Bob Weir

A founding member of the Grateful Dead, Bob Weir's musical legacy (separate from its cultural implications) will be of an utterly strange rhythm guitar player and songwriter who grew up in one of the most lasting outside bands of the 1960s. Playing with the Dead until their dissolution following the death of Jerry Garcia in 1995, Weir has since made his musical homes in Ratdog and the Other Ones.

Born in 1947 and adopted by a rich California engineer, Weir's intense, undiagnosed dyslexia gave him trouble at school. He was labeled a troublemaker and shipped off to boarding school, where he met future songwriting partner John Perry Barlow. After being kicked out of the school, Weir returned to the Bay Area, where he bummed around the burgeoning folk scene and came into contact with musicians like Jerry Garcia, New Riders of the Purple Sage founder David Nelson, and Jefferson Airplane guitarist Jorma Kaukonen. A series of jug bands eventually morphed into the electrified Warlocks who, in turn, became the Grateful Dead following a series of gigs at Ken Kesey's Acid Tests.

Weir developed his odd rhythm style playing between the sweet, articulated lead guitar of Jerry Garcia and the avant-garde bass lines of Phil Lesh, who joined the Dead as a newcomer to his instrument after studying trumpet and serial music with composer Luciano Berio at Mills College in the early '60s. The Dead's sound, a psychedelic hybrid of genres, was developed through endless improvisation. Weir's role as a rhythm player was to give force and color to the developing music. Like a jazz guitarist, Weir was often not evident in the mix, but still a profound shape on the sound.

Weir's earliest songwriting efforts mirrored those of Garcia and Lesh, though less successfully. By the early '70s, he had crossed paths with Barlow again and the two began their creative relationship in earnest. Soon, Weir was producing songs in his own distinct style -- a blend of Americana and the odd voicings he specialized in. As the health of Dead frontman Ron "Pigpen" McKernan waned, Weir found his rich baritone increasingly at the center of attention and developed a stage personality to match it. His first solo album, Ace, released in 1972, featured Weir backed by the rest of the Dead.

Through the late '70s, and especially during the Dead's year off in 1975, Weir toured and recorded with a number of groups, including Kingfish and Bobby and the Midnites. Kingfish was by far the most successful of these efforts. Listened to in retrospect, Bobby and the Midnites sounds grounded in the period. More importantly, though, Weir's guitar style was developed in specific response to the situation of the Grateful Dead and rarely works successfully without his counterparts in Garcia and Lesh.

The Dead remained Weir's primary gig through the 1980s and the first half of the 1990s, touring incessantly and finally scoring success with their 1987 album In the Dark. As Garcia's dependence on drugs increased, Weir found himself increasingly in the position of de facto bandleader. When Garcia died in 1995, Weir had recently formed the Ratdog Revue (soon shortened to Ratdog), with bassist Rob Wasserman (with whom he had been playing duo shows since the late '80s) and former Primus drummer Jay Lane.

Through a revolving lineup, the band -- like the Dead -- toured incessantly, working their way through clubs and theaters, building both a repertoire of new Weir compositions and reworked Dead songs as well as an original sound. In 2000, Ratdog released their first album, Evening Moods to mixed reviews. In the summers of 1998 and 2000, Weir reunited with several former Dead bandmates to tour as the Other Ones, releasing a live album in 1999. Weir continues to develop as a bandleader and an elder for new generations of jam bands.

from Wikipedia:

Bob Weir (born Robert Hall Weir, October 16, 1947) is an American singer, songwriter, and guitarist, most recognized as a founding member of the Grateful Dead. After the Grateful Dead disbanded in 1995, Weir performed with The Other Ones, later known as The Dead, together with other former members of the Grateful Dead. Weir also founded and played in several other bands during and after his career with the Grateful Dead, including Kingfish, the Bob Weir Band, Bobby and the Midnites, RatDog, and his newest band Furthur, co-led by former Grateful Dead bassist Phil Lesh.

During his career with the Grateful Dead, Weir played mostly rhythm guitar and sang most of the band's rock-n-roll tunes (Jerry Garcia sang The Dead's more melodic tunes). He is known for his unique style of complex voiceleading, bringing unusual depth and a new approach to the role of rhythm guitar expression.

Career

Weir was born in San Francisco, California and raised by his adoptive parents in the suburb of Atherton. He began playing guitar at age thirteen after less successful experimentation with the piano and the trumpet. He had trouble in school because of undiagnosed dyslexia and he was expelled from nearly every school he attended, including Menlo Atherton High School in Atherton and Fountain Valley School in Colorado. At Fountain Valley he met John Perry Barlow, who later wrote the lyrics to a number of Grateful Dead songs.

On New Year's Eve, 1963, 16-year-old Weir and another underage friend were wandering the back alleys of Palo Alto, looking for a club that would admit them, when they heard banjo music. They followed the music to its source, Dana Morgan's Music Store. Here, a young Jerry Garcia, oblivious to the date, was waiting for his students to arrive. Weir and Garcia spent the night playing music together and then decided to form a band. The Beatles significantly influenced their musical direction. "The Beatles were why we turned from a jug band into a rock 'n' roll band," said Bob Weir. "What we saw them doing was impossibly attractive. I couldn't think of anything else more worth doing." Originally called Mother McCree's Uptown Jug Champions, the band was later renamed The Warlocks and eventually the Grateful Dead.

Weir played rhythm guitar and sang a large portion of the lead vocals through all of the Dead's 30-year career. (In the fall of 1968, the Dead played some concerts without Weir and Ron "Pigpen" McKernan. These shows, with the band billed as "Mickey and the Hartbeats", were intermixed with full-lineup Grateful Dead concerts. Late in the year, the band relented and took Weir and Pigpen back in full time.) In the late 1970s, he began to experiment with slide guitar techniques and perform certain songs during Dead shows using the slide. His unique guitar style is strongly influenced by the hard bop pianist McCoy Tyner and he has cited artists as diverse as John Coltrane, the Rev. Gary Davis, and Igor Stravinsky as influences. Weir was known for using periodic guitar moves during various times at Grateful Dead concerts to invigorate the crowd and to create musical momentum.

Weir's first solo album Ace appeared in 1972, with the Grateful Dead performing as the band on the album, though credited individually. Included in this line-up were Keith Godchaux and his wife Donna, both of whom would be in the band by the time of the album's release. A live version of the album's best-known song, "Playing in the Band," had been issued on the Skull & Roses album of the previous year. While continuing to perform as a member of the Grateful Dead, in 1975 and 1976 Weir played in the Bay Area band Kingfish with friends Matt Kelly and Dave Torbert. He later contributed to Kelly's 1987 album A Wing and a Prayer, on Relix Records. In 1978 he fronted the Bob Weir Band with Brent Mydland, who joined the Grateful Dead the following year. In 1980 he formed another side band, Bobby and the Midnites.

Shortly before Garcia's death in 1995, Weir formed another band, RatDog Revue, later shortened to RatDog. As of April 9, 2008, Weir has performed approximately 800 shows with RatDog. Known for his raspy, deep tone, in RatDog Weir sings covers by The Beatles, Bob Dylan, Chuck Berry, and Willie Dixon while also performing many Grateful Dead classics. In addition, Ratdog performs many of their own originals, most of which were released on the album Evening Moods.

Weir has participated in the various reformations of the Grateful Dead's members, including 1998, 2000, and 2002 stints as The Other Ones and in 2003, 2004 and 2009 as The Dead. In 2008 he performed in the two Deadheads for Obama concerts. In 2009 Bob Weir and Phil Lesh formed a new band called Furthur -- so-named in honor of Ken Kesey's famous psychedelically-painted bus. As of 2011 Weir is working on a new album with upcoming musician Josh Giglio.

Personal life

Weir remained single throughout his years with the Grateful Dead, although he lived for several years (1969–1975) with a woman named Frankie Hart, who was a former go-go dancer at the Peppermint Lounge in New York, and later, on the TV shows Hullaballoo and Shindig. Frankie was the inspiration for Weir's well-known song "Sugar Magnolia". Frankie met Bob through Mickey Hart, who dated her briefly after they met following her first Grateful Dead show in New York in 1968. Her real name was Frankie Azzara (actually born Judy Azzara), but used the stage name Frankie Hart ( she apparently "borrowed" Mickey's last name). Although she and Bobby never married, she adopted his last name after moving in with him and was subsequently known as Frankie Weir. For a short time, she was a secretary for the Beatles' publicist, Derek Taylor, and subsequently an assistant to George Harrison. She also sang vocals in the mid-1970s for a Bay Area band, James and the Mercedes (which occasionally opened for Kingfish), starring James Ackroyd, from James and the Good Brothers. On July 15, 1999, Weir married Natascha Münter. They have two daughters, Monet Weir and Chloe Kaelia Weir. Natascha's younger sister Leilani Munter is a race car driver in the NASCAR circuit.

Weir is on the board of directors of the Rex Foundation, the Furthur Foundation, and HeadCount. He is an honorary member of the board of directors of the environmental organization Rainforest Action Network, along with Woody Harrelson, Bonnie Raitt, and John Densmore. He is also on the honorary board of directors of Little Kids Rock, a non-profit organization that provides free musical instruments and instruction to children in under-served public schools throughout the U.S.

Weir is reported to be a member of the Bohemian Club and has attended and performed at the secretive club's annual bacchanal at the Bohemian Grove.

Guitars

Early pictures of The Warlocks in concert show him playing a Gretsch Duo-Jet, and after the Warlocks became the Grateful Dead, Weir briefly played a Rickenbacker 365, a Guild Starfire IV acoustic-electric (with Garcia playing an identical Cherry Red Starfire IV, which appear very similar to the Gibson ES-335) as well as a Fender Telecaster before settling on for the following decade, the Gibson ES-335. Weir usually played a cherry red 1965 ES-335 until the band's hiatus in 1974, although he did occasionally use a Gibson ES-345. Weir played a black Gibson Les Paul in 1971. Weir can also be seen playing a sunburst ES-335 in The Grateful Dead Movie, filmed in October 1974. During the early 1970s, Weir also used a 1961 or 1962 Gibson SG.

In 1974, Weir began working with Jeff Hasselberger at Ibanez to develop a custom instrument. Weir began playing the Ibanez 2681 during the recording of Blues for Allah; this was a testbed instrument with sliding pickups that Hasselberger used to develop several additional 2681s for use onstage, as well as Weir's custom "Cowboy Fancy" guitar, which he played from 1976 until the mid-1980s. Weir began using a Modulus Blackknife at that point, and continued to play the Blackknife, along with a hybrid Modulus/Casio guitar for the "Space" segment of Grateful Dead concerts for the rest of that band's history. Weir's acoustic guitars include several Martins, a Guild, an Ovation, and a line of Alvarez-Yairi signature models.

Of late, photos on his website show Weir playing most often a Modulus G3FH custom and has returned to using a Gibson ES-335. He has seemingly retired a 1956 Fender Telecaster previously owned by his late half-brother, James Parber.