George Coleman

George Coleman's highest visibility occurred when he was a member of the Miles Davis Quintet (1963-1964), playing alongside Davis, Herbie Hancock, Ron Carter, and Tony Williams. His decision to leave the group after several notable recordings cut short his potential fame (his eventual replacement was Wayne Shorter), but Coleman has created a great deal of rewarding music since. Part of the rich Memphis jazz scene of the early '50s, he started playing in blues bands in the South (including with B.B. King in 1952 and 1955-1956). He moved to Chicago in 1957 (where he played with the MJT+3), and to New York the following year. Coleman was with the Max Roach Quintet (1958-1959), Slide Hampton's octet (1959-1961), and Wild Bill Davis (1962), before joining Davis. Following that association, he was with Lionel Hampton, Elvin Jones, and Charles McPherson. Since the mid-'70s, George Coleman has mostly led his own groups, and has recorded both as a leader (for Timeless, Theresa, and Verve) and as a sideman quite frequently; one of his more notable appearances from earlier years was on Herbie Hancock's 1964 classic Maiden Voyage.

from Wikipedia:

George Edward Coleman (born March 8, 1935 in Memphis, Tennessee) is an American hard bop saxophonist, bandleader, and composer, known chiefly for his work with Miles Davis and Herbie Hancock in the 1960s.

Biography

Coleman taught himself to play the alto saxophone in his teens, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford and Charles Lloyd. After working with Ray Charles, Coleman started working with B.B. King in 1953, at which point he switched to tenor saxophone. In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach Quintet 1958-1959. Coleman recorded with organist Jimmy Smith's Houseparty (1957), with Lee Morgan, Curtis Fuller, Eddie McFadden, Kenny Burrell, and Donald Bailey. Moving to New York with Max Roach in that year, he went on to play with Slide Hampton (1959–1962), Ron Carter, Jimmy Cobb, and Wild Bill Davis (1962), before joining Miles Davis Quintet in 1963-1964.

His most famous albums with Davis (and the rhythm section of Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)) are Seven Steps to Heaven (1963), A Rare Home Town Appearance (1963), Côte Blues (1963), In Europe (1963), My Funny Valentine (1964) and Four & More, both live recordings of a concert in Lincoln Center for the Performing Arts in New York in February 1964. Shortly after this concert, Coleman was replaced by Wayne Shorter. He played with Lionel Hampton (1965–1966), also in 1965 and performed on Chet Baker's The Prestige Sessions, with Kirk Lightsey, Herman Wright and Roy Brooks. Charles Mingus (1977–1978), Shirley Scott (1972), Clark Terry, Horace Silver, Elvin Jones (1968), Ahmad Jamal (1994, 2000) and many others.

Coleman also appeared in the film "Freejack", the 1992 science-fiction film with Emilio Estevez, Mick Jagger and Anthony Hopkins; and 1996’s "Preacher’s Wife" with Denzel Washington and Whitney Houston.

Coleman is still recording. His CD as co-leader, Four Generations of Miles: A Live Tribute to Miles, with bassist Ron Carter, drummer Jimmy Cobb and guitarist Mike Stern was released on Chesky Records in October 2002 and concentrates almost exclusively on the 1950s repertoire of Miles Davis. Tracks include: "There Is No Greater Love," "All Blues," "On Green Dolphin Street," "Blue in Green," "81," "Freddie Freeloader," "My Funny Valentine," "If I Were a Bell," and "Oleo." He recently was heard on Joey DeFrancesco's 2006 release Organic Vibes, along with vibraphonist Bobby Hutcherson, Billboard's Top Jazz Album, peaked to #17.