Billy J. Kramer

All Music Guide:

One of the most popular Merseybeat singers, Billy J. Kramer (born Billy Ashton) was one of the most mild-mannered rockers of the entire British Invasion. He wasn't that noteworthy a singer, either, and more likely than not would have never been heard outside of northern England if he hadn't been fortunate enough to become a client of Beatles manager Brian Epstein. Even more crucially, he was gifted with several Lennon-McCartney songs in 1963 and 1964, several of which the Beatles never ended up recording. That gave him his entrance into the charts on both sides of the Atlantic, but Kramer couldn't sustain his success after the supply of Lennon-McCartney tunes dried up. Significant? No. Enjoyable? Yes. Even tossing aside the considerable value of hearing otherwise unavailable Lennon-McCartney compositions, his best singles were enjoyably wimpy, melodic pop/rock, offering a guilty pleasure comparable to taking a break from Faulkner and diving into some superhero comics.

It's been reported that George Martin was reluctant to produce Kramer because of the latter's vocal deficiencies, making sure to hide the cracks in his upper register with loud piano notes in Billy's cover of "Do You Want to Know a Secret." No matter -- the song made it to number two in the U.K. in mid-1963, followed by another Lennon-McCartney effort, "Bad to Me." "I'll Keep You Satisfied" and "From a Window" were other gifts from the Beatles camp that gave Kramer solid hits; one Beatles reject, "I'll Be on My Way," was even relegated to a B-side (the Beatles' own BBC version was finally released in 1994). All these tunes, it should be noted, represented Lennon-McCartney at their lightest and most facile, which to a large degree explains why they didn't record the numbers for their own releases, deeming them more suitable for Kramer's fairly bland approach.

Billy J. actually landed his biggest hit, the corny pop ballad "Little Children," without assistance from his benefactors; the single also broke him, briefly, as a star in the United States, where it and its flip side ("Bad to Me") both made the Top Ten. He appeared in the legendary 1964 The T.A.M.I. Show rockumentary film, and the Dakotas recorded some instrumental rock on their own, getting a Top 20 British hit with the Ventures-ish "The Cruel Sea." Early British guitar hero Mick Green, formerly with Johnny Kidd & the Pirates, was even a Dakota briefly. But after 1965's cover of Bacharach-David's "Trains and Boats and Planes," the hits ceased, as the Beatles and Epstein's attention was lost. Kramer continued recording throughout the '60s, even briefly venturing into hard psychedelic-tinged rock, without much success, and subsequently toured often on the oldies circuit.

Wikipedia:

Billy J. Kramer (born William Howard Ashton, 19 August 1943, Bootle, Liverpool, England) is a British Invasion/Merseybeat singer. In the 1960s he was managed by Brian Epstein, who also managed The Beatles, and he recorded several original Lennon and McCartney compositions.

Early life and career

He grew up as the youngest of seven siblings and attended the St George of England Secondary School, Bootle. He then took up an engineering apprenticeship with British Railways and in his spare time played rhythm guitar in a group he had formed himself, before switching to become a vocalist. The performing name Kramer was chosen at random from a telephone directory. It was John Lennon's suggestion that the "J" be added to the name to further distinguish him by adding a 'tougher edge'. Kramer soon came to the attention of Brian Epstein, ever on the look-out for new talent to add to his expanding roster of local artists. Kramer turned professional but his then backing group, the Coasters, were less keen, so Epstein sought out the services of a Manchester-based group, The Dakotas, a combo then backing Pete MacLaine.

Even then, The Dakotas would not join Kramer without a recording contract of their own. Once in place, the deal was set and both acts signed to Parlophone under George Martin. Collectively, they were named Billy J. Kramer with The Dakotas to keep their own identities within the act. Once the Beatles broke through, the way was paved for a tide of Merseybeat and Kramer was offered the chance to cover "Do You Want to Know a Secret?", first released by the Beatles on their own debut album, Please Please Me. The track had been turned down by Shane Fenton (later known as Alvin Stardust) who was looking for a career-reviving hit.

Success

With record producer George Martin, the song "Do You Want to Know a Secret?" was a number two UK Singles Chart hit in 1963, and was backed by another tune otherwise unreleased by The Beatles, "I'll Be on My Way". After this impressive breakthrough another Lennon–McCartney pairing, "Bad to Me" c/w "I Call Your Name", reached number one. It sold over one million copies, and was awarded a gold disc. "I'll Keep You Satisfied" ended the year with a respectable number four placing.

Kramer was given a series of songs specially written for him by John Lennon and Paul McCartney which launched him into stardom. "I'll Keep You Satisfied", "From a Window", "I Call Your Name" and "Bad to Me" earned him appearances on the television programmes, Shindig!, Hullabaloo and The Ed Sullivan Show. (Kramer had also been offered Lennon–McCartney's "I'm In Love", and recorded a version in October 1963. In the end, it was shelved and the song was instead given to The Fourmost. In the 1990s, a Kramer CD compilation album included Kramer's version, and included some recording studio banter on which John Lennon's voice could be heard).

The Dakotas, meanwhile, enjoyed Top 20 success in 1963 on their own with Mike Maxfield's composition "The Cruel Sea", an instrumental retitled "The Cruel Surf" in the U.S., which was subsequently covered by The Ventures. This was followed by a George Martin creation, "Magic Carpet", in which an echo-laden piano played the melody alongside Maxfield's guitar. But it missed out altogether and it was a year before their next release. All four tracks appeared on an EP later that year.

The three big hits penned by Lennon and McCartney suggested that Kramer would always remain the Beatles' shadow, unless he tried something different. Despite being advised against it, he turned down the offer of another Lennon–McCartney song, "One and One is Two", and insisted on recording the Stateside chart hit "Little Children". It became his second chart topper and biggest hit. It was Kramer's only major hit outside the UK. In the US, this was followed up with "Bad to Me". "Little Children" b/w "Bad To Me" is the only debut single of an act on the Hot 100, each of whose sides separately reached that chart's top 10 (#7 and #9, respectively). Despite this success Kramer went backwards with his second and last UK single of 1964, the Lennon–McCartney composition "From a Window", which only just became a Top Ten hit.

After the peak

The year 1965 saw the end for the beat music boom, and the next Kramer single was "It's Gotta Last Forever", which harked back to a ballad approach. In a year where mod-related music from the likes of The Who prevailed, the single missed completely. Kramer's cover of "Trains and Boats and Planes" saw off Anita Harris' cover version only to find itself in direct competition with Dionne Warwick's version, which won the day. Kramer's effort still reached a respectable number 12, but was the group's swansong, as all subsequent cuts missed the chart.

The Dakotas' ranks were then strengthened by the inclusion of Mick Green, formerly a guitarist with the London band the Pirates who backed Johnny Kidd. This line-up cut a few tracks which were at odds with the balladeer's usual fare. These included a take on "When You Walk in the Room" and "Sneakin' Around". The Dakotas' final outing whilst with Kramer was the blues-driven "Oyeh!", but this also flopped.

Latterly

After releasing "We're Doing Fine", which also missed the charts, the singer and group parted company. Kramer, then living in Rugby, had a solo career over the next ten to fifteen years or so working in cabaret and television with his new band, again from the Manchester area, consisting of Pete Heaton (bass), John Miller (drums), and Tim Randles (guitar), after which he eventually went to live in the United States.

The Dakotas re-formed in the late 1980s and recruited vocalist Eddie Mooney and session musician Toni Baker. They still tour and record. Other latter-day members are drummer Pete Hilton and guitarist Alan Clare.

In about 1983 Kramer released a solo single called "You Can't Live On Memories"/"Shooting The Breeze" which failed to chart.

In 2005, Kramer recorded the song "Cow Planet" for Sandra Boynton's children's album, Dog Train. A long term fan of Kramer's, Boynton had sought him out for her project: in 1964, at age 11, she had bought "Little Children" as the first album she owned.