Ambrose Akinmusire

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  • Ambrose Akinmusire

  • Ambrose Akinmusire

Albums

Biography Wikipedia

Wikipedia:

Ambrose Akinmusire (ah-kin-MOO-sir-ee) (born May 1, 1982 in Oakland, California) is a jazz trumpeter.

In 2007, Akinmusire was the winner of the Thelonious Monk International Jazz Competition and the Carmine Caruso International Jazz Trumpet Solo Competition, two of the most prestigious jazz competitions in the world.

Biography

Born and raised in Oakland, California, Akinmusire was as a member of the Berkeley High School Jazz Ensemble, where he caught the attention of saxophonist Steve Coleman who was visiting the school to give a workshop. Coleman and hired him as a member of his Five Elements band for a European tour.

Akinmusire studied at the Manhattan School of Music before returning to the West Coast to take a master’s degree at the University of Southern California and attend the Thelonious Monk Institute of Jazz in Los Angeles. In 2007, Akinmusire won the Thelonious Monk International Jazz Competition and Carmine Caruso International Jazz Trumpet Solo Competition and released his debut recording Prelude…To Cora on the Fresh Sound New Talent label. He moved back to New York City and began performing with Vijay Iyer, Aaron Parks, Esperanza Spalding, and Jason Moran, taking part in Moran’s innovative multimedia concert event In My Mind: Monk At Town Hall, 1957. It was also during this time that he caught the attention of Bruce Lundvall, President of Blue Note Records.

Akinmusire made his debut on the Blue Note label in 2011 with the album When The Heart Emerges Glistening, featuring his quintet of tenor saxophonist Walter Smith III, pianist Gerald Clayton, bassist Harish Raghavan and drummer Justin Brown.

Selective discography

As Leader
As Sideman

Footnotes

eMusic Features

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2011 Jazz: Echoing the ’70s, in a Good Way

By Kevin Whitehead, eMusic Contributor

It says something about the timeless state of modern jazz that one of 2011's memorable releases, saxophonist/composer Tim Berne's Insomnia, was recorded in 1997. Nothing about the music sounds dated: not his curvy, harmonized melodies, the ways they jostle the spirited improvising, the lushness of an octet with a built-in chamber trio (violin, cello, bass), or the sure pacing of long suite-like sets. His concept was fully developed, then as now. (ECM's putting out a… more »

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