Bikini Kill

All Music Guide:

The point band of the early-'90s riot grrrl movement, Olympia, WA's Bikini Kill exploded onto the male-dominated indie rock scene by fusing the visceral power of punk with the impassioned ideals of feminism. Calling for "Revolution Girl Style Now," the group's fiercely polemical and anthemic music helped give rise to a newly empowered generation of women in rock, presaging the dominance female artists would enjoy throughout the decade.

Bikini Kill formed in the late '80s at Olympia's liberal Evergreen College, where students Kathleen Hanna, Tobi Vail, and Kathi Wilcox first teamed to publish a feminist fanzine, also dubbed Bikini Kill. Seeking to bring the publication's agenda to life, they decided to form a band, enlisting guitarist Billy Boredom (born William Karren) to round out the lineup. Led by singer/songwriter Hanna, a former stripper, the group laced its incendiary live performances with aggressive political stances that challenged the accepted hierarchy of the underground music community; slam dancers were forced to mosh at the fringes of the stage so that women could remain at the front of the crowd, for example, and female audience members were often invited to take control of the microphone to openly discuss issues of sexual abuse and misconduct.

In 1991, Bikini Kill issued their first recording, Revolution Girl Style Now, an independently distributed demo cassette. For their first official release, the quartet signed with the aggressively independent Olympia-based label Kill Rock Stars; the Bikini Kill EP, produced by Fugazi's Ian Mackaye, consisted largely of reworked versions of material from the first cassette. In 1992, the band issued Yeah, Yeah, Yeah, a split 12" released with the British group Huggy Bear's Our Troubled Youth on its flip side; a subsequent U.K. tour with Huggy Bear in early 1993 raised the visibility of the riot grrrl groundswell to unprecedented heights, and the movement became the focus of many media outlets on both sides of the Atlantic. When Bikini Kill returned to the U.S., they joined forces with Joan Jett, whom the band held up as an early paragon of riot grrrl aesthetics. Jett produced the group's next single, the bracing "New Radio"/"Rebel Girl," and Hanna returned the favor by co-writing the song "Spinster" for the Jett album Pure and Simple. In 1994, Bikini Kill released Pussy Whipped; their most potent effort to date, it featured the songwriting emergence of both Vail and Wilcox, a trend continued on 1996's Reject All American. The group quietly disbanded in early 1998.

Wikipedia:

Bikini Kill was an American punk rock band formed in Olympia, Washington in October 1990. The group consisted of vocalist and songwriter Kathleen Hanna, guitarist Billy Karren, bassist Kathi Wilcox, and drummer Tobi Vail. The band is widely considered to be the pioneer of the riot grrrl movement, and was notorious for its radical feminist lyrics and fiery performances. Their music is characteristically abrasive and hardcore-influenced. After two full-length albums, several EPs and two compilations, they disbanded in 1998.

While occasionally collaborating with high-profile acts such as Nirvana and Joan Jett, Bikini Kill was well known for shunning major labels and the mainstream rock press.

Biography

The band formed in Olympia, Washington, in October 1990, by Kathleen Hanna (vocals), Billy Karren (guitar), Kathi Wilcox (bass), and Tobi Vail (drums). They began working together on a fanzine called Bikini Kill and, with the addition of former Go Team guitarist Billy Karren, formed a band of the same name. The band wrote songs together and encouraged a female-centric environment at their shows, urging women to come to the front of the stage and handing out lyric sheets to them.

After an independent demo cassette, Revolution Girl Style Now!, Bikini Kill released the Bikini Kill EP on the indie label Kill Rock Stars. Produced by Ian MacKaye of Minor Threat and Fugazi, the album began to establish the band's audience. The band's debut album, Pussy Whipped, was released in September 1993. Bikini Kill toured in London, England to begin working with Huggy Bear, releasing a joint recording together and touring the UK. The tour was the subject of a documentary film by Lucy Thane entitled It Changed My Life: Bikini Kill In The U.K. Upon their return to the United States, the band began working with Joan Jett of The Runaways, whose music Hanna described as an early example of the Riot Grrrl aesthetic. Jett produced the single "New Radio"/"Rebel Girl" for the band.

By the following year, Riot Grrrl was receiving constant attention in the media, and Bikini Kill were increasingly referred to as pioneers of the movement. Hanna called for a "media blackout" amongst Riot Grrrls, as they felt the band and the movement were being misrepresented by the media.

The band's final album was Reject All American (1996). Shortly before breaking up in 1998, a collection of singles were released only on vinyl between 1995 to 1996, titled The Singles.

Post-breakup

During the summer of 1992, the band The Frumpies was formed by Karren, Wilcox, Vail, and Molly Neuman of Bratmobile, and toured as late as the early 2000s along with a similar Italian punk rock band Dada Swing.

Vail, notorious for her numerous side projects and being in several bands at a time, later resurfaced in a band called Spider and the Webs, and she is now playing with the Old Haunts. Kathi Wilcox plays in the Casual Dots and Bill Karren is in GHOST MOM. Hanna first contributed to an LP as a member of The Fakes, and then turned to more dance-based New Wave music (with similar feminist lyrical themes) on her solo debut, Julie Ruin. She then became a member of the political New Wave outfit Le Tigre.

Influence

Bikini Kill is recognized as an influence by Sleater-Kinney, The Gossip, Jack Off Jill, Mika Miko, and many others. Mike Park (of Skankin' Pickle, The Chinkees, The Bruce Lee Band, and founder of Asian Man Records) has a song about the band titled "Tobi Vail 4 President" on the album Beans & Toast from his acoustic solo project. J Church's album Prophylaxis features a song called "Why I Liked Bikini Kill", a response to criticisms of the band and their message. Music journalist Steve Palopoli has described the song as addressing an "unspecified critic of Kathleen Hanna".

NOFX has a song titled "Kill Rock Stars" on their album So Long and Thanks for All the Shoes, written as a response to Kathleen Hanna labeling the band as misogynists.

Bikini Kill's song "Rebel Girl" is number 445 in Blender's The 500 Greatest Songs Since You Were Born.