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Kristin Hersh

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  • Kristin Hersh

Albums

Biography All Music Guide

All Music Guide:

After the release of Throwing Muses' fifth album, Red Heaven, Kristin Hersh, the band's lead singer/songwriter, took a break from the group and issued her first solo album, the acoustic Hips and Makers, in early 1994. Thanks to the airplay the single "Your Ghost" -- a duet with R.E.M.'s Michael Stipe -- received, the album sold more copies than any of the Muses' releases. Later that year, Hersh also released the Strings EP, which featured versions of selected songs from the album recorded with a string quartet, and did a solo tour. Despite her success as a solo artist, she kept the Muses going as well, releasing their next record, University, in February 1995. Throwing Muses and Hersh as a solo artist moved from Sire to Rykodisc, forming the boutique label Throwing Music in 1996; the label's first release was the final Muses album, Limbo, which appeared that summer. Before the Muses hit the road in support of Limbo, Hersh began work on her second solo album, wrapping it up in early 1997.

At the completion of the Limbo tour, Hersh disbanded Throwing Muses, claiming that it was no longer economically feasible to continue with the band. The acoustic-based Strange Angels, her first post-Muses album, was released by Rykodisc in February 1998. That year, she also released Murder, Misery and Then Goodnight, a collection of lullabies and Appalachian folk songs, as a Throwing Music exclusive. In 1999, Hersh and Throwing Music returned to her original label, 4AD, for Sky Motel, 2001's Sunny Border Blue, and 2003's The Grotto. Hersh also established the Works in Progress series, a subscription service of exclusive rarities, through Throwing Music's website, www.throwingmusic.com.

Hersh also released another Throwing Muses album in 2003, then collaborated with Muses bassist Bernard Georges in 50 Foot Wave, a more rock-oriented expression of her sound, for 2004's self-titled EP, 2005's Golden Ocean, and 2006's digitally released Free Music EP. In 2007, Hersh released another solo album, the intense Learn to Sing Like a Star. Cats and Mice, an unedited performance recorded at Yoshi's in San Francisco, was issued in 2010. That same year, Hersh published her memoir, Rat Girl, which focused on events in her teens from 1985 to 1986. Also in 2010, she released the album Crooked via her website.

Tour Dates All Dates Dates In My Area

Date Venue Location Tickets
07.26.15 Club Passim Cambridge, MA US
07.27.15 Club Passim Cambridge, MA US
07.31.15 Tupelo Music Hall Londonderry, NH US

eMusic Features

2

Interview: Throwing Muses

By Douglas Wolk, Contributor

Throwing Muses didn't break up after their 2003 self-titled album — they just kind of quit the music business. They kept touring, intermittently; singer/guitarist Kristin Hersh kept writing new songs for the band, as well as for her solo projects; she and Throwing Muses bassist Bernard Georges also started a punk trio, 50 Foot Wave. In the late 2000s, Hersh co-founded CASH Music, an organization that connects artists to their fans, which provided a way… more »

0

Who Are…Broken Water

By Tobi Vail, Contributor

A few years ago, Olympia had a vibrant punk scene full of talented young bands and, while I was excited by the energy of a new era (Gun Outfit, Milk Music, HPP) and liked some of the music quite a bit (White Boss, Sex Vid, Son Skull), I wasn't into how male-dominated and retro it all felt. Not only did it evoke the sound of '80s hardcore and art-rock it also brought back the trend… more »

4

In Praise of Moms Who Rock

By Tobi Vail, Contributor

I grew up with a rock 'n' roll mama. Even though my dad was the one who played in bands, it was my mom who saw the Beatles (twice!) and the Rolling Stones and Miles Davis, and it was my mom who woke us up in the middle of the night to teach us how to pogo after going to see the Specials in 1981. And so I've always had a special admiration for women… more »

0

Six Degrees of Talk Talk’s Spirit of Eden

By Lenny Kaye, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

Six Degrees of Talk Talk’s Spirit of Eden

By Lenny Kaye, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

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