Andy Partridge

All Music Guide:

XTC was one of the smartest -- and catchiest -- British pop bands to emerge from the punk and new wave explosion of the late '70s. From the tense, jerky riffs of their early singles to the lushly arranged, meticulous pop of their later albums, XTC's music has always been driven by the hook-laden songwriting of guitarist Andy Partridge and bassist Colin Moulding. While popular success has eluded them in both Britain and America, the group has developed a devoted cult following in both countries that remains loyal over two decades after their first records.

Partridge, Moulding, and drummer Terry Chambers formed the first version of the band around 1976, calling themselves Star Park. As punk rock took off in 1977, the group changed their name to Helium Kidz and added keyboardist Barry Andrews. After being turned down by CBS Records, the band changed their name to XTC and secured a record contract with Virgin; they released their first EP, 3-D, in October of 1977. White Music, the band's first full-length album, was recorded in a week and released by the end of the year. Critics praised the angular yet melodic pop, and the album reached number 38 in the U.K. charts. However, none of the singles released from the album charted (including "This Is Pop"), nor did "Are You Receiving Me?," the teaser single for their second album, Go 2 (1978).

After returning from a brief U.S. tour, Andrews quit the band; he would eventually form the League of Gentlemen with Robert Fripp, as well as pursue a solo career. Guitarist David Gregory was added to the lineup after Andrews' departure and the group recorded their first charting single, "Life Begins at the Hop." XTC released their third album, the calmer, more pop-oriented Drums and Wires, that summer; the record climbed to number 37 on the charts, thanks to the hit single "Making Plans for Nigel." While Drums and Wires began to climb the U.S. charts, Partridge released his first solo album early in 1980; outside of the band's devoted fans, the record appeared without much fanfare.

XTC continued to smooth out their edges on 1980's Black Sea, bringing in elements of mid-'60s Beatles and Kinks to their guitar-driven pop; thanks to the singles "Generals and Majors" and "Towers of London," it was the group's most successful American album, peaking at number 41 while reaching number 16 on the British charts. Released the following year, English Settlement featured more complex arrangements, as well as more intellectual lyrics, particularly from Andy Partridge. Nevertheless, the album was XTC's biggest success in the U.K., reaching number five on the album charts and launching the Top Ten single, "Senses Working Overtime."

While on tour in March of 1982, Partridge collapsed while on-stage, suffering from exhaustion. Less than a month later, he collapsed again with a stomach ulcer. The band canceled the tour shortly after his second collapse, prompting Chambers to leave the group. In November, Partridge announced that XTC would never play live again, concentrating on recording instead; he also blamed his collapses on intense stage fright. As the band completed their new album, a compilation called Waxworks -- Some Singles (1977-1982) was released at the end of the year.

Mummer, the first album the studio-bound XTC recorded, appeared in the summer of 1983; former Glitter Band member Pete Phipps recorded the drum tracks for the record. XTC refused to tour for the record, which caused some tension between the band and Virgin, and was presumably the reason why "Love on a Farmboy's Wages" didn't make it past number 50 on the charts. Recording under the name the Three Wise Men, the group released the holiday single "Thanks for Christmas" at the end of the year.

Released in the fall of 1984, The Big Express essentially followed the same pattern as Mummer, yet it charted higher in the U.K. XTC released a psychedelic parody album, 25 O'Clock, under the name the Dukes of Stratosphear in 1985. After a difficult recording session with producer Todd Rundgren, the pastoral Skylarking appeared in the fall of 1986. Upon its release the album was hailed as a masterwork by critics, even though the band were claiming they were unsatisfied with the production. Skylarking was a bigger hit in the U.S. than it was in the U.K., spending over six months on the charts and peaking at number 70.

XTC recorded another Dukes of Stratosphear album, Psonic Psunspot, in 1987; the two Stratosphear albums were collected on one disc the following year. Oranges and Lemons (1989) reworked the psychedelia of the Stratosphear side-project, leaving out much of the loopy humor and replacing it with a Ray Davies-inspired nostalgia. The album was a minor hit in both Britain and America, reaching number 28 and number 44, respectively; "Mayor of Simpleton" became XTC's only charting U.S. single, reaching number 72 while peaking at number 46 on the British charts. Three years later, the group released Nonsuch, an album that recalled both Pet Sounds and Revolver. Like every XTC record, its critical acclaim was greater than its sales -- the album dropped out of the British charts after two weeks. In America, Nonsuch was more successful, reaching number 97 and staying on the charts for 11 weeks. Years of internal difficulties and label battles kept the group from releasing any new material for much of the decade, however, and not until 1999 did the next XTC album, Apple Venus, Pt. 1, finally appear. Wasp Star (Apple Venus, Pt. 2) followed in mid-2000.

XTC's lack of commercial success isn't because their music isn't accessible -- their bright, occasionally melancholy, melodies flow with more grace than most bands -- it has more to do with the group constantly being out of step with the times. However, the band has left behind a remarkably rich and varied series of albums that make a convincing argument that XTC is the great lost pop band.

Wikipedia:

Andrew John "Andy" Partridge (born 11 November 1953 in Mtarfa, Malta) is an English singer, songwriter, and guitarist. He rose to fame as a founding member, guitarist and chief songwriter of the pop/New Wave band, XTC. He lives in Swindon, Wiltshire, where he was raised.

Solo work and collaborations[edit]

In addition to his work with XTC, Partridge has released one solo album on Virgin Records in 1980 called Take Away/the Lure of Salvage.Several tracks appear to have XTC backing tracks reworked much in the way the Go + EP resembled portions of Go 2, XTC's second album.Partridge has also released demos of his songs under his own name in The Official Fuzzy Warbles Collector's Album and the "Fuzzy Warbles" album series on his APE House record label. Eight individual volumes of Fuzzy Warbles are now available, as well as the Fuzzy Warbles Collector's Album, which includes a bonus ninth disc Hinges. He has collaborated (as performer, writer or record producer) with numerous recording artists, including Martin Newell, with whom he recorded and produced an album in 1993 entitled The Greatest Living Englishman released in Japan as a duo album. He has additionally lent his experience and talents to artists that include Peter Blegvad, Harold Budd, Jamie Cullum, Stephen Duffy, Terry Hall, The Heads, Charlotte Hatherley, Robyn Hitchcock, Jen Olive, The Residents, Thomas Dolby, David Yazbek, Miles Kane, The Nines, Pugwash and fellow Swindon musicians Meat Beat Manifesto. In 2010, Partridge released a limited edition CD of music inspired by science fiction illustrator Richard M. Powers' art titled POWERS. In 2012, Partridge's collaboration with Mike Keneally bore fruit as the album Wing Beat Fantastic, a Mike Keneally release where 8 of the songs were co-written with Partridge.

Partridge served as the producer for the English band Blur during the recording of Modern Life Is Rubbish. He was replaced by Stephen Street at the insistence of their record label, Food. Partridge also wrote four songs for Disney's version of James and the Giant Peach, but was replaced by Randy Newman when he could not get Disney to offer him "an acceptable deal".Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Approaching music differently[edit]

In 2004, Partridge contributed the song "I Wonder Why the Wonder Falls" as the theme music to the short-lived TV comedy Wonderfalls. In 2006, a song he and Robyn Hitchcock collaborated on "Cause It's Love (Saint Parallelogram)", which was released on the Robyn Hitchcock & the Venus 3 album Olé! Tarantula. He has also released music as part of a trio known as Monstrance, made up of his guitar, Barry Andrews (an early member of XTC) on keyboards, and Martyn Barker on drums. The group has released an album of the same name, as well as a download-only EP known as Fine Wires Humming a New Song. All songs were completely improvised, without overdubbing and recorded live in the studio.

Radio and film[edit]

Partridge was a regular performer on BBC Radio 1 in the mid-1980s. He has had acting roles, including a character named "Agony Andy", a spoof aunt on the Janice Long show, and he also contributed comedic sketches to Saturday Live and Studio B15, and was a regular panelist on both Roundtable and The Great Rock'n'Roll Trivia Quiz. He has also presented the pilot for an ITV children's quiz show, Matchmakers. He contributed additional material to the Channel 4 incarnation of Armstrong and Miller's sketch show.

Personal life[edit]

Partridge and his ex-wife Marianne have two children: daughter Holly, a guitarist, singer and songwriter, and son Harry Partridge, who is an Internet animator best known for his comedic short Saturday Morning Watchmen.

Since his divorce, Partridge has been in a long-term relationship with Erica Wexler — the daughter of American screenwriter Norman Wexler (of Saturday Night Fever, and Serpico fame) and niece of record producer Jerry Wexler. Partridge met Wexler in 1994, shortly after she had split from artist Roy Lichtenstein. He's also the executive producer of her forthcoming album Sunlit Night.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Influence[edit]

Partridge has been cited as an influence by John Frusciante of The Red Hot Chili Peppers in the 2002 issue of Total Guitar magazine, who cited him as an influence on the sound of the Red Hot Chili Peppers' album By the Way.

Partridge mixed recordings for the band Captains of Industry. In 2007 he collaborated with former XTC bandmate Barry Andrews on the Shriekback album Glory Bumps. In 2008, Partridge began working on a collaborative album with Robyn Hitchcock and Mike Keneally, and various solo projects. He has been conducting an ongoing series of online interviews about his songs with writer Todd Bernhardt on the XTCfans pages of MySpace, and plans to release a book based on the interviews, featuring additional content and images.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).