Cliff Carlisle

All Music Guide:

White country bluesman Cliff Carlisle was among the most prolific recording artists of the 1930s; a blue yodeler in the tradition of Jimmie Rodgers, he helped pioneer the popularity of the Hawaiian steel guitar in country music, while the ribald imagery of his material established him among the wittiest and most reckless composers of his day. Born in Taylorsville, KY, on May 6, 1904, as a child Carlisle was enamored of the Hawaiian guitar recordings of Frank Ferera, and eventually placed a steel nut under the strings of his own guitar to achieve a similar sound. Rural blues was also an early influence, and while working on his family's farm he also absorbed the inspiration of old-timey string bands and sacred songs; he began his performing career at the age of 16, performing socials and local talent contests alongside a cousin, Lillian Truax. After Truax's marriage disbanded the duo, in 1924 Carlisle began collaborating with Wilber Ball, a construction worker who also played guitar and sang tenor harmony; over the course of the decade to follow, the duo regularly toured the vaudeville and tent show circuit, performing across the country as quite possibly the first blue yodeling duet team.

In 1930, Carlisle and Ball debuted on Louisville radio WHAS, a fledgling station their popularity helped establish; that same year Carlisle made his first recordings on the Gennett and Champion labels, virtually all of them firmly in the tradition of Jimmie Rodgers. In 1931, he and Ball actually recorded with the Singing Brakeman himself; that same year Carlisle also cut "Shanghai Rooster Yodel," the first in a series of ribald barnyard-themed outings that served him throughout his career, and might have influenced similar tracks by Charley Patton ("Banty Rooster Blues") and Howlin' Wolf ("Little Red Rooster"). Upon signing to ARC in late 1931, Carlisle's career truly took flight, as he landed a regular spot on Charlotte, NC, station WBT, followed by subsequent gigs at Chicago's WLS and Cincinnati's WLW. His younger brother, Bill, replaced Ball as rhythm guitarist circa 1934, and when Carlisle resumed recording in 1936 after a lengthy hiatus, his material became even saltier -- "Get Her By the Tail on a Down Hill Drag" was a classic barroom boast, while "That Nasty Swing" employed metaphorical imagery of surprising explicitness. (He typically recorded his more blue material under a variety of pseudonyms, including Bob Clifford and Amos Greene.)

During the mid-'30s, Carlisle's son -- billed as "Sonny Boy Tommy" -- began regularly appearing on live dates and recording sessions, a situation that often ran afoul of individual states' child labor laws. The recordings Carlisle made with his son were typically mild and innocuous, but his solo sides continued to get down and dirty -- "A Wild Cat Woman and a Tom Cat Man" offered a cartoonish portrait of domestic disputes, while the snarky "You'll Miss Me When I'm Gone" was later covered by Elvis Presley as "Just Because." In 1939, he recorded "Footprints in the Snow," later to become a bluegrass standard; the song offered clear proof that consumers' appetite for blue yodels was on the wane; in the years to follow, Carlisle was a regular on WMPS in Memphis, but by the early '50s he was essentially retired from the music industry, having recorded well over 300 sides during his heyday. He was rediscovered a decade later when the Rooftop Singers covered his "Tom Cat Blues," leading to a handful of reunion performances with Wilber Ball and even the recording of new material for the Rem label. Cliff Carlisle died in Lexington, KY, on April 2, 1983; he was 78.

Wikipedia:

Cliff Carlisle (May 6, 1903 – April 5, 1983) was an American country and blues singer. Carlisle was a yodeler and was a pioneer in the use of the Hawaiian steel guitar in country music.

Biography

Carlisle was born in Taylorsville, Kentucky and began performing locally with cousin Lillian Truax at age 16. Truax's marriage put an end to the group, and Carlisle began playing with Wilber Ball, a guitarist and tenor harmonizer. The two toured frequently around the U.S. playing vaudeville and circus venues in the 1920s.

Carlisle and Ball first played at Louisville, Kentucky radio station WHAS-AM in 1930, which made them local stars, and later that year they recorded for Gennett Records and Champion Records. In 1931, they recorded with Jimmie Rodgers. Toward the end of 1931, Carlisle signed with ARC and was offered performance slots on several radio stations, including WBT-AM in Charlotte, North Carolina, WLS-AM in Chicago and WLW-AM in Cincinnati, Ohio. Cliff's brother Bill became his guitarist after Ball left in 1934. During the 1930s Carlisle, who recorded a large amount of material despite a hiatus from 1934 to 1936, frequently released songs with sexual connotations including barnyard metaphors (which became something of a hallmark).

Carlisle toured with his son, "Sonny Boy Tommy," to occasional consternation from authorities in areas where this contravened local child labor laws. He continued to perform on WMPS-AM in Memphis, Tennessee for several years in the 1940s, but by the 1950s had retired from music.

In the 1960s, The Rooftop Singers covered his tune "Tom Cat Blues"; in its wake, Carlisle and Ball did a few reunion shows together and recorded for Rem Records. On April 2, 1983, Carlisle died at the age of 79 in Lexington, Kentucky.