Marcus Miller

All Music Guide:

Primarily a bassist, multi-instrumentalist, and producer, Marcus Miller has worked on hundreds of sessions -- crossing jazz, R&B, and rock -- and has released several solo recordings since his late '70s beginnings with Bobbi Humphrey and Lonnie Liston Smith. Despite the many hats he has worn -- improviser, interpreter, arranger, songwriter, film-music composer, bassist, clarinetist, saxophonist -- none of them have been put on for the sake of the whim. Never one to merely get his feet wet, Miller has been a utility player in the most extreme and prolific sense.

Miller was a fixture as a performer in New York's jazz clubs before he was old enough to drive. Born in Brooklyn on June 14, 1959, and raised in nearby Jamaica, he knew how to play several instruments with ease by the time he entered his teenage years. His father, who directed a choir and played organ, had a profound impact upon his musical upbringing. Once he broke in with Humphrey and Smith, he gained steady work with the likes of Dave Grusin, Earl Klugh, Grover Washington, Jr., Chaka Khan, and Bob James. During 1981 and 1982, the in-demand musician went on the road with longtime personal hero Miles Davis and would end up working with him on several albums -- including Tutu and Music from Siesta -- after that.

Throughout the '80s, '90s, and 2000s, Miller scattered several of his own albums throughout the constant pull of production and session work. His solo recordings were almost as diverse as his outside work; hybrids of smooth R&B, funk, and jazz peppered the majority of the albums, while 1993's The Sun Don't Lie and the following year's Tales (both issued through PRA) also incorporated sampling technology. 2001's M2 won a Grammy for Best Contemporary Jazz Album. 2003's The Ozell Tapes: The Official Bootleg, released on Telarc, displayed his range as well as anything else bearing his handiwork; the live set incorporated originals, improvisation, and covers that ranged from material originally recorded by Talking Heads, the Stylistics, and John Coltrane. Silver Rain followed in 2005.

Wikipedia:

Marcus Miller (born William Henry Marcus Miller Jr., June 14, 1959, Brooklyn, New York) is an American jazz composer, producer, and multi-instrumentalist. Miller is best known as a bassist, working with trumpeter Miles Davis, pianist Herbie Hancock, singer Luther Vandross, and saxophonist David Sanborn, as well as maintaining a prolific solo career. Miller is classically trained as a clarinetist and also plays keyboards, saxophone and guitar.

Life and career

Early life

Miller was born in 1959 and raised in a musical family that includes his father, William Miller (a church organist and choir director) and jazz pianist Wynton Kelly. By 13, Marcus was proficient on clarinet, piano and bass guitar, and already writing songs. Two years later he was working regularly in New York City, eventually playing bass and writing music for jazz flautist Bobbi Humphrey and keyboardist Lonnie Liston Smith. Miller soon became a first call session musician, gracing well over 500 albums, a short list of which includes Michael Jackson, Herbie Hancock, Mariah Carey, Wayne Shorter, McCoy Tyner, Frank Sinatra, Dr. John, Aretha Franklin, Elton John, Grover Washington Jr., Donald Fagen, Bill Withers, Chaka Khan, LL Cool J, Me'shell Ndegé Ocello and Flavio Sala.

Professional career

Miller spent approximately 15 years performing as a sideman or session musician, observing how band leaders operated. During that time he also did a lot of arranging and producing. He was a member of the Saturday Night Live band 1978-1979. He wrote the intro to Aretha Franklin's 'I Wanna Make It Up To You'. He has played bass on over 500 recordings including those of Luther Vandross, Grover Washington Jr., Roberta Flack, Carly Simon, McCoy Tyner, Bryan Ferry and Billy Idol. He won the "Most Valuable Player" award, (awarded by NARAS to recognize studio musicians) three years in a row and was subsequently awarded "player emeritus" status and retired from eligibility. In the nineties, Miller began to make his own records, putting a band together to take advantage of touring opportunities.

Miller's proficiency on his main instrument, the bass guitar, is generally well-regarded. Not only has Miller been involved in the continuing development of the technique known as "slapping", particularly his "thumb" technique, but his fretless bass technique has also served as an inspiration to many, and he has taken the fretless bass into musical contexts and genres previously unexplored. The influences of some of the previous generation of electric bass players, such as Larry Graham, Stanley Clarke, and Jaco Pastorius, are audible in Miller's playing. Early in his career, Miller was accused of being simply imitative of Pastorius, but has since more fully integrated the latter's methodology into his own sound.

Miller has an extensive discography, and tours frequently and widely in Europe and Japan.

Between 1988 and 1990 he appeared in the first season and again toward the end as both the musical director and also as the house band bass player in the Sunday Night Band during the two seasons of the acclaimed music performance program Sunday Night on NBC late-night television.

As a composer, Miller wrote "Tutu" for Miles Davis, a piece that defined Davis's career in the late 1980s, and was the title track of Davis's album Tutu, upon which Miller wrote all the songs with only two exceptions, and one of those was co-written with Davis. He also composed "Chicago Song" for David Sanborn and co-wrote "'Til My Baby Comes Home", "It's Over Now", "For You to Love", and "Power of Love" for Luther Vandross. Miller also wrote "Da Butt", which was featured in Spike Lee's School Daze.

Personal life

Miller has a wife and four children: two daughters and two sons, one of whom, Jon, recently graduated from Columbia University and now works for radio and television host Glenn Beck.

Grammy Awards

Miller has won numerous Grammy Awards as a producer for Miles Davis, Luther Vandross, David Sanborn, Bob James, Chaka Khan and Wayne Shorter. He won a Grammy Award for Best R&B Song in 1992, for Luther Vandross' "Power of Love" and in 2001 he won for Best Contemporary Jazz Album for his fourth solo instrumental album, M2.

Miller currently has his own band. In 1997 he played bass and bass clarinet in a band called Legends, featuring Eric Clapton (guitars and vocals), Joe Sample (piano), David Sanborn (alto sax) and Steve Gadd (drums). It was an 11-date tour of major jazz festivals in Europe.

In addition to his recording and performance career, Miller has established a parallel career as a film score composer. He has written numerous scores for films featuring Eddie Murphy, L.L. Cool J, Chris Rock, Matthew Perry, Samuel L. Jackson and others. He composed the musical score for the Chris Rock-created sit-com, Everybody Hates Chris, now in syndication on Nick-At Nite.

Instruments and gear

He plays a 1977 Fender Jazz Bass that was modified by Roger Sadowsky with the addition of a Bartolini preamp so he could control his sound in the studio. Fender currently produces a Marcus Miller signature Fender Jazz Bass in four- (made in Japan) and five-string (made in U.S) versions.