him in The United Nations Orchestra. Sandoval defected to the United States of America in Spain, while touring with Gillespie in 1990, and became a naturalized citizen in 1999.
Sandoval's life was the subject of the 2000 TV film For Love or Country: The Arturo Sandoval Story, starring Andy García. He currently resides in Calabasas, California.
Background
Arturo Sandoval began to play music at age 13 in the village band. After playing many instruments, he fell in love with the trumpet. In 1964, he began three years of serious classical trumpet studies at the Cuban National School of Arts. By the age of 16 he had earned a place in Cuba's all-star national band. By this time, he was totally immersed in jazz, with Dizzy Gillespie as his idol. In 1971 he was drafted into the military. Luckily, Sandoval was still able to play with the Orquesta Cubana de Musica Moderna. Because of this he was able to continue his daily practice regimen.
In Cuba, Sandoval co-founded the band Irakere with Chucho Valdés and Paquito D'Rivera. They quickly became a worldwide sensation. Their appearance at the 1978 Newport Jazz Festival introduced them to American audiences and garnered them a recording contract with Columbia Records.
Sandoval was still exploring his musical possibilities and left the group in 1981 to form his own band. He continued to tour worldwide with his new group, playing a unique blend of jazz and Afro Cuban music. In addition to playing Afro Cuban jazz, he performed classical music with the BBC Symphony Orchestra in London and the Leningrad Symphony in the former Soviet Union.
He enjoys a successful recording career that extends outside of mainstream jazz. He has recorded as a sideman with Johnny Mathis, Gloria Estefan, Kenny G, Paul Anka, Frank Sinatra, and Dave Grusin. He has also played in concerts with Woody Herman, Herbie Hancock, Woody Shaw, Stan Getz, Céline Dion, Tito Puente, and recently with Alicia Keys and Justin Timberlake. In January 1995, Sandoval performed at the Super Bowl XXIX halftime show, with Patti LaBelle, Tony Bennett and the Miami Sound Machine, in a program entitled "Indiana Jones and the Temple of the Forbidden Eye", to promote the upcoming Disney theme park attraction. In 1997, he performed with Céline Dion at the 69th Academy Awards performing the song I Finally Found Someone.
In 2001, Arturo was featured on the album "Swingin' For The Fences" by Gordon Goodwin's Big Phat Band. He played solos in Sing, Sang, Sung and Muevos los Huesos (Move Your Bones), the latter of which let him flex his Afro Cuban jazz muscles.
Arturo was also a judge for the 2nd annual Independent Music Awards to support independent artists' careers.
Stylistic influences
Sandoval's raw talent has led him to associate with many musicians, but the most important is Dizzy Gillespie. Dizzy, who was a longtime proponent of Afro-Cuban music, has been referred to as a type of "spiritual father" by Sandoval. When the two great trumpet players met in Cuba in 1977, Dizzy was playing impromptu gigs in the Caribbean with Stan Getz. Sandoval later said, "I went to the boat to find him. I've never had a complex about meeting famous people. If I respect somebody, I go there and try to meet them."
Because of Cuba's political situation, the country had been isolated from American musicians for nearly 20 years when Dizzy visited. Gillespie wanted to hear the music of the black neighborhoods where musicians play guaguanco (a popular style of rumba) in the street. Sandoval offered to take Dizzy around, but only later that evening, when he got up on stage, did Sandoval reveal himself as a musician. Dizzy was impressed with Sandoval's talent.
In April 2006, Arturo Sandoval opened a jazz venue in Miami Beach, The Arturo Sandoval Jazz Club. Since opening its doors, the club featured both top-notch headlining jazz acts as well as local talent on stage. Open six nights a week for live music, past acts included Joshua Redman, Roberta Flack, Roy Haynes, Omar Sosa, The Bad Plus, Moe Goldstein, Michael Lington and Danilo Perez. Sandoval himself played at the club at least monthly. It was closed in 2008.
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