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Guitarist/singer/songwriter Bob Mould was initially a member of Hüsker Dü, one of the most influential American bands of the '80s. Hüsker Dü was a post-hardcore punk band that helped define the sound and ideals of alternative rock. After Hüsker Dü broke up, Mould signed a solo contract with Virgin Records in 1988. The following year he released his first solo album, Workbook, which represented a major shift in sonic direction. Workbook was an introspective collection, featuring keyboards, acoustic guitars, and even strings. The album received excellent reviews and spent 14 weeks on the charts, peaking at 127; "See a Little Light" became a Top Ten modern rock hit. Mould returned to loud, guitar-driven rock on his second solo album, 1990's Black Sheets of Rain. Featuring the Top Ten modern rock hit "It's Too Late," Black Sheets of Rain received mixed reviews.
Frustrated with the business operations of major record labels, Mould left Virgin after the release of Black Sheets of Rain; they would later release a compilation of the two albums, Poison Years. Mould then formed an independent record company, SOL (Singles Only Label), which released 45s from new, developing bands as well as cult bands. In 1992, he formed a new trio, Sugar, with bassist David Barbe and drummer Malcolm Travis; the band signed with Rykodisc in the U.S. and Creation in the U.K. Sugar's first album, Copper Blue, was released in the fall of 1992 to enthusiastic reviews and became Mould's most successful project to date. Copper Blue nearly went gold and spawned several alternative radio and MTV hits, including "Helpless" and "If I Can't Change Your Mind." In the spring of 1993, Sugar released the mini-LP Beaster, a more abrasive collection than Copper Blue that was recorded at the same sessions. Around the time of the release of Beaster, Mould was forced out of the closet by various gay publications, with hopes that he would embrace their political cause; he rejected their requests.
Mould wrote the material for the second Sugar album during 1993. The band began recording in the spring of 1994, but the sessions ground to a halt and the tapes were erased. Mould decided to give the album one more try, and it was recorded quickly late that spring. The album, File Under: Easy Listening, appeared in the fall of 1994. Although it received good reviews and was moderately successful commercially, it didn't match the performance of Copper Blue. In the spring of 1995, it was announced that Sugar was on hiatus. Besides, a collection of rarities and B-sides, was released that summer. By the fall, Mould had broken up the band and begun to work on a third album entirely by himself. Mould played all of the instruments on his self-titled third album, which was released in the spring of 1996. The Last Dog and Pony Show followed in 1998. In 2002, after a long period of musical inactivity, Mould returned with the electronics-heavy Modulate, followed by the more conventional Body of Song in 2005. After Blowoff, a dance project with Richard Morel, Mould returned to his guitar roots and paired up with Fugazi drummer Brendan Canty to record District Line in 2008.
Mould inched back to alt-rock on 2009's Life and Times, then devoted himself to writing his autobiography with the assistance of Michael Azerrad. See a Little Light: The Trail of Rage and Melody was published in the summer of 2011. The following year, Mould returned to the sound of Sugar, playing the band's 1992 debut in its entirety while on tour, reissuing the band's catalog as deluxe editions, and, finally, reviving its sound on Silver Age, his first album for Merge Records.
Robert Arthur “Bob” Mould (born October 16, 1960) is an American musician, principally known for his work as guitarist, vocalist and songwriter for alternative rock bands Hüsker Dü in the 1980s and Sugar in the 1990s.
Early years 
Born in Malone, New York, Mould lived in several places, including the Minneapolis-St. Paul area where he then attended Macalester College. There, he formed Hüsker Dü in the late 1970s, with drummer/singer Grant Hart and bass guitarist Greg Norton.
Musical career 
Hüsker Dü 
Forming in 1979, Hüsker Dü first gained notice as a punk rock group with a series of recordings on the independent label SST Records. In 1986, they signed with a major record label (Warner Bros. Records), but found only modest commercial success. However, they were later often cited as one of the key influences on 1990s alternative rock, including bands such as Nirvana and the Pixies.
In the late 1980s, Hüsker Dü broke up acrimoniously amid members' drug abuse, personal problems, disputes over songwriting credits, musical direction, and the suicide of the band's manager, David Savoy. Mould and Grant Hart, the band's other songwriter and vocalist, still take occasional jabs at each other in the press, though the two briefly revisited their Hüsker Dü back catalog together at a 2004 benefit concert for an ailing friend, the late Karl Mueller of Soul Asylum.
First solo period (1988-1991) 
After Hüsker Dü broke up in 1988, Mould sequestered himself in a remote farmhouse in Pine City, Minnesota, having quit drinking and drugs, and wrote the songs that would make up his first solo album. Signing to the newly-formed Virgin Records America label, 1989's Workbook eschewed Mould's trademark wall-of-noise guitar for a stripped-down, atmospheric sound featuring acoustic guitars and cellos. Drummer Anton Fier (of the The Feelies and later The Golden Palominos) and bassist Tony Maimone (of Pere Ubu) served as Mould's rhythm section. The album peaked at number 127 on the Billboard 200 chart, and the single "See a Little Light" reached number 4 on the Billboard Modern Rock Tracks chart.
1990's Black Sheets of Rain had a much heavier guitar sound, recalling Hüsker Dü's louder, angrier moments. According to the liner notes for the 2012 re-release of Sugar's Copper Blue, Creation Records president Alan McGee verified that total album sales were 7,000 copies. Still, the album peaked at number 123 on the Billboard 200 chart, and the single "It's Too Late" reached number 10 on the Billboard Modern Rock Tracks chart.
While in the band Sugar, in 1993 he contributed the track "Can't Fight It" as a solo artist to the AIDS Benefit Album No Alternative produced by the Red Hot Organization. In 1994, he recorded "Turning Of The Tide" for Beat The Retreat, a tribute album to the English guitarist and songwriter Richard Thompson.
Mould also co-founded a record label, Singles Only Label, with Coyote Records label founder Steve Fallon. The label released singles from bands such as Daniel Johnston, Grant Lee Buffalo, Moby, Mojo Nixon, Morphine, Nikki Sudden, and R. Stevie Moore from 1989-1994.
Sugar (1992-1995) 
Mould then formed the group Sugar, with bassist David Barbe and drummer Malcolm Travis. Along with extensive touring, Sugar released two albums, an EP and a B-sides collection before breaking up. 1992's Copper Blue was named as NME's 1992 Album of the Year, and was Mould’s most successful commercial album, selling nearly 300,000 copies.
Second solo period (1996-present) 
In 1996, Mould returned to solo recording, releasing self-titled album in 1996 (which is often referred to as Hubcap because of the cover photo) for Rykodisc. The album consisted primarily of four-track home demos, with no live drums. The album peaked at number 101 on the Billboard 200 chart, and number 1 on the Heatseekers chart.
In 1998, Mould released The Last Dog and Pony Show, his final album on Rykodisc (who had released all of the Sugar albums in the U.S.). The album was named as such because Mould decided that the tour that followed would be his "last electric band tour."
After the tour, Mould took a break from the music world to get involved with another passion of his, professional wrestling, when he joined WCW as a scriptwriter in 1999 for a brief period. Creative differences with some of the other writers led to Mould's leaving the company and returning to music. The liner notes for the 2002 album Modulate thank some of the wrestlers he associated with, most notably Kevin Nash and Kevin Sullivan.
During a stint living in New York City in the late-1990s, as he more fully embraced his identity as a gay man, Mould's tastes took a detour into dance music and electronica. Those influences were clear on his 2002 release Modulate, which featured a strong electronica influence to mixed critical reviews and poor fan reaction. One song, "The Receipt," was fairly straightforward, according to City Pages: it "can be taken as a barely veiled attack on Mould's old Husker Dü-mate Grant Hart." (In fact, another song on the album ["Trade"] had been written and performed live during his Hüsker Dü days.) In further pursuit of this sound, Mould also began recording under the pseudonym LoudBomb (an anagram of his name), releasing one CD ("Long Playing Grooves") so far under this name.
His next solo album, Body of Song, had been originally scheduled to closely follow the release of 2002's Modulate. Instead, Mould worked on the album for the next three years, resulting in a 2005 release. By this time, he had changed his mind on touring with a band, and announced his first band tour since 1998. The tour lineup included bassist Jason Narducy (of Verbow), drummer Brendan Canty (of Fugazi), and Mould's Blowoff collaborator, Morel, on keyboards.
In addition to his solo work, Mould also worked as a live DJ in collaboration with Washington DC-area dance music artist Richard Morel, under the collective banner Blowoff. They frequently staged at the 9:30 Club in Washington, D.C. A Blowoff CD was released in September 2006, consisting of songs recorded together by the two. Mould has also done remixes for a variety of dance and alternative rock artists, including a remix of the Interpol song "Length of Love."
District Line was released February 5, 2008. A little over a year later, on April 7, 2009, Mould released his next album entitled Life and Times in the midst researching his life for an autobiography.
Mould ultimately wrote that memoir with Michael Azerrad, the author of Our Band Could Be Your Life and Come as You Are: The Story of Nirvana. The book, See a Little Light: The Trail of Rage and Melody, was released in June 2011.
On August 6, 2012, Mould released the first single from his first album on Merge Records, Silver Age on September 4, 2012. It peaked at #52 on the Billboard 200 album chart, #12 on the Alternative Albums chart, and #3 on the Tastemaker Albums chart.
Mould has made various guest appearances throughout his career. In 1984, Mould played piano on Ground Zero's album Ground Zero. In 1991, Mould sang and played guitar on the Golden Palominos album Drunk with Passion on the song "Dying from the Inside Out." In 1992, he contributed vocals to the song, "Dio" on the Throwing Muses album Red Heaven. In 2000, Mould sang "He Didn't" (written by Stephin Merritt) on The 6ths' album Hyacinths and Thistles. He also contributed vocals to the 2009 Fucked Up cover of "Do They Know It's Christmas?"
Personal life 
Though Mould's sexual orientation had previously been something of an open secret, he was outed in the early 1990s in an interview in the music magazine Spin; he came to terms with being openly gay, even appearing in the movie Bear Nation, self-identifying as a bear.
In April 2004, Mould was a co-organizer of the WEDRock benefit concert for Freedom to Marry. "WedRock" was a play on the word "wedlock". The event raised an estimated US$30,000. Mould also contributed the song "See a Little Light" to the 2006 album Wed-Rock: A Benefit for Freedom to Marry, an album to support in the legalization of same-sex marriage.
Pop culture 
Mould's song "Dog on Fire" is the theme song for The Daily Show. They Might Be Giants perform the current version. On December 19, 1996, Mould made a cameo appearance on The Daily Show Holiday Spectacular in an homage duet of "The Little Drummer Boy" with Mould playing the part of David Bowie to Craig Kilborn's "Bing Crosby".
The song "See a Little Light" has been used more than once in various television applications: It was used in the closing scene of the original un-aired test pilot episode of Buffy The Vampire Slayer, it became one of the principal theme songs for the HBO series The Mind of the Married Man and was also used in a television commercial for TIAA-CREF (August 2007). Mould also composed the theme for the TLC program, In a Fix.
In 2001, Mould played lead guitar in the house band for the film of John Cameron Mitchell's Hedwig and the Angry Inch, and on the film's soundtrack. In 2003, Mould also participated in a Hedwig tribute album, Wig in a Box, on which he covered the song "Nailed."
On September 29, 2005, Mould's song "Circles" was included on The OC.
Mould appeared on an episode of Independent Film Channel's The Henry Rollins Show on June 15, 2007.
Mould performed on the Foo Fighters 2011 album Wasting Light, contributing guitar and vocals to the track "Dear Rosemary." He has made sporadic appearances with the band during their Wasting Light tour to perform the song on stage, including on the Conan O'Brien show.
On November 21, 2011, musicians such as Dave Grohl, Britt Daniel of Spoon, Craig Finn and Tad Kubler of The Hold Steady, Randy Randall and Dean Allen Spunt of No Age, Margaret Cho, Jason Narducy of Telekinesis, Jon Wurster of Superchunk, and Ryan Adams came together at the Walt Disney Concert Hall and played songs from Bob Mould's career. During the concert, Bob discussed a new solo album involving Jason Narducy and drummer Jon Wurster (of Superchunk) due in 2012 and an extremely limited tour of Sugar's debut album Copper Blue.
On February 28, 2013, Mould performed Sugar's 'A Good Idea' on 'Late Night With Jimmy Kimmel.' Diffuser.fm's Joe Robinson wrote, "With guitars blazing and amps cranked, Mould and his backing duo of bassist Jason Narducy and drummer Jon Wurster turned the mid-tempo indie-pop nugget into a sped-up, throttling slab of post-punk glory, ferocious in execution but still catchier than a cold."