Robert Earl Keen

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  • Born: Houston, TX
  • Years Active: 1980s, 1990s, 2000s

Biography All Media Guide Wikipedia

Among the large contingent of talented songwriters who emerged in Texas in the 1980s and '90s, Robert Earl Keen struck an unusual balance between sensitive story-portraits ("Corpus Christi Bay") and raucous barroom fun ("That Buckin' Song"). These two song types in Keen's output were unified by a mordant sense of humor that strongly influenced the early practitioners of what would become known as alternative country music. Keen, the son of an oil executive father and an attorney mother, was a native of Houston. His parents enjoyed both folk and country music, and his own style would land, like that of his close contemporary Nanci Griffith, between those genres. Keen wrote poetry while he was in high school, but it wasn't until he went to journalism school at musically fertile Texas A&M that he learned to play the guitar. He and Lyle Lovett became friends and co-wrote a song, "This Old Porch," which both later recorded.

Keen made a splash in Austin with his debut album, No Kinda Dancer, self-financed in 1984 to the tune of $4,500 dollars. He moved to Nashville during the heady experimentalism of the '80s that saw Lovett and k.d. lang hit the country Top Ten, but he soon returned to Austin. Texas landscapes and residents provided Keen with creative inspiration, as his second album, West Textures, made clear; that album yielded one of Keen's signature numbers, an ambitious crime-spree song called "The Road Goes on Forever." Now recording for Sugar Hill, Keen recorded a live album shortly after West Textures but waited several years to release a studio follow-up, 1993's A Bigger Piece of Sky. After that album (which contained "Corpus Christi Bay") came Gringo Honeymoon (1994), which merged Keen's story songs with the emerging sounds of alt-country: guitars were laid down by the influential Austin musician Gurf Morlix, who later produced albums for both Keen and Lucinda Williams, and a young Gillian Welch provided harmony vocals.

Once again, after taking his career to a new stage, Keen recorded a live album (No. 2 Live Dinner, 1996) and took time to accumulate new material. The 1997 album Picnic, his first for the Arista Texas label, again moved in the direction of alternative country, featuring Keen in a duet with the Cowboy Junkies' Margo Timmins, while 1998's Walking Distance featured sparer textures. Whatever production style surrounded his songs, Keen's musical personality seemed consistent, and his live shows, widely known thanks to a touring schedule that often approached 200 dates a year in the '90s, grew organically in depth and control. In the early 2000s, Keen signed with the Lost Highway label and released the album Gravitational Forces (2001). He also devoted time to his influential annual concert series and talent festival, Texas Uprising, which took place at several venues around Texas and the Far West. 2003 saw the release of his eighth studio album, the amiable Farm Fresh Onions, as well as The Party Never Ends: Songs You Know from the Times You Can't Remember, a compilation of Keen's Sugar Hill days. His next release was 2005's What I Really Mean for the Koch label. It was followed in 2006 by Live at the Ryman. Rose Hotel, his first recording with famed producer Lloyd Maines, appeared in 2009 on Lost Highway. Keen decided to experiment for his next album, and began writing on the road instead of in his small, solitary cabin in the hinterlands of Texas. Once again recruiting Maines as producer, he cut 11 new songs -- among them nine originals including a re-recording of "Paint the Town Beige" from 1993's Bigger Piece of Sky -- and a couple of covers. It was released as Ready for Confetti on Lost Highway in the summer of 2011.

from Wikipedia:

Robert Earl Keen, Junior (born January 11, 1956) is an American country and folk guitarist and singer-songwriter from the southern state of Texas. He is popular with fans of various musical genres including traditional country, alternative country, folk, Americana, and college radio. Keen currently resides in Kerrville, Texas, and maintains a ranch in Medina, Texas.

Early life

Growing up in Houston, Texas, Keen was interested in music, sports, movies and writing. Keen graduated from Sharpstown High School in 1974.

College

Keen attended Texas A&M University, where he majored in English. Disappointed in the College Station music scene, he began playing guitar and learned to read and write music, basing his style on folk, country, blues and rock roots. In 1974 he rented a house from landlord Jack Boyett, where his neighbor was a then-unknown Lyle Lovett. The two became fast friends and performed together on the front porch many evenings. This eventually grew into inspiration for a song entitled "The Front Porch Song", which both would add to their repertoire.

Career

In 1980, Keen graduated from Texas A&M and moved to Austin, Texas. Soon he was performing in Austin's nightclubs and live music venues, building a solid following. In 1984 he financed the recording of his own EP and distributed it regionally. In 1986, he moved to Nashville, Tennessee. Discouraged by the polish of the new country sound and unable to land a recording contract, Keen moved back to Austin. In 1988, he was living in Bandera, Texas, with his wife, Kathleen. In 1989, he released his national debut album, West Textures. His 1993 release, A Bigger Piece Of Sky, gained wider acclaim, both amongst fans and critics. Over the next ten years, Keen would continue to write, record, perform and tour. In 1994 he performed in the musical Chippy. Keen's 1997 album Picnic features a picture of Keen's own car in flames at Willie Nelson's 1974 Fourth of July picnic/concert. He tells the story on the No. 2 Live Dinner album in the introduction to the song "The Road Goes on Forever." Keen tours frequently across the United States. He plays to large and small concert halls, often tours with popular Texas country bands such as Reckless Kelly and Randy Rogers Band, and has opened up for Dave Matthews Band.

Band

Rich Brotherton - guitarBill Whitbeck - bassTom Van Schaik - drumsMarty Muse - steel guitar
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