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Carlos Santana

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  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

  • Carlos Santana

Albums

Biography All Music GuideWikipedia

Group Members: Michael Shrieve & David Beal, Vorriece, Kevin Shrieve, David Beal, Buddy Miles, Buddy Miles Express, Neal Schon, Jules Broussard, Tom Coster, Pete Escovedo, Pete Escovedo And Sheila Escovedo, Leon Thomas, Luis Gasca, Armando Peraza, Greg Walker, Leon Patillo, Alphonso Johnson, Tony Lindsay, Curtis Salgado, Curtis Salgado & Terry Robb, Orestes Vilató, Carlos Santana & Alice Coltrane, Michael Shrieve

All Music Guide:

Santana is the primary exponent of Latin-tinged rock, particularly due to its combination of Latin percussion (congas, timbales, etc.) with bandleader Carlos Santana's distinctive, high-pitched lead guitar playing. The group was the last major act to emerge from the psychedelic San Francisco music scene of the 1960s and it enjoyed massive success at the end of the decade and into the early '70s. The musical direction then changed to a more contemplative and jazzy style as the band's early personnel gradually departed, leaving the name in the hands of Carlos Santana, who guided the group to consistent commercial success over the next quarter-century. By the mid-'90s, Santana seemed spent as a commercial force on records, though the group continued to attract audiences for its concerts worldwide. But the band made a surprising and monumental comeback in 1999 with Supernatural, an album featuring many guest stars that became Santana's best-selling release and won a raft of Grammy Awards.

Mexican-native Carlos Santana (born July 20, 1947, in Autlan de Navarro, Mexico) moved to San Francisco in the early '60s, by which time he was already playing the guitar professionally. In 1966, he formed the Santana Blues Band with keyboard player and singer Gregg Rolie (born June 17, 1947, in Seattle, Washington) and other musicians, the personnel changing frequently. The group was given its name due to a musicians' union requirement that a single person be named a band's leader and it did not at first indicate that Carlos was in charge. Bass player David Brown (born February 15, 1947, in New York, New York) joined early on, as did Carlos' high-school friend conga player Mike Carabello (born November 18, 1947, in San Francisco), though he did not stay long at first. By mid-1967, the band's lineup consisted of Carlos, Rolie, Brown, drummer Bob "Doc" Livingston, and percussionist Marcus Malone. The name was shortened simply to Santana and the group came to the attention of promoter Bill Graham, who gave it its debut at his Fillmore West theater on June 16, 1968. Santana was signed to Columbia Records, which sent producer David Rubinson to tape the band at a four-night stand at the Fillmore West December 19-22, 1968. The results were not released until almost 30 years later, when Columbia/Legacy issued Live at the Fillmore 1968 in 1997.

Livingston and Malone left the lineup in 1969 and were replaced by Carabello and drummer Michael Shrieve (born July 6, 1949, in San Francisco), with a second percussionist, Jose "Chepito" Areas (born July 25, 1946, in Leon, Nicaragua) making Santana a sextet. The band recorded its self-titled debut album and began to tour nationally, making an important stop at the Woodstock festival on August 15, 1969. Santana was released the same month. It peaked in the Top Five, going on to remain in the charts over two years, sell over two million copies, and spawn the Top 40 single "Jingo" and the Top Ten single "Evil Ways." Santana's performance of "Soul Sacrifice" was a highlight of the documentary film Woodstock and its double-platinum soundtrack album, which appeared in 1970.

The band's second album, Abraxas, was released in September 1970 and was even more successful than its first. It hit number one, remaining in the charts more than a year and a half and eventually selling over four million copies while spawning the Top Five hit "Black Magic Woman" and the Top Ten hit "Oye Como Va." By the end of the year, the group had added a seventh member, teenage guitarist Neal Schon (born February 27, 1954).

Santana's third album, Santana III, was performed by the seven bandmembers, though several guest musicians were also mentioned in the credits, notably percussionist Coke Escovedo, who played on all the tracks. Released in September 1971, the album was another massive hit, reaching number one and eventually selling over two million copies while spawning the Top Ten hit "Everybody's Everything" and the Top 20 hit "No One to Depend On." But it marked the end of the Woodstock-era edition of Santana, which broke up at the end of the tour promoting it, with Carlos retaining rights to the band name.

Following a tour with Buddy Miles that resulted in a live duo album (Carlos Santana & Buddy Miles! Live!), Carlos reorganized Santana and recorded the fourth Santana band album, Caravanserai; each track featured individual musician credits. From the previous lineup, Rolie, Shrieve, Areas, and Schon appeared, alongside pianist Tom Coster, percussionist James Mingo Lewis, percussionist Armando Peraza, guitarist/bassist Douglas Rauch, and percussionist Rico Reyes, among others. (Rolie and Schon left to form Journey.) The album was released in September 1972; it peaked in the Top Five and was eventually certified platinum. It was nominated for a Grammy Award for Best Pop Instrumental Performance with Vocal Coloring. Carlos, who had become a disciple of the guru Sri Chinmoy and adopted the name Devadip (meaning "the eye, the lamp, and the light of God"), next made a duo album with John McLaughlin, guitarist with the Mahavishnu Orchestra (Love Devotion Surrender).

Meanwhile, the lineup of Santana continued to fluctuate. On Welcome, the band's fifth album, released in November 1973, it consisted of Carlos, Shrieve, Areas, Coster, Peraza, Rauch, keyboard player Richard Kermode, and singer Leon Thomas. The album went gold and peaked in the Top 20. In May 1974, Lotus, a live album featuring the same lineup, was released only in Japan. (It was issued in the U.S. in 1991.) Carlos continued to alternate side projects with Santana band albums, next recording a duo LP with John Coltrane's widow Alice Coltrane (Illuminations). Columbia decided to cash in on the band's diminishing popularity by releasing Santana's Greatest Hits in July 1974. The compilation peaked in the Top 20 and eventually went double platinum.

The sixth new Santana album, Borboletta, followed in October. The band personnel for the LP featured Carlos, Shrieve, Areas, Coster, Peraza, a returning David Brown, saxophonist Jules Broussard, and singer Leon Patillo, plus guest stars Flora Purim, Airto Moreira, and Stanley Clarke. Borboletta peaked in the Top 20 and eventually went gold. Carlos steered Santana back to a more commercial sound in the mid-'70s in an attempt to stop the eroding sales of the band's albums. He enlisted Santana's original producer, David Rubinson, to handle the next LP. The band was streamlined to a sextet consisting of himself, Coster, Peraza, Brown, drummer Ndugu Leon Chancler (Shrieve having departed to work with Stomu Yamashta), and singer Greg Walker.

The result was Amigos, released in March 1976, which returned Santana to the Top Ten and went gold. The band was back only nine months later with another Rubinson production, Festival, for which Santana consisted of Carlos, Coster, returning members Jose "Chepito" Areas and Leon Patillo, drummer Gaylord Birch, percussionist Raul Rekow, and bass player Pablo Telez. This album peaked in the Top 40 and went gold. Never having issued a live album in the U.S., Santana made up for the lapse with Moonflower, released in October 1977; that band consisted of Carlos, Coster, Areas, Rekow, Telez, returning member Greg Walker, percussionist Pete Escovedo, drummer Graham Lear, and bass player David Margen. The album peaked in the Top Ten and eventually went platinum, its sales stimulated by the single release of a revival of the Zombies' "She's Not There" that peaked in the Top 20, Santana's first hit single in nearly six years.

Turning to producers Dennis Lambert and Brian Potter, Santana returned to the studio for Inner Secrets, released in October 1978. The revamped lineup this time was Carlos, Rekow, Walker, Lear, Margen, and returning members Coke Escovedo and Armando Peraza, keyboard player Chris Rhyne, and guitarist/keyboard player Chris Solberg. The album was quickly certified gold, and a revival of the Classics IV hit "Stormy" made the Top 40, but Inner Secrets peaked disappointingly below the Top 20. Once again adopting his guru name of Devadip, Carlos issued his first real solo album (Illuminations/Oneness) in February 1979. Marathon, the tenth Santana band studio album, followed in September, produced by Keith Olsen, the band here comprised Carlos, Rekow, Lear, Margen, Peraza, Solberg, singer Alex Ligertwood, and keyboard player Alan Pasqua. The album equaled the success of Inner Secrets, peaking outside the Top 20 but going gold, with "You Know That I Love You" becoming a Top 40 single. Again, Carlos followed in the winter with another solo effort (The Swing of Delight).

Santana (Carlos, Rekow, Lear, Margen, Peraza, Ligertwood, keyboard player Richard Baker, and percussionist Orestes Vilato) spent some extra time on its next release, not issuing Zebop! until March 1981, and the extra effort paid off. Paced by the Top 20 single "Winning," the album reached the Top Ten and went gold. The band lavished similar attention on Shango, which was released in August 1982. The same lineup as that on Zebop! was joined by original member Gregg Rolie, who also co-produced the album. A music video helped Santana enjoy its first Top Ten single in more than a decade with "Hold On," but that did not translate into increased sales for the album, which peaked in the Top 20 but became the band's first LP not to at least go gold. Carlos followed with another solo album (Havana Moon), but did not release a new Santana band album until February 1985 with Beyond Appearances, produced by Val Garay. By now the lineup consisted of Carlos, Rekow, Peraza, Ligertwood, Vilato, returning member Greg Walker, bass player Alphonso Johnson, keyboard player David Sancious, drummer Chester C. Thompson, and keyboard player Chester D. Thompson. "Say It Again," the album's single, reached the Top 40, but that was better than the LP did.

Santana staged a 20-year anniversary reunion concert in August 1986 featuring many past bandmembers. The February 1987 album Freedom marked the formal inclusion of Buddy Miles as a member of Santana, alongside Carlos, Rekow, Peraza, Vilato, Johnson, Chester D. Thompson, and returning members Tom Coster and Graham Lear. The album barely made the Top 100. Carlos followed in the fall with another solo album (Blues for Salvador), winning his first Grammy Award in the process (Best Rock Instrumental Performance for the title track). In 1988, he added Wayne Shorter to the band for a tour, then put together a reunion edition of Santana that featured Areas, Rolie, and Shrieve beside Johnson, Peraza, and Thompson. In October, Columbia celebrated the 20-year anniversary of the band's signing to the label with the retrospective Viva Santana! The next new Santana album was Spirits Dancing in the Flesh, released in June 1990, for which the band was Carlos, Peraza, Thompson, returning member Alex Ligertwood, drummer Walfredo Reyes, and bass player Benny Rietveld. A modest seller that made only the lower reaches of the Top 100, it marked the end of the band's 22-year tenure at Columbia Records.

In 1991, Santana signed to Polydor Records, which, in April 1992, released the band's 16th studio album, Milagro. The lineup was comprised of Carlos, Thompson, Ligertwood, Reyes, Rietvald, and percussionist Karl Perazzo. Polydor was not able to reverse the band's commercial decline, as the album became Santana's first new studio release not to reach the Top 100. The group followed in November 1993 with Sacred Fire: Live in South America, which featured Carlos, Thompson, Ligertwood, Reyes, Perazzo, singer Vorriece Cooper, bass player Myron Dove, and guitarist Jorge Santana, Carlos' brother. The album barely made the charts. In 1994, Carlos, Jorge, and their nephew Carlos Hernandez, released Santana Brothers, another marginal chart entry. The same year, Areas, Carabello, Rolie, and Shrieve formed a band called Abraxas and released the album Abraxas Pool, which did not chart.

Santana left Polydor and signed briefly to EMI before moving to Arista, run by Clive Davis, who had been president of Columbia during the band's heyday. Carlos and Davis put together Supernatural, which was stuffed with appearances by high-profile guest stars including Wyclef Jean, Eric Clapton, Lauryn Hill, Rob Thomas (Matchbox Twenty), and Dave Matthews. Arista released the album in June 1999, followed by the single "Smooth" featuring Thomas. The album and single hit number one and in 2000, a second single, "Maria Maria," also topped the charts. Supernatural's sales exploded; its sales exceeded ten million copies. The album garnered 11 Grammy nominations, and Carlos himself took eight awards: Record of the Year ("Smooth"), Album of the Year; Best Pop Performance by a Duo or Group with Vocal ("Maria Maria"); Best Pop Collaboration with Vocals ("Smooth"); Best Pop Instrumental Performance ("El Farol"); Best Rock Performance by a Duo or Group with Vocal ("Put Your Lights On"); Best Rock Instrumental Performance ("The Calling"); and Best Rock Album. "Smooth," written by Thomas with Itaal Shur, also won the Grammy for Song of the Year.

The follow-up, Shaman, appeared in 2002 with appearances from Macy Gray, Michelle Branch, and Chad Kroeger (Nickelback), among money others. While it was not a blockbuster on the level of Supernatural, it sold over two million copies in the U.S. Three years later, All That I Am arrived with yet another assortment of collaborators, including Steven Tyler, Branch, Big Boi, Joss Stone, and Bo Bice. Guitar Heaven appeared in 2010 and featured Carlos with several guest vocalists taking on some of the most popular guitar-based rock tracks of all time, including "Whole Lotta Love" (with Chris Cornell), "Sunshine of Your Love" (with Thomas), and "Photograph" (with Chris Daughtry). While it peaked at number five on the Billboard 200, it failed to reach gold status. In 2012, the guitarist switched gears with Shape Shifter, the debut recording for his own Starfaith label. Carlos wrote or co-wrote all but two of its 13 tracks (all but one an instrumental), and produced the sessions.

Wikipedia:

Carlos Santana (born July 20, 1947) is a Mexican and American musician who first became famous in the late 1960s and early 1970s with his band, Santana, which pioneered a fusion of rock and Latin American music. The band's sound featured his melodic, blues-based guitar lines set against Latin and African rhythms featuring percussion instruments such as timbales and congas not generally heard in rock music. Santana continued to work in these forms over the following decades. He experienced a resurgence of popularity and critical acclaim in the late 1990s. In 2003 Rolling Stone magazine listed Santana at number 20 on their list of the 100 Greatest Guitarists of All Time. He has won 10 Grammy Awards and three Latin Grammy Awards.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Biography[edit]

Early life[edit]

Carlos Santana was born in Autlán de Navarro, Jalisco, Mexico. He learned to play the violin at age five, and the guitar at age eight. His younger brother, Jorge Santana, would also become a professional guitarist. Young Carlos was heavily influenced by Ritchie Valens at a time when there were very few Latinos in American rock and pop music. The family moved from Autlán de Navarro to Tijuana, the city on Mexico's border with California, and then San Francisco. Carlos stayed in Tijuana but later joined his family in San Francisco, graduating from James Lick Middle School, and in 1965 from Mission High School. Carlos was accepted at California State University, Northridge, and Humboldt State University, but turned down these offers.

Early career[edit]

"The '60s were a leap in human consciousness. Mahatma Gandhi, Malcolm X, Martin Luther King, Che Guevara, Mother Teresa, they led a revolution of conscience. The Beatles, The Doors, Jimi Hendrix created revolution and evolution themes. The music was like Dalí, with many colors and revolutionary ways. The youth of today must go there to find themselves."

— Carlos Santana

He got the chance to see his idols (most notably B.B. King) perform live in San Francisco. He was also introduced to a variety of new musical influences, including jazz and folk music, and witnessed the growing hippie movement centered in San Francisco in the 1960s. After several years spent working as a dishwasher in a diner and busking for spare change, Santana decided to become a full-time musician. In 1966 he gained prominence due to a series of accidental events, all happening on the same day. Santana was a frequent spectator at Bill Graham's Fillmore West. During a Sunday matinee show, Paul Butterfield was slated to perform there but was unable to do so as a result of being intoxicated. Bill Graham assembled an impromptu band of musicians he knew primarily through his connections with the Grateful Dead, Butterfield's own band, and Jefferson Airplane, but he had not yet chosen all the guitarists. Santana's manager, Stan Marcum, immediately suggested to Graham that Santana join the impromptu band and Graham agreed. During the jam session, Santana's guitar playing and solo gained the notice of both the audience and Graham. During the same year, Santana formed the Santana Blues Band, with fellow street musicians David Brown (bass guitar) , Marcus Malone (percussion) and Gregg Rolie (lead vocals, Hammond Organ B3).

With their highly original blend of Latin-infused rock, jazz, blues, salsa, and African rhythms, the band (which quickly adopted their frontman's name, Santana) gained an immediate following on the San Francisco club circuit. The band's early success, capped off by a memorable performance at Woodstock in 1969, led to him signing a recording contract with Columbia Records, then run by Clive Davis.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Contents

Santana1.1 Record deal, Woodstock breakthrough and height of success: 1969-721.2 Caravanserai1.3 Shifting styles and spirituality: 1972-791.4 The 1980s1.5 Return to commercial success

Santana[edit]

Record deal, Woodstock breakthrough and height of success: 1969-72[edit]

Santana was signed by CBS Records and went into the studio to record their first album. They were not satisfied with the release and decided changes needed to be made. This resulted in the dismissal of drummer Bob Livingston. Santana replaced him with Mike Shrieve, who had a strong background in both jazz and rock. Percussionist Marcus Malone was forced to quit the band due to involuntary manslaughter charges, and the band re-enlisted Michael Carabello. Carabello brought with him percussionist Jose Chepito Areas, who was already well known in his country, Nicaragua, and, with his skills and professional experience, was a major contributor to the band.

Bill Graham, a Latin Music aficionado, had been a fan of the band from its inception, and arranged for them to appear at the Woodstock Music and Art Festival before their debut album was even released. They were one of the surprises of the festival; their set was legendary and later the exposure of their eleven-minute instrumental "Soul Sacrifice" in the Woodstock film and soundtrack album vastly increased their popularity. Graham also gave the band some key advice to record the Willie Bobo song "Evil Ways", as he felt it would get them radio airplay. Their first album, Santana, was released in August 1969 and became a huge hit, reaching #4 on the U.S. album charts, with the catchy single "Evil Ways" reaching number nine on the Billboard Hot 100.

In 1969, the band's performance at the Woodstock festival introduced them to an international audience and garnered critical acclaim, although the band's sudden success put pressure on the group, highlighting the different musical directions in which Rolie and Santana were starting to go. Rolie, along with some of the other band members, wanted to emphasize a basic hard rock sound which had been a key component in establishing the band from the start. Santana, however, was increasingly interested in moving beyond his love of blues and rock and wanted more jazzy, ethereal elements in the music, which were influenced by his fascination with Gábor Szabó, Miles Davis, Pharoah Sanders, and John Coltrane, as well as his growing interest in spirituality. At the same time, Chepito Areas was stricken with a near-fatal brain hemorrhage, and Santana hoped to continue by finding a temporary replacement (first Willie Bobo, then Coke Escovedo), while others in the band, especially Michael Carabello, felt it was wrong to perform publicly without Areas. Cliques formed, and the band started to disintegrate.

Consolidating the interest generated by their first album, and their highly acclaimed live performance at the Woodstock Festival in August 1969, the band followed up with their second album, Abraxas, in September 1970. The album's mix of rock, blues, jazz, salsa and other influences was very well received, showing a musical maturation from their first album and refining the band's early sound. Abraxas included two of Santana's most enduring and well-known hits, "Oye Como Va," and "Black Magic Woman/Gypsy Queen." Abraxas spent six weeks at #1 on the Billboard chart at the end of 1970. The album remained on the charts for 88 weeks and was certified 4x platinum in 1986. In 2003 the album was ranked number 205 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Teenage San Francisco Bay Area guitar prodigy Neal Schon was asked to join the band in 1971, in time to complete the third album, Santana III. The band now boasted a powerful dual-lead-guitar act that gave the album a tougher sound. The sound of the band was also helped by the return of a recuperated Chepito Areas and the assistance of Coke Escovedo in the percussion section. Enhancing the band's sound further was the support of popular Bay Area group Tower of Power's horn section, Luis Gasca of Malo, and other session musicians which added to both percussion and vocals, injecting more energy to the proceedings. Santana III was another success, reaching #1 on the album charts, selling two million copies, and yielding the hits "Everybody's Everything" and "No One to Depend On".

Tension between members of the band continued, however. Along with musical differences, drug use became a problem, and Santana was deeply worried that it was affecting the band's performance. Coke Escovedo encouraged Santana to take more control of the band's musical direction, much to the dismay of some of the others who thought that the band and its sound was a collective effort. Also, financial irregularities were exposed while under the management of Stan Marcum, whom Bill Graham criticized as being incompetent. Growing resentments between Santana and Michael Carabello over lifestyle issues resulted in his departure on bad terms. James Mingo Lewis was hired at the last minute as a replacement at a concert in New York City. David Brown later left due to substance abuse problems. A South American tour was cut short in Lima, Peru, due to student protests against U.S. governmental policies and unruly fans. The madness of the tour convinced Santana that changes needed to be made in the band and in his life.

In January 1972, Santana, Schon, Escovedo, and Lewis joined former Band of Gypsys drummer, Buddy Miles, for a concert at Hawaii's Diamond Head Crater, which was recorded for the album Carlos Santana & Buddy Miles! Live!. The performance was erratic and uneven, but the album managed to achieve gold-record status on the weight of Santana's popularity.

Caravanserai[edit]

In early 1972, Santana and the remaining members of the band started working on their fourth album, Caravanserai. During the studio sessions, Santana and Michael Shrieve brought in other musicians: percussionists James Mingo Lewis and Latin-Jazz veteran, Armando Peraza replacing Michael Carabello, and bassists Tom Rutley and Doug Rauch replacing David Brown. Also assisting on keyboards were Wendy Haas and Tom Coster. With the unsettling influx of new players in the studio, Gregg Rolie and Neal Schon decided that it was time to leave after the completion of the album, even though both contributed to the session. Rolie returned home to Seattle, and later became a founding member of Journey (which Schon would later join as well).

When Caravanserai did emerge in 1972, it marked a strong change in musical direction towards jazz fusion. The album received critical praise, but CBS executive Clive Davis warned Santana and the band that it would sabotage the band's position as a "Top 40" act. Nevertheless, over the years, the album would achieve platinum status. The difficulties Santana and the band went through during this period were chronicled in Ben Fong-Torres' Rolling Stone 1972 cover story "The Resurrection of Carlos Santana".

Santana met Deborah King, whom he later married in 1973. She is the daughter of late blues singer and guitarist Saunders King. They have three children: Salvador, Stella and Angelica. Together with wife Deborah, Santana founded a not-for-profit organization, the Milagro ("Miracle") Foundation, which provides financial aid for educational, medical, and other needs.

Shifting styles and spirituality: 1972-79[edit]

In 1972, Santana became a huge fan of pioneering fusion band The Mahavishnu Orchestra and its guitarist, John McLaughlin. Aware of Santana's interest in meditation, McLaughlin introduced Santana and Deborah to his guru, Sri Chinmoy. Chinmoy accepted them as disciples in 1973. Santana was given the name Devadip, meaning "The lamp, light and eye of God". Santana and McLaughlin recorded an album together, Love, Devotion, Surrender with members of Santana and The Mahavishnu Orchestra, along with percussionist Don Alias and organist Larry Young, who both had made appearances on Miles Davis' classic Bitches Brew in 1969.

In 1973 Santana, having obtained legal rights to the band's name, Santana, formed a new version of the band with Armando Peraza and Chepito Areas on percussion, Doug Rauch on bass, Michael Shrieve on drums, and Tom Coster and Richard Kermode on keyboards. Santana later was able to recruit jazz vocalist Leon Thomas for a tour of Japan, which was recorded for the live, sprawling, high-energy fusion album Lotus. CBS records would not allow its release unless the material was condensed. Santana did not agree to those terms, and Lotus was available in the U.S. only as an expensive, imported, three-record set. The group later went into the studio and recorded Welcome, which further reflected Santana's interests in jazz fusion and his increasing commitment to the spiritual life of Sri Chinmoy.

A collaboration with John Coltrane's widow, Alice Coltrane, Illuminations, followed. The album delved into avant-garde esoteric free jazz, Eastern Indian and classical influences with other ex-Miles Davis sidemen Jack DeJohnette and Dave Holland. Soon after, Santana replaced his band members again. This time Kermode, Thomas and Rauch departed from the group and were replaced by vocalist Leon Patillo (later a successful Contemporary Christian artist) and returning bassist David Brown. He also recruited soprano saxophonist, Jules Broussard for the lineup. The band recorded one studio album Borboletta, which was released in 1974. Drummer Leon "Ndugu" Chancler later joined the band as a replacement for Michael Shrieve, who left to pursue a solo career.

By this time Bill Graham's management company had assumed responsibility for the affairs of the group. Graham was critical of Santana's move into jazz and felt he needed to concentrate on getting Santana back into the charts with the edgy, streetwise ethnic sound that had made them famous. Santana himself was seeing that the group's direction was alienating many fans. Although the albums and performances were given good reviews by critics in jazz and jazz fusion circles, sales had plummeted.

Santana, along with Tom Coster, producer David Rubinson, and Chancler, formed yet another version of Santana, adding vocalist Greg Walker. The 1976 album Amigos, which featured the songs "Dance, Sister, Dance" and "Let It Shine", had a strong funk and Latin sound. The album received considerable airplay on FM album-oriented rock stations with the instrumental "Europa (Earth's Cry Heaven's Smile)" and re-introduced Santana to the charts. In 1976 Rolling Stone ran a second cover story on Santana entitled "Santana Comes Home".

The albums conceived through the late 1970s followed the same formula, although with several lineup changes. Among the new personnel who joined was current percussionist Raul Rekow, who joined in early 1977. Most notable of the band's commercial efforts of this era was a version of the 1960s Zombies hit, "She's Not There", on the 1977 album Moonflower.

The relative success of the band's albums in this era allowed Santana to pursue a solo career funded by CBS. First, Oneness: Silver Dreams - Golden Reality, in 1979 and The Swing of Delight in 1980, which featured some of his musical heroes: Herbie Hancock, Wayne Shorter, Ron Carter and Tony Williams from Miles Davis' legendary 1960s quintet.

The pressures and temptations of being a high-profile rock musician and requirements of the spiritual lifestyle which guru Sri Chinmoy and his followers demanded were in conflict, and imposed considerable stress upon Santana's lifestyle and marriage. He was becoming increasingly disillusioned with what he thought were the unreasonable rules that Chinmoy imposed on his life, and in particular with his refusal to allow Santana and Deborah to start a family. He felt too that his fame was being used to increase the guru's visibility. Santana and Deborah eventually ended their relationship with Chinmoy in 1982.

The 1980s[edit]

More radio-pleasing singles followed from Santana and the band. "Winning" in 1981 (from Zebop) and "Hold On" (a remake of Canadian artist Ian Thomas' song) in 1982 both reached the top twenty. After his break with Sri Chinmoy, Santana went into the studio to record another solo album with Keith Olson and legendary R&B producer Jerry Wexler. The 1983 album revisited Santana's early musical experiences in Tijuana with Bo Diddley's "Who Do You Love" and the title cut, Chuck Berry's "Havana Moon". The album's guests included Booker T. Jones, The Fabulous Thunderbirds, Willie Nelson and even Santana's father's mariachi orchestra. Santana again paid tribute to his early rock roots by doing the film score to La Bamba, which was based on the tragically short life of rock and roll legend Ritchie Valens and starred Lou Diamond Phillips.

Although the band had concentrated on trying to produce albums with commercial appeal during the 1980s, changing tastes in popular culture began to reflect in the band's sagging record sales of their latest effort Beyond Appearances. In 1985, Bill Graham had to once again pull strings for Santana to convince principal Live Aid concert organizer Bob Geldof to allow the band to appear at the festival. The group's high-energy performance proved they were still a top concert draw the world over despite their poor performance on the charts. Santana regained a great deal of respect in both jazz and rock circles, with Prince and guitarist Kirk Hammett of Metallica citing him as an influence.

The band Santana returned in 1987 with a new album Freedom.

Growing weary of trying to appease record company executives with formulaic hit records, Santana took great pleasure in jamming and making guest appearances with notables such as the jazz fusion group Weather Report, jazz pianist McCoy Tyner, Blues legend John Lee Hooker, Frank Franklin, Living Colour guitarist Vernon Reid, and West African singer Salif Keita. He and Mickey Hart of the Grateful Dead later recorded and performed with Nigerian drummer Babatunde Olatunji, who conceived one of Santana's famous 1960s drum jams, "Jingo". In 1988 Santana organized a reunion with past members from the Santana band for a series of concert dates. CBS records released a 20-year retrospective of the band's accomplishments with Viva Santana!.

That same year Santana formed an all-instrumental group featuring jazz legend Wayne Shorter on tenor and soprano saxophone. The group also included Patrice Rushen on keyboards, Alphonso Johnson on bass, Armando Peraza and Chepito Areas on percussion, and Leon "Ndugu" Chancler on drums. They toured briefly and received much acclaim from the music press, who compared the effort with the era of Caravanserai. Santana released another solo record, Blues for Salvador, which won a Grammy Award for Best Rock Instrumental Performance.

In 1990 Santana left Columbia Records after twenty-two years and signed with Polygram. The following year he made a guest appearance on Ottmar Liebert's album, Solo Para Ti, on the songs "Reaching out 2 U" and on a cover of his own song, "Samba Pa Ti". In 1992 Santana hired jam band Phish as his opening act.

Return to commercial success[edit]

Santana kicked off the 1990s with a new album Spirits Dancing in the Flesh in 1990. This was followed by Milagro in 1992, a live album Sacred Fire in 1993 and Brothers (a collaboration with his brother Jorge and nephew Carlos Hernandez) in 1994. But sales were relatively poor. Santana toured widely over the next few years but there were no further new album releases, and eventually he was even without a recording contract. However, Arista Records' Clive Davis, who had worked with Santana at Columbia Records, signed him and encouraged him to record a star-studded album with mostly younger artists. The result was 1999's Supernatural, which included collaborations with Everlast, Rob Thomas of Matchbox Twenty, Eric Clapton, Lauryn Hill, Wyclef Jean, Cee Lo Green, Maná, Dave Matthews, K. C. Porter, J. B. Eckl, and others.

However, the lead single was what grabbed the attention of both fans and the music industry. "Smooth", a dynamic cha-cha stop-start number co-written and sung by Rob Thomas of Matchbox Twenty, was laced throughout with Santana's guitar fills and runs. The track's energy was immediately apparent on radio, and it was played on a wide variety of station formats. "Smooth" spent twelve weeks at number one on the Billboard Hot 100, becoming in the process the last #1 single of the 1990s. The music video, set on a hot barrio street, was also very popular. Supernatural reached number one on the US album charts and the follow-up single, "Maria Maria", featuring the R&B duo The Product G&B, also hit number one, spending ten weeks there in the spring of 2000. Supernatural eventually sold over 15 million copies in the United States, making it Santana's biggest sales success by far.

Carlos Santana, alongside the classic Santana lineup of their first two albums, was inducted as an individual, into the Rock and Roll Hall of Fame in 1998. He performed "Black Magic Woman" with the writer of the song, Fleetwood Mac's founder Peter Green. Green was inducted the same night.

In 2000 Supernatural won nine Grammy Awards (eight for Santana personally), including Album of the Year, Record of the Year for "Smooth", and Song of the Year for Thomas and Itaal Shur. Santana's acceptance speeches described his feelings about music's place in one's spiritual existence. Later that year at the Latin Grammy Awards he won three awards including Record of the Year. In 2001, Santana's guitar skills were featured in Michael Jackson's song "Whatever Happens", from the album Invincible.

In 2002, Santana released Shaman, revisiting the Supernatural format of guest artists including P.O.D. and Seal. Although the album was not the runaway success its predecessor had been, it produced two radio-friendly hits. "The Game of Love" featuring Michelle Branch, rose to number five on the Billboard Hot 100 and spent many weeks at the top of the Billboard Adult Contemporary chart, and "Why Don't You & I" written by and featuring Chad Kroeger from the group Nickelback (the original and a remix with Alex Band from the group The Calling were combined towards chart performance) which reached number eight on the Billboard Hot 100. "The Game of Love" went on to win the Grammy Award for Best Pop Collaboration with Vocals.

In early August 2003, Santana was named fifteenth on Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time".

On April 21, 2005, Santana was honored as a BMI Icon at the 12th annual BMI Latin Awards. Santana was the first songwriter designated a BMI Icon at the company's Latin Awards. The honor is given to a creator who has been "a unique and indelible influence on generations of music makers."

In 2005, Herbie Hancock approached Santana to collaborate on an album again using the Supernatural formula. Possibilities was released on August 30, 2005, featuring Carlos Santana and Angélique Kidjo on "Safiatou". Also, in 2005, fellow Latin star Shakira invited Santana to play the soft rock guitar ballad "Illegal" on her second English-language studio album Oral Fixation Vol. 2.

Santana's 2005 album All That I Am consists primarily of collaborations with other artists; the first single, the peppy "I'm Feeling You", was again with Michelle Branch and The Wreckers. Other musicians joining the mix this time included Steven Tyler of Aerosmith, Kirk Hammett from Metallica, hip-hop/reggae star Sean Paul and R&B singer Joss Stone. In April and May 2006, Santana toured Europe, where he promoted his son Salvador Santana's band as his opening act.

In 2007, Santana appeared, along with Sheila E. and José Feliciano, on Gloria Estefan's album 90 Millas, on the single "No Llores". He also teamed again with Chad Kroeger for the hit single "Into the Night".

In 2008, Santana was reported to be working with his longtime friend, Marcelo Vieira, on his solo album Acoustic Demos, which was released at the end of the year. It features tracks such as "For Flavia" and "Across the Grave", the latter said to feature heavy melodic riffs by Santana.

Carlos Santana performed at the 2009 American Idol Finale with the top 13 finalists, which starred many acts such as KISS, Queen and Rod Stewart. On July 8, 2009, Carlos Santana appeared at the Athens Olympic Stadium in Athens with his 10-member all-star band as part of his "Supernatural Santana – A Trip through the Hits" European tour. On July 10, 2009, he also appeared at Philip II Stadium in Skopje, Macedonia. With a 2.5 hour long concert and 20 000 people, Santana appeared for the first time in that region. "Supernatural Santana – A Trip through the Hits" was played at The Hard Rock hotel in Las Vegas, where it was played through 2011.

Santana is featured as a playable character in the music video game Guitar Hero 5. A live recording of his song "No One To Depend On" is included in game, which was released on September 1, 2009. More recently, in 2011, three Santana songs were offered as downloadable content (DLC) for guitar learning software Rocksmith: "Oye Como Va," "Smooth," and "Black Magic Woman/Gypsy Queen."

Carlos recently opened a chain of upscale Mexican restaurants called "Maria Maria". It is a combined effort with Chef Roberto Santibañez. They are located in Tempe, Arizona; Mill Valley (now closed), Walnut Creek, Danville and San Diego, California; Austin, Texas; and Boca Raton, Florida.

In 2012 Santana released an album Shape Shifter consisting of mostly instrumental tracks.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Influences[edit]

Around the age of eight, Santana "fell under the influence" of blues performers like B.B. King, Javier Bátiz, and John Lee Hooker. Gábor Szabó's mid-1960s jazz/gypsy guitar work also strongly influenced Santana's playing. Indeed, Szabó's composition "Gypsy Queen" was used as the second part of Santana's 1970 treatment of Peter Green's composition "Black Magic Woman", almost down to identical guitar licks. Santana's 2012 instrumental album Shape Shifter includes a song called "Mr. Szabo", played in tribute in the style of Gábor Szabó. Santana also credits Jimi Hendrix, Mike Bloomfield, Hank Marvin and Peter Green as important influences; he considered Bloomfield a direct mentor, writing of a key meeting with Bloomfield in San Francisco in the foreword he wrote to a biography of Bloomfield, Michael Bloomfield: If You Love These Blues-An Oral History in 2000.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Equipment[edit]

Guitars and effects[edit]

Santana played a red Gibson SG Special with P-90 pickups at the Woodstock festival. During the time between the release of Abraxas and Santana III (1970–1972), he used different Gibson Les Pauls and a Black Gibson SG Special. From 1976 until 1982 his main guitar was a Yamaha SG 175B, and sometimes a white Gibson SG Custom with 3 single coil pick-ups. In 1982 he started to use a custom made PRS Custom 24 guitar. In 1988 PRS Guitars began making Santana signature model guitars, which Santana has played through its various iterations ever since (see below).

Santana currently uses a Santana II model guitar fitted with PRS Santana III nickel covered pickups, a tremolo bar, and .009-.042 gauge D'Addario strings. He also plays a PRS Santana Multidimensional (MD) The Santana guitars feature necks made of a single piece of mahogany topped with Rosewood fretboards (some feature highly sought-after Brazilian Rosewood). This helps create the smooth, singing, glass-like tone for which he is known.

Santana Signature Models:

PRS Santana I "The Yellow"(1988)PRS Santana II "Supernatural" (1999)PRS Santana III (2001)PRS Santana SE (2001)PRS Santana SE II (2003)PRS Santana Shaman SE-Limited Edition (2003)PRS Santana MD "The Multidimensional" (2008)PRS Santana Abraxas SE-Limited Edition (2009)PRS Santana SE "The Multidimensional" (2011)

Santana also uses a classical guitar, the Alvarez Yairi CY127CE with Alvarez tension nylon strings.

Santana does not use many effects pedals. His PRS guitar is connected to a Mu-Tron wah wah pedal (or, more recently, a Dunlop 535Q wah and a T-Rex Replica delay pedal. then through a customized Jim Dunlop amp switcher which in turn is connected to the different amps or cabinets.

Previous setups include an Ibanez Tube Screamer right after the guitar. He is also to have been known to use an Electro Harmonix Big Muff distortion for his famous sustain. In the song "Stand Up" from the album Marathon, Santana uses a Heil talk box in the guitar solo. He has also used the Audiotech Guitar Products 1x6 Rack Mount Audio Switcher in rehearsals for the 2008 "Live Your Light" tour.

Santana uses two different guitar picks: the large triangular Dunlop he has used for so many years, and the V-Pick Freakishly Large Round.

Amplifiers[edit]

Carlos Santana's distinctive guitar tone is produced by PRS Santana signature guitars plugged into multiple amplifiers. The amps consist of a Mesa Boogie Mark I, Dumble Overdrive Reverb and more recently a Bludotone amplifier. Santana compares the tonal qualities of each amplifier to that of a singer producing head/nasal tones, chest tones, and belly tones. A three-way amp switcher is employed on Carlos's pedal board to enable him to switch between amps. Often the unique tones of each amplifier are blended together, complementing each other producing a richer tone.

He also put the "Boogie" in Mesa Boogie. Santana is credited with coining the popular Mesa amplifier name when he tried one and exclaimed, "That little thing really Boogies!"

Specifically, Santana combines a Mesa/Boogie Mark I head running through a Boogie cabinet with Altec 417-8H (or recently JBL E120s) speakers, and a Dumble Overdrive Reverb and/or a Dumble Overdrive Special running through a Brown or Marshall 4x12 cabinet with Celestion G12M "Greenback" speakers, depending on the desired sound. Shure KSM-32 microphones are used to pick up the sound, going to the PA. Additionally, a Fender Cyber-Twin Amp is mostly used at home.

During his early career Santana used a GMT transistor amplifier stack and a silverface Fender Twin. The GMT 226A rig was used at the Woodstock concert as well as during recording Santana's debut album. During this era Santana had also began to use the Fender Twin, which was also used on the debut and proceedingly at the recording sessions of Abraxas.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Personal life[edit]

Carlos Santana became a naturalized US citizen in 1965.

On October 19, 2007, his wife of 34 years, Deborah Santana, filed for divorce citing "irreconcilable differences".

Carlos Santana became engaged to drummer Cindy Blackman, after proposing to her during a concert of the Universal Tone Tour at Tinley Park in Chicago, Illinois on July 9, 2010. The two were married in December 2010. They currently live in Las Vegas.Cite error: There are <ref> tags on this page, but the references will not show without a {{reflist}} template (see the help page).

Sources[edit]

Soul Sacrifice; The Carlos Santana Story Simon Leng 2000Space Between The Stars Deborah Santana 2004Rolling Stone "The Resurrection of Carlos Santana" Ben Fong Torres 1972New Musical Express "Spirit of Santana" Chris Charlesworth November 1973Guitar Player Magazine 1978Rolling Stone "The Epic Life of Carlos Santana" 2000Santana I – Sony Legacy Edition: liner notesAbraxas – Sony Legacy Edition: liner notesSantana III – Sony Legacy edition: liner notesViva Santana – CBS CD release 1988; liner notesPower, Passion and Beauty – The Story of the Legendary Mahavishnu Orchestra Walter Kolosky 2006Best of Carlos Santana – Wolf Marshall 1996; introduction and interview
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Tour Dates All Dates Dates In My Area

Date Venue Location Tickets
04.27.14 St Augustine Amphitheatre Saint Augustine, FL US
05.02.14 Hard Rock Live Hollywood, FL US