Biography All Music Guide Wikipedia
All Music Guide:
Cory Branan joined the ranks of Ryan Adams, Pete Yorn, and Bright Eyes' Conor Oberst at the dawning of the new millennium as one of the many impressive singer/songwriters to watch. Born and raised in Southaven, MS, Branan was surrounded by music from an early age. His father, Dallas Branan, was a local drummer. By his teens, the younger Branan was playing death metal and eventually fronted a Black Sabbath cover band. It wasn't until he was in his early twenties that he explored the music of John Prine, a move than urged him to pick up a guitar and start writing songs. In 2000, the Memphis chapter of NARAS awarded Branan with the Phillips Award for Newcomer of the Year. He didn't even have a recording contract yet, and the honors started rolling in. Two years later, Branan made his label debut with Madjack with the release of The Hell You Say. 12 Songs followed in early 2006.
Wikipedia:
Cory Branan (born in 1975 in Southaven, Mississippi) is an American singer-songwriter.
Branan is a natural-born storyteller. As with any of his musical and literary pedestal sitters, from John Prine and Leonard Cohen to Raymond Carver and Márquez, his seemingly conversational, painstakingly crafted anecdotes benefit from a hard-eyed stare at hydra-headed experience. Honest, sometimes a little dark, and riddled with self-deprecating humor – traits that led themselves well to his songs. Songs that, like Cory, are original and unpredictable, prompting one music critic to note that “…he writes serious music without taking himself too seriously, without being afraid to smash a guitar, throw in a line about Miami Vice, or smack his audience in the head every once in awhile – figuratively, of course.” “I never play a song the same way twice,” says Cory. “It’s the only way I’ve found for me to keep the music honest and immediate and, more importantly, to keep my self amused.”
MUTT—Branan’s Bloodshot debut, out May 22, 2012—also bears the marks of his “American gumbo” heritage: a winding path from nascent guitar shredder in the small, state-line town of Southaven, Mississippi, to fledgling troubadour in Memphis’ lauded underground music scene, and now a Nashville-based itinerant road warrior thrilling Thunderdomes as varied as Warp’s Country Throwdown and Chuck Ragan’s Revival Tour. While his music tips its hat to road-map influences from Motown to Mellencamp, the Delta bluesmen to folk pickers of ‘60s Greenwich Village, the united result is a singular sound spurred on by years spent on tour honing something rare that is altogether its own. Like each song within it, the perspective Branan brings to MUTT isn’t tidily summarized as either sentimental or harsh. In perhaps the album’s most thematic track, “Lily” brings beauty to resignation while proposing how to make peace with the heap of worldly contradictions: “I guess the best trick is to see the magic once you’ve seen the wires.” The truth is, Branan knows nothing is ever as simple as it seems and MUTT shows the depth, wit, intelligence, dismay, and hilarity that make up the complex pedigree of every life well lived and every story worth telling.
