Dennis Coffey

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  • Born: Detroit, MI
  • Years Active: 1960s, 1970s, 1980s, 1990s

Albums

Biography Wikipedia

Wikipedia:

Dennis Coffey (born November 1940, Detroit, Michigan) is an American guitarist. He was a studio musician for many soul and R&B recordings.

Biography

Coffey learned to play guitar at the age of thirteen, in the Michigan Upper Peninsula town of Copper City. In 1955, as a fifteen year-old sophomore at Detroit's Mackenzie High School, Dennis played his first record session - backing Vic Gallon in "I'm Gone", on the Gondola record label. In the early 1960s he joined The Royaltones who had had hits with "Poor Boy" in 1958 and "Flamingo Express" in 1961. The Royaltones played sessions with other artists including Del Shannon.

By the late sixties as a member of the Funk Brothers studio band, Coffey played on dozens of recordings for Motown Records, and introduced a hard rock guitar sound to Motown record producer Norman Whitfield's recordings, including distortion, Echoplex tape-loop delay, and wah-wah; most notably heard on "Cloud Nine", "Ball of Confusion (That's What the World Is Today)" and "Psychedelic Shack" by The Temptations. He played on numerous other hit records of the era including #1 singles like Edwin Starr's "War" and Diana Ross & The Supremes "Someday We'll Be Together" and Freda Payne's #3 hit "Band of Gold". In addition, Coffey scored the blaxploitation film, Black Belt Jones.

In 1971, Coffey recorded "Scorpio" which was a million selling instrumental single that peaked at #6 on the Billboard pop chart. The instrumental track featured the former Motown "funk brother", Bob Babbitt on the bass. On January 8, 1972 Coffey became the first white artist to perform on the television show Soul Train, playing "Scorpio". "Scorpio" received a gold disc awarded by the Recording Industry Association of America on 9 December 1971.

The follow-up in 1972 was "Taurus", both credited to Coffey and the Detroit Guitar Band. Since then, he has recorded several solo albums, most of them for the Sussex and Westbound labels. While at Sussex Records Coffey arranged and produced along with Mike Theodore the million selling "Nice To Be With You" by the group, Gallery.

Coffey was interviewed in the 2002 film, Standing in the Shadows of Motown, which told the story of Funk Brothers and explained that he had sold his Fender Stratocaster to buy a Gibson Firebird after he heard Eddie Willis of Funk Brothers play it during a Motown session.

In 2004, he published a memoir, Guitars, Bars and Motown Superstars.

In 2008, he co-produced the Carl Dixon sessions at Studio A, Dearborn Heights, Michigan. Four tracks were recorded featuring some of the Funk Brothers including Uriel Jones, Bob Babbitt, Coffey and Ray Monette, plus other distinguished Detroit session musicians. Spyder Turner, Pree and Gayle Butts were vocalists on the session. The session was arranged by David J. Van De Pitte.

On April 26, 2011 (April 25 outside the US) Coffey released the self-titled album Dennis Coffey, consisting of new songs and new versions of songs which originally featured Coffey's distinctive guitar work. Promotion for the album is set to include an international tour, kicking off with several appearances at SXSW.

Notable publications

Guitars, Bars, and Motown Superstars (University of Michigan Press, 2004)
more »

eMusic Features

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Dennis Coffey

By Michelangelo Matos, eMusic Contributor

A guitar-slinger of the first order, Detroit-area native Dennis Coffey was the session ace whose wah-wah-laden style helped ignite Motown's late '60s. Famously, he played through that namesake pedal on the session Norman Whitfield produced for the Temptations '"Cloud Nine," a record that announced the label's continuing commitment to adjusting to R&B's ever-shifting sonic proclivities. (That Coffey was a white man employed by America's largest black business had its own kinds of historical charms beyond… more »

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Les Paul: American Master (1915-2009)

By Lenny Kaye, eMusic Contributor

--Ed. Note: In honor of the passing of Les Paul, we have decided to rerun Lenny Kaye's wonderfully insightful column on the man. It's the "Guitar Boogie" to end all guitar boogies, with an honor guard of guitarists arrayed behind the benevolently smiling figure of Les Paul, who sits on a raised platform from where he has just finished entertaining a sold-out house at the State Theater in Cleveland and accepting an American Master award from… more »